Behind a young family's home in Maine is a terrible secret that holds the power of life after death. When tragedy strikes, the threat of that power soon becomes undeniable.

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Cast

Cast overview, first billed only:
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Michael Lombard ...
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Mara Clark ...
Kavi Raz ...
Mary Louise Wilson ...
Andrew Hubatsek ...
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Girl at Infirmary
Kara Dalke ...
Candystriper
Matthew August Ferrell ...
Jud as a Child
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Storyline

The Creeds have just moved to a new house in the countryside. Their house is perfect, except for two things: the semi-trailers that roar past on the narrow road, and the mysterious cemetery in the woods behind the house. The Creed's neighbours are reluctant to talk about the cemetery, and for good reason too. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Plot Keywords:

cemetery | cat | woods | secret | maine | See All (195) »

Taglines:

Iconic terror from the No 1 bestselling writer. See more »

Genres:

Fantasy | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 April 1989 (USA)  »

Also Known As:

Pet Cemetery  »

Filming Locations:

 »

Box Office

Budget:

$11,500,000 (estimated)

Gross:

$57,469,179 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Stephen King is a big fan of the The Ramones and referenced some of their songs in the novel Pet Sematary. In homage, The Ramones wrote and performed the theme song "Pet Sematary", which is featured in the films closing credits. See more »

Goofs

(at around 1h 2 mins) Color of flowers when Louis kneels by his son's grave. See more »

Quotes

Jud Crandall: Gage, you the one playing games?
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Soundtracks

Sheena Is A Punk Rocker
Written by Tommy Ramone, Joey Ramone, Dee Dee Ramone and Johnny Ramone
Performed by The Ramones
Produced by Tony Bongiovi & Tommy Ramone (as T. Erdelyi)
Courtesy of Sire Records Company
by arrangement with Warner Special Products
See more »

Frequently Asked Questions

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User Reviews

 
one of King's creepiest, bone-curdling stories amid decent film-making
15 December 2005 | by (United States) – See all my reviews

In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)

As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.

In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.


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