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Roger & Me (1989)

7.5
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Ratings: 7.5/10 from 20,306 users  
Reviews: 128 user | 37 critic

Director Michael Moore pursues GM CEO Roger Smith to confront him about the harm he did to Flint, Michigan with his massive downsizing.

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Title: Roger & Me (1989)

Roger & Me (1989) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
...
Himself
Roger B. Smith ...
Himself
Rhonda Britton ...
Herself - Pets or Meat Lady
Fred Ross ...
Himself - Eviction Deputy
Kaye Lani Rae Rafko ...
Herself (Miss America)
James Blanchard ...
Himself
James Bond ...
Himself
...
Himself
Anita Bryant ...
Herself
Karen Edgely ...
Herself
Bob Eubanks ...
Himself
Ben Hamper ...
Himself
Dinona Jackson ...
Herself
Timothy Jackson ...
Himself
Tom Kay ...
Himself
Edit

Storyline

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Taglines:

The story of a rebel and his mike.

Genres:

Documentary

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 December 1989 (USA)  »

Also Known As:

A Humorous Look at How General Motors Destroyed Flint, Michigan  »

Filming Locations:

 »

Box Office

Budget:

$160,000 (estimated)

Opening Weekend:

$18,866 (USA) (19 October 2012)

Gross:

$511,200 (USA) (28 December 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

This is the only movie where there has been a successful lawsuit against Michael Moore - filed by former friend Larry Stecco who successfully argued that his portrayal in the movie was not an accurate reflection of his character ("False light invasion of privacy" is the legal term) and won. Stecco was interviewed attending a society fund raising ball and was made out to be a high-society rich pig who partied while people where starving outside. He was actually a lawyer who worked pro-bono for the poorer residents of Flint. See more »

Quotes

[last lines]
Michael Moore: [voice-over] Well, I failed to bring Roger to Flint. As we neared the end of the twentieth century, the rich were richer, the poor, poorer. And people everywhere now had a lot less lint, thanks to the lint rollers made in my hometown. It was truly the dawn of a new era.
See more »

Crazy Credits

Flint Convention and Visitors Bureau 1-800-482-6708 See more »

Connections

Featured in Bowling for Columbine (2002) See more »

Soundtracks

Speedy Gonzales
Written by Buddy Kaye, David Hill, and Ethel Lee
Performed by Pat Boone
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User Reviews

 
Some people just don't like to celebrate human tragedy while on vacation
4 December 2006 | by (Poland) – See all my reviews

Flint is small town that was for many years a extension to General Motors factory. One morning boss of Genergal Motor – Roger Smith woke up and discover the fact that closing the factory and fire of 30,000 people can make better business than carry on with production, despite the fact that factory didn't bring any losses.

"Roger and Me" is document where Michael Moore report the slow but systematic fall of his hometown because of Roger Smith decision. Moore just want one thing – bring Roger Smith to the town, so he can see with his own eyes the fallout. I wont spoiler, let me just say the one of last scene of this movie is very eerie and surreal.

This is very interesting document, when every reported thing is scary, curious and funny. My favorite moment is interview with women breeding rabbits (for pets, and for meat), but all of this encounters with Flint's peasants are at least informative. Yeah, it's a manipulation by Moore like always (I hate his Fahrenheit because of that), but here he selected and arranged the moment in very powerful way. The situation is real, and the horror of it its more then real, when we see this hopeless, not very bright people who where just because of one man decision put on the highway to hell.

And of course this movie is all about Moore. He is everywhere, non stop commenting, but the god-crusader from last scene of "Bowling for columbine" (Heston) is no where near here, and that's a good thing. This movie is just a well aimed shot, a punk-rock scream for a social injustice. This is art for document with power to stir up emotion and show people ugly things just the way they are: evictions, parades, idiotic city decision – ignorance, foolishness, powerlessness – its all powerful evil, and the last scene with very sad Christmas Carol its surreal.


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