Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
Ex-CIA hit-man running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their ... See full summary »
Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky ... See full summary »
Richard and Priscilla Parker's lives take a turn for the better when Eddy and Kay move into the house next door. Eddy's a risk taker and shows his new neighbours how to enjoy life at the ... See full summary »
Alan J. Pakula
Mary Elizabeth Mastrantonio,
Extortionist Jake Farley is found strangled, and the clues lead directly to former detective Joe Paris, who insists on his innocence but can't provide an alibi. Public defendant Jenny Hudson gets the case, but has problems unravelling the case, complicated by the fact that virtually everyone hated Farley, and Paris has a few enemies as well. She rejects the prosecution's offers to plea bargain, but meanwhile the witnesses she finds are discredited or silenced, and an unidentified patrol car shadows Paris and Hudson wherever they go. Written by
Ed Sutton <firstname.lastname@example.org>
Michael Crichton directed this flighty, flimsy cop-show starring Burt Reynolds as an officer framed for murder. Crichton, who did not pen the script, seems a curious choice to helm such second-rate material, but he makes something enjoyable out of it--even though one is inclined to scoff at the plotting and outrageous incidents in place of laughing (I did both). Laid-back Burt is positively enervated, yet he actually does the picture a favor by playing it so low-keyed (Crichton's general handling is outré enough). Completely outlandish, though it contains some surprising bits of humor and an odd little nasty streak which is intriguing. It's a guilty pleasure, with Crichton chortling in the background. ** from ****
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