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Pink Cadillac (1989)

PG-13 | | Action, Comedy, Crime | 26 May 1989 (USA)
Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for ... See full summary »

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Cast

Cast overview, first billed only:
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Tiffany Gail Robinson ...
Angela Louise Robinson ...
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Jimmie F. Skaggs ...
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Gary Howard Klar ...
Randy Bates (as Gary Klar)
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Policeman #1
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Policeman #2 (as Lenny Garner)
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Storyline

Skip tracer Tommy Nowak is tracking Lou Ann McGuinn for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn and his birth right/neo-nazi friends for taking their counterfeit money. Nowak eventually captures Lou Ann in Reno, but agrees to stop at her sisters on the way back to see her baby. There she finds her husband and his whacked out friend. A struggle begins and Roy takes off with her baby. Now it's up to Tommy to get the baby back. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

It takes a real man to bring in a lady in a pink Cadillac.

Genres:

Action | Comedy | Crime | Drama

Certificate:

PG-13 | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

26 May 1989 (USA)  »

Also Known As:

En la pista de los asesinos  »

Filming Locations:

 »

Box Office

Budget:

$19,000,000 (estimated)

Gross:

$12,143,484 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

After Any Which Way You Can (1980) and The Dead Pool (1988), this was the third and final film that Buddy Van Horn and Clint Eastwood made together. See more »

Goofs

(at around 31 mins) A boom mic's reflection can be seen in the car's window. See more »

Quotes

Lou Ann McGuinn: Believe it or not: Roy was just about the coolest boy in San Bernadino. About 40,000 Heineken ago
See more »

Connections

Referenced in Dostana (2008) See more »

Soundtracks

Any Way the Wind Blows
Written by John McFee and Andre Pessis
Performed by Southern Pacific
Courtesy of Warner Bros. Records Inc.
(end title)
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User Reviews

 
Cadillac Clint meets Pink Peters
14 April 2006 | by (United States) – See all my reviews

Someone who, as the result of long military deployment at the end of the Cold War, saw nearly every theatrical release of the time is familiar with the Eastwood Mayoral Late Bubblegum Period. Scholars define this as Clint's tenure as mayor of Carmel, between the Marine anthem "Heartbreak Ridge" in 1986 and Clint's Western opus "Unforgiven" in 1992. In 1988 he put a belated end to Dirty Harry in the "Dead Pool," in 1990 he had a PG-13 bondage scene with Sonia Braga in "The Rookie," and in between there was this streetwise chase caper that was, to our loss, his only work with Bernadette. Bounty hunter Tommy (euphemistically a "skip tracer" since he's chasing a girl) captures bail jumper Lou Ann in Las Vegas and becomes caught up in the chase for a cash stash hidden in her pink '59 Caddy convertible by her drug-addict husband & his white supremacist, counterfeiting friends. Clint is at his most likable in these average-Joe tough-guy roles, men who survive only by their wits in seedy jobs (bounty hunter, bank robber, detective, street boxer) & take their lumps when they fall for lost causes or damsels in distress. Peters is fantastic in a humdrum role, going from sullen to sassy to sexy to sensitive without letting us down for an instant. The film is pure fun for its first two thirds, featuring little besides the two stars (Clint mimicking Bernadette's unique soprano is not to be missed). Geoffrey Lewis, an essential in all Eastwood movies like this, is entertaining as ever, this time as an addled hippie forger. The story follows the formula of several movies of this period, the best of which was "Midnight Run" (Cop/bounty hunter finds initial quarry, who's a patsy holding the key to bringing down a really nasty criminal/terrorist outfit). Unfortunately, the bad guys are too psycho-nasty for the light-hearted script, which also features Lou Ann's baby as a hostage. The pre-"Sopranos" mob bad guys of "Midnight Run" brought just the right amount of humor to distill their menace, but if you can find anything funny about neo-Nazi redneck drug addict survivalist militiamen who kidnap babies, please seek therapy. Clint actually gives it a shot near the end, so never let it be said he's not up for a dramatic challenge. "Pink Cadillac" isn't worthy as the only vehicle for the Broadway star and the greatest tough guy of his day, but it was a pleasant way to spend a couple of hours at sea. Compliments to "Speed Channel's" Lost Drive-in for bringing this & other forgotten car movies back to the small screen.


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