While he's deep undercover in New York, DEA agent Shane Tanner, the son of a legendary cooler named Dalton, learns that his uncle Nate Tanner got beat up by a group of men because he ... See full summary »
A skilled young hockey prospect hoping to attract the attention of professional scouts is pressured to show that he can fight if challenged during his stay in a Canadian minor hockey town. ... See full summary »
Dalton is the Cooler in bars; He backs up and directs the bouncers. He takes a job in a Road House that has gotten far too rough. His attempts to clean things up put him in conflict with Brad Wesley, the town bully and rich person. Things heat up. Written by
John Vogel <firstname.lastname@example.org>
An off-Broadway production of this film was produced in 2003. It had the peculiarly excessively long title of "Road House: The Stage Version Of The Cinema Classic That Starred Patrick Swayze, Except This One Stars Taimak From The 80's Cult Classic The Last Dragon (1985) Wearing A Blonde Mullet Wig". See more »
When Red is reaching for the replacement antenna for Dalton, you can see a prop man handing the antenna to him. See more »
Bouncer Checking IDs:
[to Frank Tilghman, as he enters the Bandstand]
Go ahead, sir.
See more »
While the end credits are rolling, the house band does one more number. See more »
This really is one of those guilty pleasures - a silly, inane movie, but possessed of so many elements for guys to enjoy, mainly regular bouts of ass-kicking, that a guy has to watch it about once a year to get his fix of adrenaline and a picture of how the world should work. The movie has its own rules and an internal structure mostly explained by the character of Dalton (Swayze), a supervisor of bouncers termed a Cooler. When certain entertainment establishments become too lowbrow and rowdy on a nightly basis, someone like Dalton is hired on to show all the patrons how to behave in a civilized manner. He has a degree in philosophy to help facilitate his instruction, plus some martial arts disciplines. In this world of bouncers, club owners, and alcohol dispensers, Dalton has a mighty rep - they've all heard of him, tho many thought he'd be bigger.
Also with an older rep is Wade Garrett (Elliott), an aged cooler who shows up halfway in to help his protégé kick some teeth in. It's amusing to watch the bouncers when introduced to Wade - they react like actors introduced to the Marlon Brando of the bouncer industry. The main villain is a local rich bigshot (Gazzara), usually wearing a self-satisfied evil grin and nice clothes, hiding a repugnant nature which treasures power & more power above all else. Well, actually, he doesn't hide it much as the pic progresses. This is where such villains make a foolish error: if he'd been just a little more laid-back and content with all the power he already had, things would've probably stayed the same for him. But he just can't resist having total absolute control over everything & everyone - a pure-bred fascist if ever there was - offending the zen-like sensibilities of the usually serene Dalton. Of course, having a couple of Dalton's friends killed didn't help towards a peaceful resolution.
The most entertaining portions of the pic are Dalton's methods in dealing with yahoo troublemakers; these dangerous dudes are reduced to clownish oafs by Dalton's effective tactics & knowhow. There's also a dark version of Dalton, Gazzara's main henchman, a martial arts master who seems a match for Dalton's prowess. There are frequent splashes of female nudity, including by Lynch as Dalton's new girlfriend (and doctor; Dalton isn't invulnerable - he needs a doctor about twice a week). You also seem to learn a lot about the art of being a bouncer, though some of this may be baloney. In many ways, this could be the perfect guy picture.
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