Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
A 30-minute follow-up piece for Roger & Me, this was first shown when that film was broadcast as part of the PBS series P.O.V. Moore briefly re-examines the economic collapse of Flint and ... See full summary »
Janet K. Rauch
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith. Written by
Murray Chapman <email@example.com>
I was kind of a strange child. My parents knew early on that something must have been wrong with me. I crawled backwards until I was two... It all began when my mother didn't show up at my first birthday party, 'cause she was off having my sister, and dad tried to cheer me up by letting me eat the whole cake. I knew then, there had to be more to life than this.
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Flint Convention and Visitors Bureau 1-800-482-6708 See more »
Some people just don't like to celebrate human tragedy while on vacation
Flint is small town that was for many years a extension to General Motors factory. One morning boss of Genergal Motor Roger Smith woke up and discover the fact that closing the factory and fire of 30,000 people can make better business than carry on with production, despite the fact that factory didn't bring any losses.
"Roger and Me" is document where Michael Moore report the slow but systematic fall of his hometown because of Roger Smith decision. Moore just want one thing bring Roger Smith to the town, so he can see with his own eyes the fallout. I wont spoiler, let me just say the one of last scene of this movie is very eerie and surreal.
This is very interesting document, when every reported thing is scary, curious and funny. My favorite moment is interview with women breeding rabbits (for pets, and for meat), but all of this encounters with Flint's peasants are at least informative. Yeah, it's a manipulation by Moore like always (I hate his Fahrenheit because of that), but here he selected and arranged the moment in very powerful way. The situation is real, and the horror of it its more then real, when we see this hopeless, not very bright people who where just because of one man decision put on the highway to hell.
And of course this movie is all about Moore. He is everywhere, non stop commenting, but the god-crusader from last scene of "Bowling for columbine" (Heston) is no where near here, and that's a good thing. This movie is just a well aimed shot, a punk-rock scream for a social injustice. This is art for document with power to stir up emotion and show people ugly things just the way they are: evictions, parades, idiotic city decision ignorance, foolishness, powerlessness its all powerful evil, and the last scene with very sad Christmas Carol its surreal.
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