7.0/10
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124 user 43 critic

Parenthood (1989)

PG-13 | | Comedy, Drama | 2 August 1989 (USA)
The Buckmans are a midwestern family all dealing with their lives: estranged relatives, raising children, pressures of the job, and learning to be a good parent and spouse.

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Writers:

(story), (story) | 3 more credits »
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2,780 ( 268)

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ON DISC
Nominated for 2 Oscars. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gil
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Tod
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Susan (as Harley Kozak)
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Garry (as Leaf Phoenix)
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Helen Shaw ...
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Paul Linke ...

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Storyline

The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Taglines:

The director of "Splash," "Willow" and "Cocoon" brings you a comedy about life, love and the gentle art of raising children. See more »

Genres:

Comedy | Drama

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 August 1989 (USA)  »

Also Known As:

Todo en la familia  »

Filming Locations:

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Box Office

Budget:

$31,000,000 (estimated)

Gross:

$100,050,000 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the scene where Steve Martin and Mary Steenburgen are fighting over the fact that she is pregnant, Steve says "Let's just have a dozen, and act like they are donuts." In Cheaper by the Dozen (2003), he plays the father of a dozen children. See more »

Goofs

The racing ground scene begins with a shot of a gray car and a black car about to set off down the track. After a shot of the green signal lights, the gray car changes to a red car. See more »

Quotes

Gil: Women have choices, and men have responsibilities.
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Crazy Credits

At the end of the credits: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »

Connections

References Bad Dudes (1988) See more »

Soundtracks

Close To You
Written by Burt Bacharach and Hal David
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User Reviews

Are you someone's parent? Are you someone's child? SEE THIS MOVIE!!
18 April 2001 | by (San Francisco, CA, USA) – See all my reviews

When "Parenthood" first came out, I did my level best to avoid it, certain that it seeing it would be roughly akin to being embalmed with maple syrup. Then came that dreadfully slow night at home a couple of years later, faced with a choice on the ol' tube between endless reruns of "Three's Company" and HBO showing -- oh, no! -- "Parenthood." So I clicked on HBO, gritted my teeth, prepared for the worst . . .

And was wrong.

Ron Howard is one savvy filmmaker. Maybe one of the savviest, I'm not sure. But I do know that, to make "Parenthood," he combined his savvy with all the heart he could muster (which was plenty, apparently) and that the result is a masterpiece.

Virtually every aspect of parenting is examined; moreover, it is done in a way that -- miracle of miracles! -- causes you to think, and to feel, every bit as much as it makes you laugh. Throat lumping up? Not to worry, here comes another belly-laugh to smooth it out.

The key to the film's message may lie with Jason Robards' speech --"There's no goal line in parenting, no end zone where you spike the ball and that's it . . ." -- or it may lie with Keanu Reeves -- "You know, Mrs. Buckman, you need a license to drive a car or buy a dog . . ." -- or it may simply be Gil Buckman's (Steve Martin) heroism in salvaging his emotionally disturbed son's birthday party; then again, it might be embodied in the frantic, stressed out stoicism of Dianne Wiest's single mom character as she comes to grips with her teenage daughter's choices and impending motherhood. But wherever you find it herein, the message is simple and profound: Parenthood is nothing less than heroism on a daily basis. Quiet, unheralded, underappreciated heroism.

One of the finest things about this movie is that nobody steps out of character. There are no miraculous revelations, no nick-of-time cavalry charges or character transformations. Characters here solve their individual dilemmas by growing WITHIN their characters. And realistically, at that.

It's been said that a really good story leaves its author crying as he/she writes the final pages. Sometimes -- not often enough -- a really good movie can leave a reviewer the same way as he finishes his commentary, crying and laughing simultaneously.

Well, don't just stand there! Someone get me a Kleenex!!


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