Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of ... See full summary »
This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent ... See full summary »
A South Afrikaan political prisoner is tortured to obtain information on apartheid conspirators. Ten years later, the head officer in charge of the questioning is similarly held as prisoner... See full summary »
Louis Gossett Jr.
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
Penn & Teller go to the U.K to find a magician who can "fool them" If Penn & Teller can figure out the trick performed the magician is out but if they do not get it the magician wins a ... See full summary »
Penn & Teller perform some of the routines they have used on American tours and specials for a British studio audience. A well-known, usually British, guest helps out. There are some forays... See full summary »
Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of them begins a series of pranks on the other to suggest a real threat. Then they find that a real psychopath is interested in them. Written by
John Vogel <email@example.com>
When Penn Jillette and Teller are abducted by the Filipinos on the beach, Penn says, "Do what you want to the girl, but leave me alone." This line is one of the phrases in George Carlin's list of "Things You Never Hear". See more »
In Officer McNamara's boathouse, Teller's leg brushes against a cylindrical cushion and knocks it off the couch as he is walking across the room. Shortly thereafter, the cushion has returned to the couch, and Teller picks it up before sitting down. See more »
[Teller is trying to pull a knife out of Penn]
What are you trying to do? Twist the knife? Look, pretty soon I'll pass out. Then I'll go into a coma, and then I'll die. During any one of *those* times you'll have *plenty* of opportunity to play around with the knife. Until then just keep your paws to yourself.
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To hide the fact that Caitlin Clarke played a dual role, she was also credited under the pseudonym 'Celia McGuire.' The closing credits reveal the pseudonym with the consecutive credits: Officer McNamara...Celia McGuire Celia McGuire...Caitlin Clarke See more »
Penn and Teller Get Killed isn't what you'd call a triumph of skilled film-making. The primary function of the movie is to allow Penn and Teller to perform their routines and display their trademark style -- a style that has as much to do with their attitudes as it does their 'magic.' If you like them, you'll like the movie; if not, you probably won't.
That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.
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