A woman (Joey Wang) is cursed with beauty in China and becomes prey for men. Raped by the prefect of her ballet school and sent to work camp, she escapes to decadent Hong Kong by marrying a... See full summary »
As a conceited scholar of the Ming Dynasty, Wei Yangsheng believes that since life is short, one should pursue the ultimate sexual pleasure as time allows. Wei Yangsheng encounters Tie Fei ... See full summary »
Christopher Sun Lap Key
Leni Lan Crazybarby,
A father's ex-girlfriend resurfaces after a 10-year absence wanting to take her son away from him. With his world shattered, he must decide between what is best for his son and his own future happiness.
In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't each other's name or face. Ten ... See full summary »
A corrupt cop named Sam handles negotiations between two Triad leaders who plan to join forces. However, he meets a suspicious bald man named Tony, who keeps following him around and disrupting his personal business.
Ching Wan Lau,
Tony Chiu Wai Leung,
Plainclothes policemen Brian and Mike use an elderly woman's apartment for surveillance, hoping to catch a fugitive gangster. They develop a warm relationship with their hostess, whom they ... See full summary »
A woman (Joey Wang) is cursed with beauty in China and becomes prey for men. Raped by the prefect of her ballet school and sent to work camp, she escapes to decadent Hong Kong by marrying a wealthy banker. She finds herself drawn to sadomasochistic affairs and in flashbacks discovers she is the reincarnation of a famous courtesan of ancient China.
A lovely girl growing up in modern China is haunted by flashes of another time, images that start entering her life for real as she comes of age. It gets harder and harder to tell the past and present apart, and she finds that now, as before, her beauty can be more of a curse than a blessing.
The haunting idea that you must let go of the past in order to be free of it, is driven home by the deeply moving performances of a fine cast. The film is lush and beautiful, rewarding the viewer with fascinating glimpses of the Imperial past and the industrial present.
This film was banned in China because it implies that the Revolution hasn't really changed thingspower is still in the hands of the few, only the names and costumes have changed.
I found this film as a rental and had to get my own copy. Its appeal is enduring, and I've enjoyed it more every time I've watched it.
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