A darker version of the classic Gaston Leroux novel. A young soprano becomes the obsession of a horribly disfigured composer who has plans for those oppose himself or the young singer.
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Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.
A practical man returns to his homeland, is attacked by a creature of folklore, and infected with a horrific disease his disciplined mind tells him can not possibly exist.
Director:
George Waggner
Stars:
Lon Chaney Jr.,
Claude Rains,
Ralph Bellamy
A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.
Director:
Abel Ferrara
Stars:
Lili Taylor,
Christopher Walken,
Annabella Sciorra
This erotic horror film, set in 1905, tells the story of a thief who seeks refuge in a castle owned by two women, Eva (Brigitte Lahaie) and Elizabeth (Franca Mai). The women are seductive ... See full summary »
Director:
Jean Rollin
Stars:
Franca Maï,
Brigitte Lahaie,
Jean-Marie Lemaire
In this prequel to Ring, a young Sadako becomes an actress in hopes of escaping her troubled past. But strange visions and terrifying powers begin to manifest...
Years after Tommy Jarvis chained him underwater at Camp Crystal Lake, the hulking killer Jason Voorhees returns to the camp grounds when he is released accidentally by a teenager with psychic powers.
The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »
Director:
Terence Fisher
Stars:
Herbert Lom,
Heather Sears,
Edward de Souza
Kirsty is brought to an institution after the death of her family, where the occult-obsessive head resurrects Julia and unleashes the Cenobites once again.
A newer and gorier version of the horror film classic of Gaston Leroux's classic tale. Christine Day is a young Broadway singer in New York City. She is auditioning for a show and comes across a piece of music written by an unknown music composer named Erik Destler nearly 100 years before. Erik had made a pack with the devil so the world would love his music, but the devil had one condition: that Erik's face would be horribly disfigured forever. Once Christine sings his music, she is taken from present day New York to 1881 London were she is the star of the London Opera House. Their she is coached by a mysterious caped figure who will do anything to make her the star of the opera even if it means murdering people, and the figure is none other than Erik Destler himself. Written by
Anonymous
My friend, a fellow Phantom Phan recommended this to me. I had my doubts when I picked this up but I sat down to watch it at about midnight, Ha! biggest mistake of my life. This was possibly the most disturbing, gory, creepy interpretation of Phantom ever, and you know what? I LOVED it.
This is possibly one of my favorite film versions of this story, giving even Lon Cheney a run for his money. Robert Englund's Erik was insane but brilliant and amazingly witty. He had the most amazing lines ("Love and music are forever").
The story begins in modern day New York City when Christine Day and her friend Meg discover two pages of Don Juan Triumphant in an old archive, written by the mad genius Erik Destler. When Christine sings the piece for her audition, a sand bag falls on her and she passes out and is swept back to her past self and finds herself the object of the obsessive Erik.
An amazing film in it's own right with beautiful music. But remember everyone, you are not sitting down to classic literature, you are sitting down to a gory slasher/horror film. It was a refreshing change from Andrew Lloyd Webber's musical which quite frankly I both hate and love.
I'm a Leroux purist when it comes to Phantom but still this movie is one of my favorites.
18 of 18 people found this review helpful.
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My friend, a fellow Phantom Phan recommended this to me. I had my doubts when I picked this up but I sat down to watch it at about midnight, Ha! biggest mistake of my life. This was possibly the most disturbing, gory, creepy interpretation of Phantom ever, and you know what? I LOVED it.
This is possibly one of my favorite film versions of this story, giving even Lon Cheney a run for his money. Robert Englund's Erik was insane but brilliant and amazingly witty. He had the most amazing lines ("Love and music are forever").
The story begins in modern day New York City when Christine Day and her friend Meg discover two pages of Don Juan Triumphant in an old archive, written by the mad genius Erik Destler. When Christine sings the piece for her audition, a sand bag falls on her and she passes out and is swept back to her past self and finds herself the object of the obsessive Erik.
An amazing film in it's own right with beautiful music. But remember everyone, you are not sitting down to classic literature, you are sitting down to a gory slasher/horror film. It was a refreshing change from Andrew Lloyd Webber's musical which quite frankly I both hate and love.
I'm a Leroux purist when it comes to Phantom but still this movie is one of my favorites.