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The Phantom of the Opera (1989)

A darker version of the classic Gaston Leroux novel. A young soprano becomes the obsession of a horribly disfigured composer who has plans for those who oppose himself or the young singer.

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Cast

Cast overview, first billed only:
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Stephanie Lawrence ...
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Nathan Lewis ...
Peter Clapham ...
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Meg (New York)
Emma Rawson ...
Meg (London)
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Ray Jewers ...
Robin Hunter ...
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Storyline

In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a part in a Faust version in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Only love and music are forever See more »

Genres:

Drama | Horror | Music | Romance

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

3 November 1989 (USA)  »

Also Known As:

Phantom of the Opera: The Motion Picture  »

Filming Locations:

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Box Office

Gross:

$3,953,745 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Was originally set to be released through Cannon Films and to be directed by John Hough, but the film was passed on to Menahem Golan's then-newly started studio 21st Century Film Corporation, after Cannon filed for bankruptcy. Hough was replaced by Dwight H. Little. See more »

Goofs

When Christine visits her father's grave, we see several close-ups of the black wrought iron gate surrounding the cemetery. In these close-ups, you can plainly see that the wrought iron is actually wood that has been spray painted black. See more »

Quotes

Erik Destler: Still hungry for an introduction!
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Crazy Credits

This Motion Picture is not associated with any current or prior stage play or motion picture of the same title. See more »

Connections

Referenced in Animaniacs: Video Review/When Mice Ruled the Earth (1993) See more »

Soundtracks

The Jewel Song
taken from "Faust" by Charles Gounod
Produced by Misha Segal
Music Solutions by Gaylon J. Horton
Director of Music for 21st Century: William Ashford
Recorded in Budapest by Eric Tomlinson
See more »

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User Reviews

Not bad remake
12 July 2003 | by (Lake Isabella, CA) – See all my reviews

Often forgotten after it's release because it was critized as being a takeoff of Andrew Lloyd Webber's then current Broadway musical version of the same title. Actually, Dwight H. Little's film version isn't bad and Duke Sandefur's script actually has more originality than some of the earlier versions. Robert Englund is probably the most terrifying phantom yet, he probably can't pull it off like Lon Chaney did in the 1925 film version, but he certainly did a terrific job at playing a more darker and scarier phantom. Jill Schoelen also did a pretty amazing job playing Christine, as she is taken from present day New York to 1881 London were she is the star of the opera and stalked by the phantom and he kills anyone who gets in his way. My favorite death scene is probably were the phantom takes on three thieves and also kills an opera critic in a sauna. In addition to the originality, the phantom is cursed by the devil and his face mutilated in a Faust tradition. He is then forced to sew on pieces of skin to save his face. The production is luxurious and the costumes are authentic. But the most greatest thing about this 1989 remake is the music. This is probably the best music I have ever heard for any Phantom film. It's more malvolent and suspensful and also at the same time magicial. Misha Segal certainly did an amazing job at creating a difficult score, and it's a shame that I don't hear his music in today's films. I guess the film could have been a little better if it had a little less gore and a good falling chandlier scene, but even though this is the only Phantom film without a chandlier it was still an amazing picture. Also look for Saturday Night Live star Molly Shannon in a small role in the New York City sequences.


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