Anna is becoming lost in the loneliness of her own world when she discovers she can visit another, a house she has drawn herself and occupied by a young disabled boy. But as she discovers ... See full summary »
Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later ... See full summary »
A young prince is taken for tuition at a seaside hotel but there quickly bores and wanders off to visit a nearby lighthouse. Befriended by the keeper, he learns of a secret world he can see... See full summary »
Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Dogs Playing Poker"; "The Branding"; "The Portal"; "The Perfect Woman"; "Within Ten... See full summary »
Anna is becoming lost in the loneliness of her own world when she discovers she can visit another, a house she has drawn herself and occupied by a young disabled boy. But as she discovers more of the links between her fantasy world and the mundane present, she is drawn only deeper into a dream turning into a nightmare. Written by
David Carroll <firstname.lastname@example.org>
When it was decided two days before the film was theatrically released that the character of Kate should be British, American actress Glenne Headly had to very quickly dub all of her dialogue using an English accent. See more »
While in the car with her mother, Anna puts her father's telegram in her pocket twice. See more »
To be honest, I'd rather draw by myself. I don't like people watching me.
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A great film this, and a shame that it will receive little attention outside of arthouse circles and students who stay up until two in the morning to watch it on Channel Four.
The plot is a simple one but works very effectively, the blurring between child-like fantasy and hard-hitting nightmare is very well blurred. The budget looks pretty low, but to the credit of those involved it doesn't show too often. It also hasn't dated that much either.
I was lucky enough to tape this off the telly when it was on a few years ago, and it has withstood half-a-dozen viewings. It's one of those films that won't appeal to all; though as usual, those with a more thoughtful approach to cinema would get a lot out of this.
Charlotte Buerke puts in a good performance as Anna, the spoilt brat and it is a shame she seems to have gone from the acting scene. Cross is also very good, carrying the stature of his character very well within the context of the picture.
There are some genuinely (and I don't say that lightly) disturbing moments in this film, both half-second shockers and more drawn-out tensions. Watch it with the lights out!
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