| Photos (see all 7 | slideshow) |
| Robert Englund | ... | Erik Destler / The Phantom | |
| Jill Schoelen | ... | Christine Day | |
| Alex Hyde-White | ... | Richard Dutton | |
| Bill Nighy | ... | Martin Barton | |
| Stephanie Lawrence | ... | La Carlotta | |
| Terence Harvey | ... | Insp. Hawkins | |
| Nathan Lewis | ... | Davies | |
| Peter Clapham | ... | Harrison | |
| Molly Shannon | ... | Meg (New York) | |
| Emma Rawson | ... | Meg (London) | |
| Mark Ryan | ... | Mott | |
| Yehuda Efroni | ... | The Rat Catcher | |
| Terence Beesley | ... | Joseph Buquet | |
| Ray Jewers | ... | Elise | |
| Robin Hunter | ... | Roland | |
| Virginia Fiol | ... | Sarah | |
| Cathy Murphy | ... | Esther | |
| Andre Thornton Grimes | ... | Bartender | |
| Jaclyn Mendoza | ... | Maddie | |
| John Ghavan | ... | Dwarf / The Devil | |
| Mickey Epps | ... | Cardplayer | |
| László Szili | ... | Cardplayer (as Laszlo Szili) | |
| Patrick Burke | ... | Workman | |
| Jonathan Linsley | ... | Workman | |
| Tommy Wright | ... | Workman | |
| László Baranyi | ... | Workman | |
| Ottilia Borbáth | ... | House Mother (as Ottilia Borbath) | |
| Lajos Dobák | ... | Maitre d' (as Lajos Dobak) |
Directed by | |||
| Dwight H. Little | |||
Writing credits(in alphabetical order) | ||
| Gaston Leroux | novel | |
| Gerry O'Hara | based on a screenplay by | |
| Duke Sandefur | screenplay | |
Original Music by | |||
| Misha Segal | |||
Non-Original Music by | |||
| Charles Gounod | (from opera "Faust") | ||
Cinematography by | |||
| Peter Lyons Collister | |||
| Elemér Ragályi | (as Elemer Regalyi) | ||
Film Editing by | |||
| Charles Bornstein | |||
Art Direction by | |||
| Tivadar Bertalan | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| John Carl Buechler | .... | additional prosthetic makeup effects supervisor: Magical Media Industries Inc. | |
| Everett Burrell | .... | makeup effects crew | |
| Michael Deak | .... | location makeup effects: Magical Media Industries Inc. | |
| John Foster | .... | production manager: Magical Media Industries Inc. | |
| Ron Pipes | .... | makeup effects crew | |
| Sean Rodgers | .... | makeup effects crew | |
| Josephine Turner | .... | wig maker: Magical Media Industries Inc. | |
| John Vulich | .... | location makeup effects: Magical Media Industries Inc. | |
| John Vulich | .... | special makeup effects | |
| Kevin Yagher | .... | special makeup effects | |
| Mark C. Yagher | .... | makeup effects crew | |
Production Management | |||
| Marc S. Fischer | .... | unit production manager | |
| Omneya 'Nini' Mazen | .... | post-production supervisor | |
| Helena Toth | .... | production supervisor | |
| Joseph Vittorie | .... | production supervisor: 21st Century Film Corporation (as Joseph N. Vittotrie Jr.) | |
Second Unit Director or Assistant Director | |||
| Michal Engel | .... | key second assistant director | |
| Avner Orshalimy | .... | first assistant director (as Avener Orshalimi) | |
| Péter Rácz | .... | additional second assistant director | |
Art Department | |||
| Zoltán Horváth | .... | set dresser | |
Sound Department | |||
| Ed Callahan | .... | sound effects editor | |
| Jeff Clark | .... | sound engineer | |
| Cyril Collick | .... | sound recordist | |
| Joe Dorn | .... | adr editor | |
| Csaba Erös | .... | boom operator | |
| Arnold Finkelstein | .... | sound effects recordist | |
| Tommy Goodwin | .... | adr mixer | |
| Tommy Goodwin | .... | foley mixer | |
| Martin Maryska | .... | sound designer | |
| John Morris | .... | supervising sound editor | |
| Doug Parry | .... | sound re-recording mixer | |
| Dorielle Rogers | .... | sound recordist | |
| Steven J. Rogers | .... | production sound mixer | |
| Dean St. John | .... | adr recordist | |
| Dean St. John | .... | foley recordist | |
| Jerry Trent | .... | foley artist | |
| Jay Wilkinson | .... | sound editor | |
Special Effects by | |||
| Michael Deak | .... | on-set effects supervisor | |
Stunts | |||
| Zoltán Gulyás Kiss | .... | stunts | |
| László Imre | .... | stunt performer | |
| György Kivés | .... | stunt double: The Phantom (as Gyorgy Kives) | |
| Ferenc Novinecz | .... | stunts | |
| Tamás Pintér | .... | stunt coordinator (as Tamas Pinter) | |
| Gábor Piroch | .... | stunts | |
Camera and Electrical Department | |||
| David E. Elkins | .... | first assistant camera: additional camera | |
| Géza Gonda | .... | first assistant camera | |
| Jorge Lovitz | .... | camera operator | |
| Andrea Martin | .... | gaffer | |
| Andrea Martin | .... | key grip electrician | |
| András Váradi | .... | assistant camera | |
Casting Department | |||
| Julie Hughes | .... | casting: USA and New York | |
| Nancy Lara-Hansch | .... | casting consultant | |
| Maggi Sangwin | .... | casting: United Kingdom and London | |
Costume and Wardrobe Department | |||
| Anne Bloomfield | .... | assistant costume supervisor | |
Music Department | |||
| William Ashford | .... | director of music: 21st Century Film Corporation | |
| Virginia S. Ellsworth | .... | music editor | |
| Misha Segal | .... | conductor | |
| Eric Tomlinson | .... | music editor: Budapest | |
Other crew | |||
| John Carl Buechler | .... | additional prosthetic effects | |
| Earl Ellis | .... | laboratory technician | |
| Matt Falls | .... | laboratory technician | |
| Anita Hope | .... | production coordinator: USA | |
| Andras Miko | .... | opera director | |
| Nobuko Oganesoff | .... | location manager | |
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| Halloween 5 | Ewoks: The Battle for Endor | Gone with the Wind | Body Double | Halloween |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Phantom of the Opera has long been my favorite book, but I have never liked any of the movies--they always portrayed Erik, as a small, weak, mooning, lovesick writer. The real Erik was nearly 7 feet tall, and a strong, bad tempered, and very violent man--a serial killer not unlike his contemporary: Jack the Ripper. The great horror classic novel was written by Gaston Leroux, a reporter, and was based on an actual event that he had been called on to investigate.
I've seen every Phantom movie and am always deeply disappointed because none of them bear even a most remote hint of the book--until now. This version staring Robert Englund, while it has some inaccuracies, is the most faithful rendition of the book ever made. It captures Erik's violent, darker side as well as his vengeful temper.
Few people know that the real Erik was a "giant" born with a deformed face, abandoned by his parents who sold him as a slave to a circus when still a small child, and was shunned by society as an adult. His deep rooted hatred for the human race went to the extent that he took a job as a carpenter for the new Paris Opera House, and built the famous mazes and tunnels below it's basement, where he lived his entire life, seeking revenge on the world, by capturing actors, singers, and spectators, and than locking them for weeks on end in a torture chamber below the Opera House. As an old man, Erik's body was found shortly after the disappearance of the real Christine Daee'. Gaston Lerox was the newspaper reporter called in to write the newspaper reports on the death of the Opera Ghost and the missing girl; his research into Erik's life resulted in one of the greatest horror classics ever written. And now FINALLY a movie has been made that reaches into the very horror of the real life Erik and his murderous obsession with Miss Daee'. This is the most accurate Phantom of the Opera movie ever made. I love this movie so much I went out and bought 2 copies of it.