Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of ... See full summary »
Chris Lloyd does NOT get along with his father Walter. Walter is too careful, cautious, and boring to Chris, and never tries anything new, and Chris had to live by the same standards when ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
A South Afrikaan political prisoner is tortured to obtain information on apartheid conspirators. Ten years later, the head officer in charge of the questioning is similarly held as prisoner... See full summary »
Louis Gossett Jr.
After a long absence, artist Margaret Church returns to her aging parent's home to finish a portrait of them. Her parents, Gardner and Fanny Church, unbeknownst to Margaret have sold the ... See full summary »
Penn & Teller go to the U.K to find a magician who can "fool them" If Penn & Teller can figure out the trick performed the magician is out but if they do not get it the magician wins a ... See full summary »
Penn and/or Teller play with mirrors, teach 900 people to make a hankie disappear, play with clear acrylic boxes, turn marshmallows into tools of violence, do some erotic fire-eating, ... See full summary »
Penn & Teller perform some of the routines they have used on American tours and specials for a British studio audience. A well-known, usually British, guest helps out. There are some forays... See full summary »
Penn & Teller enjoy playing jokes on each other. When Penn says on an interview show that he wishes he has someone threatening his life so that he "wouldn't sweat the small stuff," each of them begins a series of pranks on the other to suggest a real threat. Then they find that a real psychopath is interested in them. Written by
John Vogel <email@example.com>
Teller talks at the end of the movie, which for many people was the first time they had ever heard the magician's voice. See more »
When Penn, Teller, and Carlotta park and Teller replaces the magnetic sign he only changes one side when earlier we see there is a magnetic sign on the other side also. Why dosen't Teller change the other side too? See more »
Thanks. You've kept me alive and taught me a very important lesson: One should never go on national TV and beg psychopaths to kill one.
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To hide the fact that Caitlin Clarke played a dual role, she was also credited under the pseudonym 'Celia McGuire.' The closing credits reveal the pseudonym with the consecutive credits: Officer McNamara...Celia McGuire Celia McGuire...Caitlin Clarke See more »
Penn and Teller Get Killed isn't what you'd call a triumph of skilled film-making. The primary function of the movie is to allow Penn and Teller to perform their routines and display their trademark style -- a style that has as much to do with their attitudes as it does their 'magic.' If you like them, you'll like the movie; if not, you probably won't.
That said, the plot is interesting enough, and the film is not JUST a vehicle. The film itself really does reflect their twisted sensibility, and that may be its strongest point -- it's not just "Penn and Teller do some magic with a plot pasted on." It's really what you'd expect if someone allowed these two to make a movie. (The ending, in particular, is one of the strangest I've ever seen.) The film is perfectly Penn and Teller: it gets inside your head, twists things around, breaks some stuff, and leaves with a smile as you try and figure out what to do with the mess.
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