| Charlotte Gainsbourg | ... | Janine Castang | |
| Didier Bezace | ... | Michel Davenne | |
| Simon de La Brosse | ... | Raoul | |
| Clotilde de Bayser | ... | Séverine Longuet | |
| Raoul Billerey | ... | Rouleau | |
| Chantal Banlier | ... | Léa | |
| Nathalie Cardone | ... | Mauricette | |
| Renée Faure | ... | La Mère Busato | |
| Catherine Arditi | ... | La directrice école | |
| Gilbert Bahon | ... | Le brigadier | |
| Clothilde Baudon | ... | Bonnin | |
| Joëlle Bruyas | ... | Soeur Marie-Odile | |
| Denise Chiabaut | ... | Le doctresse | |
| Philippe Deplanche | ... | Jacques Longuet | |
| Erick Deshors | ... | Raymond | |
| Florent Gibassier | ... | Le menuisier | |
| Marion Grimault | ... | Kebadian | |
| Claude Guymont | ... | Le jeune curé | |
| Jacques Herlin | ... | Le sacristain | |
| Rémy Kirch | ... | Pascouette | |
| Annie Legrand | ... | La réceptionniste hôtel | |
| Pierre Maguelon | ... | Monsieur Fauvel | |
| Jacky Nercessian | ... | Le directeur Folies de Paris | |
| Chantal Neuwirth | ... | La fermière | |
| Marie-Thérèse Orain | ... | La directrice Pigier | |
| Shérif Scouri | ... | Cohen | |
| rest of cast listed alphabetically: | |||
| Dominique Besnehard | ... | (uncredited) | |
| Aurélie Guichard | ... | (uncredited) | |
Directed by | |||
| Claude Miller | |||
Writing credits | ||
| François Truffaut | (original scenario) & | |
| Claude de Givray | (original scenario) (as Claude De Givray) | |
| Claude Miller | (adaptation and dialogue) & | |
| Luc Béraud | (adaptation and dialogue) & | |
| Annie Miller | (adaptation and dialogue) | |
Produced by | |||
| Claude Berri | .... | producer | |
| Jean-Louis Livi | .... | producer | |
| Jean-José Richer | .... | executive producer | |
| Alain Vannier | .... | producer | |
Original Music by | |||
| Alain Jomy | |||
Cinematography by | |||
| Dominique Chapuis | |||
Film Editing by | |||
| Albert Jurgenson | |||
Production Design by | |||
| Jean-Pierre Kohut-Svelko | |||
Costume Design by | |||
| Catherine Bouchard | |||
| Jacqueline Bouchard | |||
Makeup Department | |||
| Joël Lavau | .... | makeup artist | |
| Susan Robertson | .... | hair stylist | |
Production Management | |||
| Daniel Chevalier | .... | production manager | |
| Yves Hersen | .... | assistant manager: Provence | |
| Jean-Michel Hullsert | .... | unit manager | |
| Juny Monoz | .... | assistant manager: Paris | |
Second Unit Director or Assistant Director | |||
| Nathan Miller | .... | second assistant director | |
| Valérie Othnin-Girard | .... | assistant director | |
| Shérif Scouri | .... | trainee assistant director | |
| Nathalie Serrault | .... | trainee assistant director | |
Sound Department | |||
| Martine Fleury | .... | assistant sound editor | |
| Paul Lainé | .... | sound | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Jean-Pierre Lelong | .... | foley artist | |
| Gérard Manneveau | .... | sound assistant | |
| Mario Melchiorri | .... | foley artist: assistant | |
| Nadine Muse | .... | sound editor | |
| Michel Villain | .... | sound assistant | |
Special Effects by | |||
| Jean-François Cousson | .... | special effects | |
| Guy Trielli | .... | special effects | |
Stunts | |||
| Nella Barbier | .... | stunts | |
| Fabrice Pinot | .... | stunts | |
Camera and Electrical Department | |||
| Valérie Blier | .... | still photographer | |
| Franck Bonomi | .... | grip | |
| Patrick Christin | .... | key grip | |
| Pierre Coquet | .... | chief electrician | |
| Serge Croisy | .... | gaffer | |
| Serge-Antoine Croisy | .... | electrician | |
| Philippe Deneau | .... | electrician | |
| Vincent Gouriat | .... | grip | |
| Thierry Jault | .... | camera operator | |
| Jean-Luc Rigaut | .... | first assistant camera: second unit | |
| Guillaume Schiffman | .... | first assistant camera: second unit | |
| Jean-Pierre Voisin | .... | electrician | |
| Eric Wiser | .... | first assistant camera | |
Casting Department | |||
| Gérard Noyer | .... | extras casting | |
| Valérie Reux | .... | extras casting | |
Editorial Department | |||
| Jean-Pierre Besnard | .... | assistant editor | |
| Camille Bordes-Resnais | .... | trainee editor | |
| Olivier Fontenay | .... | color timer | |
Music Department | |||
| Orchestre Symphonique de Radio-Télé Luxembourg | .... | orchestra (as Orchestre Symphonique RTL) | |
| César Geoffray | .... | additional music: "Chantons dans le Vent" | |
| Bernard Gérard | .... | conductor | |
| Raphaël Passaquet | .... | additional music: "Dans la Troupe" (as R. Passaquet) | |
Other crew | |||
| Catherine Martin | .... | canteen | |
| Annie Miller | .... | script supervisor | |
| Isabelle Sauvanon | .... | assistant publicist | |
| Joseph Schillinger | .... | canteen | |
| Dominique Segall | .... | publicist | |
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| Edvard Munch | Heavenly Creatures | Persepolis | Savage Grace | Le Corbeau: The Raven |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
She steals from the church to go to the movies. Janine, you've got to like her. But her own life is unlike the song-and-dance pictures she likes so much. It's more like a ballad, set to music in a minor key. As Bob Dylan famously put it: "She'd come away from a broken home, had lots of strange affairs, with men in every walk of life which took her everywhere." While Janine may have the genes of a flirt and a crook, it's the men she meets that take her from petty theft to grand larceny. She finds out the hard way there are limits even for a pretty girl and ends up in a nunnery that is half poorhouse, half prison. By showing us what she does, rather than narrating what happens to her, Claude Miller brings to life a story (written by none other than François Truffaut himself) that may easily have turned out corny at a lesser man's hands. The 1950s rural and Parisian sets are designed with just the right mixture of dedication and détente to make you forget it's only make-belief. The whole thing feels entirely natural and deeply touching at the same time. The biggest credit, of course, is due to the amazing Charlotte Gainsbourg and her arresting performance in the part of Janine. She resists the temptation of playing her as a teenage martyr and makes her a cheeky Cinderella instead.