|Page 1 of 3:||  |
|Index||22 reviews in total|
As much as I would like to, I simply can't say "Pink Cadillac" is a good movie but I got to add that it's not a completely vain or useless one either. Plot is flimsy and incoherent and practically about 90% of the whole motion picture is more or less nonsense but if it entertains someone, what's the big problem? It should be enough. I have to admit I liked "Pink Cadillac" only because of my huge Clint Eastwood fanatism. Without him on the leading role movie would have been a very trivial experience for me. But although I love Eastwood's tough, violent and ruthless hard-ass characters with killer one-liners it's pretty pleasant to see him in an amiable, easy-going role in a genial, yet very stupid movie. Jim Carrey's uncredited appearance as a comedian who imitates Elvis is also worth checking out even though it's a very short one. You'll find the longer version in "Man on the moon". Amusing and very watchable "Pink Cadillac" is a film for people who just don't expect miracles every time they watch movies and naturally for hardcore Eastwood fans like myself who really don't care if the film isn't perfect as long as the man is on the screen. He has made movie history with so many astonishing films. I think we can approve couple of flicks that aren't part of it, can't we?
Q: What's hotter than a blond in a pink cadillac convertable? A: a blond
a pink cadillac convertable with a trunkful of money. So hot, in fact,
got her hapless husband, his white supremist buddies and a bounty hunter
This a true screwball comedy, not just because of the absurd situations and unlikely romance, but for its warmth, humor and intelligence. Some of the laughs are pure slapstick, others pure wit, but through it all, the lovers sparkle. Burnadette Peters, probably the best screwball actress of her generation, is a delight as the smart, silly Lu Ann. Eastwood displays a surprisingly light touch as the bounty hunter who gets drawn into the hurricane she's inadvertantly released.
If you're looking for the Great American Film, try Citizen Kane. If you want braindead humor, try Dumb and Dumber. But if you want a light, funny, sexy, smart flick, you might want to check out Pink Cadillac.
I suppose this was part of the period when Clint Eastwood was intent on expanding his acting range from just squint-and-shoot. Actually I thought he did OK at it. Bernadette Peters was sooo cute and quirky, like she always is. There was one emotional scene where I cringed at her acting, but other than that once, she was great. The stereotypical white supremacists were laughable. Clint needs to come up with some better bad guys. These were just as bad as the biker gang from his orang movies; in fact, some of them might be the same ones.
Like most people I guess, I'd never heard of this movie (it not getting
a theatrical release in the UK). But I like Clint so when it came
around on late-night TV...
The leads are excellent, the script is witty, but the direction plods. The first third is so slow it almost had me reaching for the off switch. (A Pink Cadillac that runs on Valium, is no fun ride, me thinks.) Still I hung on in there and am not disappointed that I did.
Eastwood's attempt at playing "characters" was vaguely cringe-worthy. Let's face it, his best role is playing Clint Eastwood. Even so, he still has enough charm to get away with trying. Bernadette Peters adds subtlety, humor and integrity to her role. The film is well made. It hangs together. It was just never worth a special trip to the cinema. But fine on DVD or video with wine and a pizza.
*** This review may contain spoilers ***
I didn't care for this movie when it first came out, but now it plays
much better than most late 80's action flicks. There is great chemistry
between Eastwood and Bernadette Peters. Eastwood has been canny about
who he teams up with. Pink Cadillac is in the mold of Two Mules For
Sister Sara, The Enforcer and The Gauntlet, in which Eastwood's macho
character gets saddled with a female partner, and has to make the best
of it. In fact, this plot device is used in Million Dollar Baby.
Pink Cadillac is simply good old-fashioned Hollywood film-making, no fancy cinematography or special effects, just a simple but well-told story with two characters that we like and care about. Eastwood is gracious in allowing his female characters to live and breathe and have unexpected reservoirs of strength and resilience. This is evident in movies like Tightrope with Genevieve Bujold and The Enforcer with Tyne Daly.
As for Eastwood, he makes it look effortless, but he is an underrated actor. Pink Cadillac gives him the opportunity to do some odd character acting bits, as he adopts eccentric accents and disguises in his job as a skip tracer. One gets the feeling Eastwood is enjoying himself immensely, and it is a joy to see him doing off-the-wall stuff, although it is also cool to see Eastwood being Eastwood during the action sequences.
Pink Cadillac also shares with other Eastwood films like Bronco Billy, Thunderbolt and Lightfoot, A Perfect World and Honkytonk Man an affinity with American people living on the margins. While most filmmakers (such as the smug Coen Brothers) treat rural American characters with contempt, Eastwood views all people with a measure of respect and affection (except for the white supremacists).
There is also a great sense of place in this film, as it captures off the beaten path locations in Northern California that are seldom used in film. Director Buddy Van Horn provides efficient craftsmanship that doesn't call attention to itself, but his eye always alert to the telling details of character and setting.
In all, an unexpected pleasure, and an underrated road film.
Someone who, as the result of long military deployment at the end of the Cold War, saw nearly every theatrical release of the time is familiar with the Eastwood Mayoral Late Bubblegum Period. Scholars define this as Clint's tenure as mayor of Carmel, between the Marine anthem "Heartbreak Ridge" in 1986 and Clint's Western opus "Unforgiven" in 1992. In 1988 he put a belated end to Dirty Harry in the "Dead Pool," in 1990 he had a PG-13 bondage scene with Sonia Braga in "The Rookie," and in between there was this streetwise chase caper that was, to our loss, his only work with Bernadette. Bounty hunter Tommy (euphemistically a "skip tracer" since he's chasing a girl) captures bail jumper Lou Ann in Las Vegas and becomes caught up in the chase for a cash stash hidden in her pink '59 Caddy convertible by her drug-addict husband & his white supremacist, counterfeiting friends. Clint is at his most likable in these average-Joe tough-guy roles, men who survive only by their wits in seedy jobs (bounty hunter, bank robber, detective, street boxer) & take their lumps when they fall for lost causes or damsels in distress. Peters is fantastic in a humdrum role, going from sullen to sassy to sexy to sensitive without letting us down for an instant. The film is pure fun for its first two thirds, featuring little besides the two stars (Clint mimicking Bernadette's unique soprano is not to be missed). Geoffrey Lewis, an essential in all Eastwood movies like this, is entertaining as ever, this time as an addled hippie forger. The story follows the formula of several movies of this period, the best of which was "Midnight Run" (Cop/bounty hunter finds initial quarry, who's a patsy holding the key to bringing down a really nasty criminal/terrorist outfit). Unfortunately, the bad guys are too psycho-nasty for the light-hearted script, which also features Lou Ann's baby as a hostage. The pre-"Sopranos" mob bad guys of "Midnight Run" brought just the right amount of humor to distill their menace, but if you can find anything funny about neo-Nazi redneck drug addict survivalist militiamen who kidnap babies, please seek therapy. Clint actually gives it a shot near the end, so never let it be said he's not up for a dramatic challenge. "Pink Cadillac" isn't worthy as the only vehicle for the Broadway star and the greatest tough guy of his day, but it was a pleasant way to spend a couple of hours at sea. Compliments to "Speed Channel's" Lost Drive-in for bringing this & other forgotten car movies back to the small screen.
This was supposed to be a comedy, a bridge between the "Clyde" movies
and his later, more serious movies. Here, Clint is beginning to show
his age. HE just cant be as rough and tumble as he was in the 60's &
70's. Ms. Peters wasn't a very good actress in this movie, Its painful
to watch the baby bomb scene. She's better suited to Broadway.
Here, Clint played down his character. This was more of a parody of his "Gauntlet" role, just as the last Dirty Harry movie was a parody of the entire Dirty Harry series. The Caddy gets ruined much like the bus. The Brotherhood gang isn't as scary as the Black Widows, but they are as goofy, and they serve the same purpose: just a group of outlaws to give Clint someone to contend with. Clint had better adversaries in his Spaghetti Westerns.
The scenery is nice though. I graduated high school not long after this movie came out and it was an encouraging factor in all the road trips I took all over the American Southwest. I still haven't made it to the Sierras though.
The lesson learned here is, its better to make fun of yourself and have fun doing it before someone else does and possibly does it with venom.
This is Eastwood unlike you've ever seen him or will see him again.
Yes, he's one bad-ass mo-fo as always, but with a twist, with irony...
with a great deal of zany humor. To illustrate how zany he gets, keep
in mind that Jim Carey makes a cameo... a fitting cameo.
The movie is about... well, a Pink Cadillac. Peters' character is arrested for having counterfeit money in her trailer (she's a hick you see) even though it's not hers, but her husband's. Her husband, by the way, reminds me of an evil roommate I once had living in Queens, which is fitting and added to my hate of the character. After she makes bail, she steals her husband's pink Cadillac (title!) and skips out on court.
In comes Eastwood to hunt her down and drag her back to the State of California where she will be tried. But as can be predicted, things get personal for Eastwood as he befriends Peters'.
It's a fun romp of household baby abuse, thievery, conniving hickory and militia goodness... and keep an eye/ear out for the bad acting that comes from the head back guy... the leader of the militia - funny stuff!
As mentioned in another comment, this film is very, very similar to the brilliant De Niro movie Midnight Run which came out a year before this one. This one pales in comparison unfortunately. I wouldn't have thought it was a deliberate move by Eastwood to cash in on the success of Midnight Run, because I don't think Clint has to ride on anyone's coat tails, and was Midnight Run a big hit anyway? Actually this must be one of Clints least known films, its very rarely shown on TV here in Great Britain, in fact I think it went straight to video, a Clint Eastwood film straight to video! It must be really bad yeah? well no, not really, but not exactly great either. Its a pleasant enough way to spend a couple of hours, and does show Clint doing different things. He takes on different personas in his Bounty hunter role to catch the crooks including a DJ and a redneck, which I thought was hilarious, really funny. Bernadette Peters was really good in this I thought as well, bright and quirky. What really let it down was the gang of Nazi redneck bikers (or whatever they were meant to be), they bordered on comedy villains, in fact I kept waiting for Clyde the Orangatun to wander on screen and punch them out and drink all their beer! So one for Clint fans only I'm afraid (like me!) P.S See if you can spot Jim Carrey AND Canadian rocker Bryan Adams in the film.
I don't consider Pink Cadillac a terrible movie, just one I didn't care
for. It is a well made movie, with a beautiful car, a good soundtrack,
a few witty quips in the script, Clint Eastwood giving his all to the
role and Bernadette Peters all bubbly and fun. On the other hand, I
find the film rather dull, with a very sluggish first half, a mostly
incoherent plot, characters that don't have much substance and you
don't care much, some jokes that feel forced and lethargic direction.
Overall, Pink Cadillac was not as bad as I thought, but considering how much I respect Eastwood, both as an actor and a director and a large body of his films, it could have been better. 4/10 Bethany Cox
|Page 1 of 3:||  |
|Plot summary||Ratings||Newsgroup reviews|
|External reviews||Parents Guide||Plot keywords|
|Main details||Your user reviews||Your vote history|