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Paganini (1989)

5.7
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Ratings: 5.7/10 from 669 users  
Reviews: 16 user | 11 critic

Klaus Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolò Paganini, who set all of nineteenth-century Europe into a frenzy and through ... See full summary »

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Title: Paganini (1989)

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Cast

Credited cast:
...
Debora Caprioglio ...
Antonia Bianchi (as Debora Kinski)
...
Dalila Di Lazzaro ...
Helene von Feuerbach
Tosca D'Aquino ...
Angiolina Cavanna
Eva Grimaldi ...
Marie Anna Elise Bonaparte
Beba Balteano ...
Carol Watson
Fabio Carfora ...
Mr. Watson
Donatella Rettore ...
Miss Wells
Bernard Blier ...
Pater Caffarelli
André Thorent ...
Galvano
...
Pantomime
Rest of cast listed alphabetically:
Feodor Chaliapin Jr.
Vittorio Ciorcalo
Niels Gullov
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Storyline

Klaus Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolò Paganini, who set all of nineteenth-century Europe into a frenzy and through whose personality Kinski offers an incredibly profound and honest insight into his own life; a life of extremities. Written by kinski-paganini.de

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25 May 1990 (Italy)  »

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1.66 : 1
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Klaus Kinski's last film. See more »

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Referenced in My Best Fiend (1999) See more »

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User Reviews

A must see movie to understand the inner workings of Kinski's genius/madness.
6 May 2001 | by (Omaha, Nebraska) – See all my reviews

Filmed entirely using natural lighting, the film Paganini is an honest attempt by writer/director/actor Klaus Kinski to portray the life of the legendary violinist. Some of the scenes filmed indoors, particularly in the theater have an eerie surreal feel to it, much to Kinski's foresight to film it without any electrical lighting and often using only candle light for illumination. I've read Kinski's autobiography. The parallels between the two (Kinski and Paganini) are eerie and more than coincidental. Both obsessed over young girls; the younger the better. Both were and are considered to be geniuses in their respective fields. Both gave impassioned performances to the point of being referred to as being "demonic" in nature. Both made enormous sums of money, but inevitably squandered it away. And both had young sons late in life whom they absolutely and without doubt, worshipped. Originally Klaus had presented this film as a very long 3 hour plus movie. It would have been interesting to see exactly what he had in mind if this version had ever been released, but alas, producers only allowed a very sparse 82 minute cut version of what Klaus Kinski described to be the work of his life. It really is too bad that the original longer version isn't available. After viewing this film one is left with a very unfulfilled and empty feeling. Too often, there is little character development within Nicolo Paganini's aquaintances and conquests. In particular an affair with a member of a royal family. While this film outwardly appears to be little more than a tawdry, lewd effort on Kinski's part, it more importantly portrays Paganini as a suffering shell of a human being; never satisfied with anything and all too often left unsatiated, unfulfilled, and all too often, spiritually dead The film has a remarkable soundtrack thanks to the efforts of virtuoso violinist Salvatore Accardo. It also features performances by Kinski's lolita wife, Deborah Caprioglio Kinski and his son Nikolai "Nanhoi" Kinski, who both perform their roles admirably. This is a definite "must see" movie, regardless of whether or not you are a fan of Klaus Kinski. Sadly, it is the last film he ever made.


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