The Creeds have just moved to a new house in the countryside. Their house is perfect, except for two things: the semi-trailers that roar past on the narrow road, and the mysterious cemetary in the woods behind the house. The Creed's neighbours are reluctant to talk about the cemetary, and for good reason too. Written by
Murray Chapman <email@example.com>
This was the first filmed screenplay that Stephen King adapted from one of his own novels. See more »
When Louis is checking on Ellie after she fell off the tire swing he is wearing a tee shirt without a collar and sleeves that are rolled up midway past his elbow. When Rachel gets up to rush after Gage his tee shirt is now an open shirt with stripes and a collar. In the next shot when he gets up to follow Rachel his shirt is once again back to a tee shirt. See more »
I'm sorry Louis, I'm so sorry, but don't make it worse! Don't!
I waited too long with Gage. But with Rachel... it will work this time! Because she just died, she just died a little while ago!
[echoes and fades away]
Please! Louis! No!
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Louis Creed and his family move into a new house in Maine when Louis gets a job as a doctor in a local school. They meet a kindly old man, Judd, living across the street from them, who tells them about a burial ground where kids bury their pets. However, when the family cat is hit by a truck, Louis doesn't want his daughter pained about the death of the cat she loves and Judd knows this, so he tales Louis beyond the 'Pet Sematary' to an old American Indian burial ground and miraculously the cat is revived, but it is not the same old friendly cat... and things get really bad when Louis baby boy is accidentally killed. He knows that reviving him won't bring the same boy back, but is it better than not having a son at all?
From the first scene right up to the last, this film sticks right with the book with literally no deviation. Not a surprise, since Stephen King himself wrote the screenplay and oversaw production. That makes a for a faithful adaptation that is pretty compelling, but those who read the book will see just how much better it is. Many anecdotes, supporting characters, and scenes have been chopped off. The overall tone is less tense and the dramatic elements seriously down played. While that pretty much comes standard with most book-to-screen adaptations, it is always annoying when the book is so freakin' good!
But overall this is a decent adaptation that still keeps certain strengths of its source. 6/10
Rated R: violence/gore
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