Jessica's extraordinarily strong will and heart enables her to rebel against her fanatical, cult-like upbringing. From seven to seventeen Jess is brainwashed to be one of the 'saved', to ... See full summary »
In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully - unaware that she is a lesbian. Anne is recording her ... See full summary »
Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, ... See full summary »
Melodrama detailing the real-life love affair between feminist writer Vita Sackville-West and novelist Violet Keppel against the backdrop of post-World War I England and opposition by ... See full summary »
A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships ... See full summary »
Marmalade Atkins is the naughtiest girl in the world. In fact, she's so wicked that her parents and social worker decide that the only thing to do with her is to blast her into space. But, ... See full summary »
Lynda La Plante
Jessica's extraordinarily strong will and heart enables her to rebel against her fanatical, cult-like upbringing. From seven to seventeen Jess is brainwashed to be one of the 'saved', to devote her life to Jesus, to follow the discriminatory teachings of Pastor Finch and his understanding of Revelations. As her warm personality dictates she succeeds in fitting into this regime and spreads the word of Jesus in a fairly content manner. But when her friendship with Melanie develops into something a little more 'unnatural' she easily realizes the error of the Pastors teachings. The girls are subjected to terrible treatment to convince them to repent. Written by
Decently but Plainly Executed Winterson Adaptation
Because the filmmakers obviously tried to make a close adaptation of Jeanette Winterson's semi-autobiographical novel, as an avid Winterson fan, I cannot help comparing the film with the book. It would be extremely challenging to preserve Winterson's unique, postmodern literary quality in the adapted film.
In the original novel, Winterson objectively examines coming-of-age experiences of an orphan who is adopted to evangelist parents and finds herself a lesbian. The objectivity remains in the film to some extent; a lot of dramatic happenings are quietly described and never get emotional. However, the nature of the film media inevitably forces the audience to identify themselves with protagonist Jess. The analytical aspect of reading Winterson is lost, and if compared, the film just follows the plotline more plainly than the novel does.
Aside from Winterson, the film is a decently executed prototypical British film, on the tradition of British New Wave and Channel 4 productions, and worth watching.
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