A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
This erotic horror film, set in 1905, tells the story of a thief who seeks refuge in a castle owned by two women, Eva (Brigitte Lahaie) and Elizabeth (Franca Mai). The women are seductive ... See full summary »
The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »
Edward de Souza
A newer and gorier version of the horror film classic of Gaston Leroux's classic tale. Christine Day is a young Broadway singer in New York City. She is auditioning for a show and comes across a piece of music written by an unknown music composer named Erik Destler nearly 100 years before. Erik had made a pack with the devil so the world would love his music, but the devil had one condition: that Erik's face would be horribly disfigured forever. Once Christine sings his music, she is taken from present day New York to 1881 London were she is the star of the London Opera House. Their she is coached by a mysterious caped figure who will do anything to make her the star of the opera even if it means murdering people, and the figure is none other than Erik Destler himself. Written by
A sequel, entitled "The Phantom of New York", was planned but never shot. See more »
When Christine first leaves to visit her fathers grave, she has pink and white flowers. When she arrives at the grave, she has only five red roses. See more »
Your father has sent me. I am your angel. All of your lessons have led to this moment. We will make music that the world will love forever. Take the last step to me. To your destiny. To immortality.
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This Motion Picture is not associated with any current or prior stage play or motion picture of the same title. See more »
This version of the Phantom of the Opera is by far one of the stranger films in its genre. Mixing elements of 80 slasher and old time horror this movie works on many levels and fails on a few. Now, everyone knows the story of the Phantom of the Opera, Right? Well, this story is basically the same except for a few differences. For one, a late 80's version of Christine is trying out for the lead role in an opera. During her addition, she is hit over the head and knocked out. When she awakens, she is back in time in late 1800's London. She seems to have no recollection of even going into the past. The rest of the story is traditional Phantom except for name changes and how disturbed this Phantom is and his origin. I really have to hand it to Robert England as the Phantom or Eric. This is by far one of the best roles I have ever seen him in. And the make-up job for him is astonishing. The fact that this Phantom makes a mask out of human flesh is actually quite creepy. And physically, he makes his character of Freddy look like a silly mess.
Now, for fans of the musical and the original versions of the movie, I don't know if you would really like this version. But, for fans of 80's slasher mixed with some atmosphere, a good soundtrack, and good acting, I would have to recommend this. I give it an 8/10.
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