With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers. Written by
Murray Chapman <firstname.lastname@example.org>
A billboard for the Orlando Sentinel (local newspaper for Orlando, Florida) is visible at the baseball stadium, but everyone around Gil and his family are wearing St. Louis Cardinals clothes, foam fingers and inflatable bats. St. Louis, Missouri, is 1000 miles away from Orlando, Florida and Gil drives home from stadium, it's unlikely they (and everyone else) travelled all the way down to Orlando with young children just for a baseball game. Ergo the scene is presumably supposed to be set in St. Louis. See more »
Susan Buckman Merrick:
[after breaking the lock on Gary's bedroom door and searching it, Helen finds some sex tapes and plays one - graphic sex sounds from the television as Susan and Grandma enter the room]
Helen? Oh, the door was unlocked.
[sees the sex action on the television]
What channel is this?
No Gran, this is a tape.
She needs a man... Now!
Gran, this isn't mine. I don't watch this!
[to Susan again as they are leaving the room and speaking of the sex action on the television]
One of those men ...
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At the end of the credits: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »
Parenthood is a thoroughly enjoyable comedy drama that you feel doesn't take as many convenient short cuts as many family movies do. Everyone has a colorful family to some extent; most (I hope) are full of good natured people but there are always rotten apples floating around.
Director Ron Howard puts many lives on display and different challenges each one faces and every one of these inspections have something to offer. Steve Martin's reactions to his older son's adjustment problems are very well realized, with many humorous moments, to be sure, but at the core is a maturely handled and moving segment, and Martin has rarely been better.
Diane Wiest's family drama consists of her inability to communicate properly to her two teenage children; the daughter a temperamental rebel with a "loser" boyfriend, the son a nearly recluse loner with raging hormones who thinks something is wrong with him (what guy hasn't been there at least once?). Superb performances form Wiest and (yes, surprisingly) Keanu Reeves really fuel this story which never loses itself despite seeing many humorous aspects in a rather depressing household.
Jason Robards plays the family father who hasn't been all that good to his children since...well ever, and he faces a tough assignment when he has to admit to himself that one of his children, who has learned the most from him, is heading into disaster fast. The scene where he asks Steve Martin for advice is a moving scene in so many ways; it's never too late for an old dog to learn new tricks.
Rick Moranis's tale of his insanely intellectual daughter is my least favorite but it does have a very charming conclusion. And that granny is priceless.
Parenthood may be even better for those who have children and can identify with some situations depicted here but as for me, I think I can learn a thing or two for years to come.
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