Klaus Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolò Paganini, who set all of nineteenth-century Europe into a frenzy and through ... See full summary »
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In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
A cruel dictator rules a Latin American state. Corruption, brutality and exploitation are present every day. A few people begin to organise resistance. Under the leader "El Leopardo" a ... See full summary »
In a little village in Tuscany, during 1939, all the people is looking forward for Mussolini official visit. The Duce will inaugurate the village's primary school. Unexspectedly the corpse ... See full summary »
Klaus Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolò Paganini, who set all of nineteenth-century Europe into a frenzy and through whose personality Kinski offers an incredibly profound and honest insight into his own life; a life of extremities. Written by
A Diamond, brilliant; Ageless, Timeless; Catching & Breaking Light in a 1001 Ways
The tagline is not referring to the (too) many flairs in this film. This is not a film, but a myriad. Not unlike Tarkovsky's 'Mirror', the storyline is labyrinthic. In 'Paganini' we are plunged into the flow of life as seen just before dying, and within the flashbacks there are memories.
Son Achille, superbly played by son Nikolai Kinksi (without any hint of the lingual barriers that he must have experienced while shooting this demanding role; check out his role in 'Tortilla Soup', the Ang Lee goes Latin comedy where he plays very nicely a ... Brazilian.) watches the struggle of his father, adding his own reminiscence to the story.
Fragmented though it may be, this is a romantic tale, grand & tragic, told with passion and devotion. It took Klaus Kinski 20 years to create his heart's desire. So, I reckon, there are not many "mistakes", "loose ends", "murkiness" or "shabby editing" here. My guess is that all we see is well thought of (referring to the 'version originale' of Kinski himself, as to be seen on the German double disc DVD -with Italian, English & German dubs-, which shows besides loads of exciting extras both the Maestro's version as the producer's vulgarity). It is too easy to criticize. Who understood 'The Mirror' after a few viewings only ?
Kinski of course is no Tarkovsky. He is Maestro Klaus, and very probable the reincarnation of Paganini. But his Magnus Epos is not just an homage. It is even more than his life quest. Although Papa Klaus is omnipresent & inescapable, the torch is held by his son. Which makes KK a link between past & future. And that is truly amazing. Mr. Kinski, miracle-man.
PS:The story within the story of this story has not finished yet. Maybe one day someone close to the heart and mind of Klaus Kinski will dare and cut a 2hour-version of 'Paganini'. Maybe Mr. Nikolai ?
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