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Directed by | |||
| Dwight H. Little | |||
Writing credits(in alphabetical order) | ||
| Gaston Leroux | novel | |
| Gerry O'Hara | based upon the screenplay by | |
| Duke Sandefur | screenplay | |
| Robert Englund | ... | Erik Destler / The Phantom | |
| Jill Schoelen | ... | Christine Day | |
| Alex Hyde-White | ... | Richard Dutton | |
| Bill Nighy | ... | Martin Barton | |
| Stephanie Lawrence | ... | La Carlotta | |
| Terence Harvey | ... | Insp. Hawkins | |
| Nathan Lewis | ... | Davies | |
| Peter Clapham | ... | Harrison | |
| Molly Shannon | ... | Meg (New York) | |
| Emma Rawson | ... | Meg (London) | |
| Mark Ryan | ... | Mott | |
| Yehuda Efroni | ... | The Rat Catcher | |
| Terence Beesley | ... | Joseph Buquet | |
| Ray Jewers | ... | Elise | |
| Robin Hunter | ... | Roland | |
| Virginia Fiol | ... | Sarah | |
| Cathy Murphy | ... | Esther | |
| Andre Thornton Grimes | ... | Bartender | |
| Jaclyn Mendoza | ... | Maddie | |
| John Ghavan | ... | Dwarf / The Devil | |
| Mickey Epps | ... | Cardplayer | |
| László Szili | ... | Cardplayer (as Laszlo Szili) | |
| Patrick Burke | ... | Workman | |
| Jonathan Linsley | ... | Workman | |
| Tommy Wright | ... | Workman | |
| László Baranyi | ... | Workman | |
| Ottilia Borbáth | ... | House Mother (as Ottilia Borbath) | |
| Lajos Dobák | ... | Maitre d' (as Lajos Dobak) | |
| rest of cast listed alphabetically: | |||
| Jennifer Guy | ... | Anne (uncredited) | |
Original Music by | |||
| Misha Segal | |||
Cinematography by | |||
| Peter Lyons Collister | |||
| Elemér Ragályi | (as Elemer Regalyi) | ||
Film Editing by | |||
| Charles Bornstein | |||
Art Direction by | |||
| Tivadar Bertalan | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| John Carl Buechler | .... | additional prosthetic makeup effects supervisor: Magical Media Industries Inc. | |
| Everett Burrell | .... | makeup effects crew | |
| Michael Deak | .... | location makeup effects: Magical Media Industries Inc. | |
| John Foster | .... | production manager: Magical Media Industries Inc. | |
| Ron Pipes | .... | makeup effects crew | |
| Sean Rodgers | .... | makeup effects crew | |
| Josephine Turner | .... | wig maker: Magical Media Industries Inc. | |
| John Vulich | .... | location makeup effects: Magical Media Industries Inc. | |
| John Vulich | .... | special makeup effects | |
| Kevin Yagher | .... | special makeup effects | |
| Mark C. Yagher | .... | makeup effects crew | |
Production Management | |||
| Marc S. Fischer | .... | unit production manager | |
| Omneya 'Nini' Mazen | .... | post-production supervisor | |
| Helena Toth | .... | production supervisor | |
| Joseph Vittorie | .... | production supervisor: 21st Century Film Corporation (as Joseph N. Vittotrie Jr.) | |
Second Unit Director or Assistant Director | |||
| Michal Engel | .... | key second assistant director | |
| Avner Orshalimy | .... | first assistant director (as Avener Orshalimi) | |
| Péter Rácz | .... | additional second assistant director | |
Art Department | |||
| Zoltán Horváth | .... | set dresser | |
Sound Department | |||
| Ed Callahan | .... | sound effects editor | |
| Jeff Clark | .... | sound engineer | |
| Cyril Collick | .... | sound recordist | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Joe Dorn | .... | adr editor | |
| Csaba Erös | .... | boom operator | |
| Arnold Finkelstein | .... | sound effects recordist | |
| Tommy Goodwin | .... | adr mixer | |
| Tommy Goodwin | .... | foley mixer | |
| Martin Maryska | .... | sound designer | |
| John Morris | .... | supervising sound editor | |
| Doug Parry | .... | sound re-recording mixer | |
| Dorielle Rogers | .... | sound recordist | |
| Steven J. Rogers | .... | production sound mixer | |
| Dean St. John | .... | adr recordist | |
| Dean St. John | .... | foley recordist | |
| Hamilton Sterling | .... | sound effects editor | |
| Jerry Trent | .... | foley artist | |
| Jay Wilkinson | .... | sound editor | |
Special Effects by | |||
| Michael Deak | .... | on-set effects supervisor | |
Stunts | |||
| Zoltán Gulyás Kiss | .... | stunts | |
| László Imre | .... | stunt performer | |
| György Kivés | .... | stunt double: The Phantom (as Gyorgy Kives) | |
| Ferenc Novinecz | .... | stunts | |
| Tamás Pintér | .... | stunt coordinator (as Tamas Pinter) | |
| Gábor Piroch | .... | stunts | |
Camera and Electrical Department | |||
| Csaba Bankhardt | .... | grip | |
| David E. Elkins | .... | first assistant camera: additional camera | |
| Egon Endrényi | .... | still photographer | |
| Géza Gonda | .... | first assistant camera | |
| Jorge Lovitz | .... | camera operator | |
| Andrea Martin | .... | gaffer | |
| Andrea Martin | .... | key grip electrician | |
| Imre Sisa | .... | dolly grip | |
| András Váradi | .... | assistant camera | |
Casting Department | |||
| Julie Hughes | .... | casting: USA and New York | |
| Nancy Lara-Hansch | .... | casting consultant | |
| Maggi Sangwin | .... | casting: United Kingdom and London | |
Costume and Wardrobe Department | |||
| Anne Bloomfield | .... | assistant costume supervisor | |
| Imre Béres | .... | tailor | |
| Gabor Szabo | .... | costumer | |
Editorial Department | |||
| Gerard Jakubowicz | .... | assistant editor | |
Music Department | |||
| William Ashford | .... | director of music: 21st Century Film Corporation | |
| Virginia S. Ellsworth | .... | music editor | |
| Harriet Schock | .... | song lyrics | |
| Misha Segal | .... | conductor | |
| Eric Tomlinson | .... | music editor: Budapest | |
Other crew | |||
| Mellanie Bradfield | .... | script supervisor | |
| John Carl Buechler | .... | additional prosthetic effects | |
| Earl Ellis | .... | laboratory technician | |
| Matt Falls | .... | laboratory technician | |
| Anita Hope | .... | production coordinator: USA | |
| Vera Loosz | .... | production accountant | |
| Andras Miko | .... | opera director | |
| Nobuko Oganesoff | .... | location manager | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |