| Photos (see all 14 | slideshow) | Videos (see all 2) |
Directed by | |||
| Stephen Hopkins | |||
Writing credits(WGA) | ||
| Wes Craven | (characters) | |
| John Skipp | (story) & | |
| Craig Spector | (story) and | |
| Leslie Bohem | (story) | |
| Leslie Bohem | (screenplay) | |
Produced by | |||
| Rupert Harvey | .... | producer | |
| Sara Risher | .... | executive producer | |
| Robert Shaye | .... | producer | |
| Jon Turtle | .... | executive producer | |
Original Music by | |||
| Jay Ferguson | |||
Cinematography by | |||
| Peter Levy | |||
Film Editing by | |||
| Brent A. Schoenfeld | |||
| Chuck Weiss | |||
Casting by | |||
| Annette Benson | |||
Production Design by | |||
| C.J. Strawn | |||
Art Direction by | |||
| Timothy Gray | |||
Set Decoration by | |||
| John P. Jockinsen | |||
Costume Design by | |||
| Sara Markowitz | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| R. Christopher Biggs | .... | special makeup effects artist | |
| Lynne K. Eagan | .... | key hair stylist | |
| Kathryn Fenton | .... | key makeup artist (as Kathryn Miles Kelly) | |
| Nedra Hainey | .... | makeup artist: second unit | |
| Robert Kurtzman | .... | special makeup effects artist | |
| David B. Miller | .... | makeup artist | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Louis Lazzara | .... | makeup artist: Robert Englund (uncredited) | |
| Brian Wade | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Joe Fineman | .... | post-production supervisor | |
| Kool Lusby | .... | production supervisor (as Kool Marder) | |
| Deborah Moore | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| David Cass Jr. | .... | first assistant director: third unit | |
| Jackie Dragon | .... | second assistant director: second unit | |
| Randy Dudley | .... | first assistant director: second unit | |
| Terence J. Edwards | .... | second assistant director (as Terry Edwards) | |
| Allen Kupetsky | .... | second second assistant director | |
| Richard Murken | .... | additional second second assistant director | |
| Kristine Peterson | .... | first assistant director | |
| Bernadette Tanchauco | .... | second assistant director: third unit | |
Art Department | |||
| Aaron Anderson | .... | carpenter | |
| John Baldwin | .... | carpenter | |
| Christopher Bardin | .... | painter | |
| James R. Barrows | .... | sculptor | |
| David Beck | .... | art swing gang | |
| Ella St. John Blakey | .... | carpenter | |
| Don Blanks | .... | carpenter | |
| Marietta Brown | .... | paint dyer | |
| Mindy Brown | .... | painter | |
| James Doug Burch | .... | carpenter | |
| John Cales | .... | carpenter (as John C. Cales) | |
| David T. Cannon | .... | construction coordinator | |
| Robert Carmody | .... | assistant carpenter | |
| Rik Carter | .... | sculptor | |
| William Cole | .... | painter | |
| Laura Cornelius | .... | art department production assistant | |
| Anna Czerwatiuk | .... | set dresser | |
| Dobrila De Castro | .... | assistant art department coordinator | |
| Kevin DePee | .... | assistant carpenter | |
| César Díez Álava | .... | assistant props | |
| George Dunn | .... | carpenter | |
| Roy Eisenbrey | .... | art swing gang | |
| Catherine Ernst | .... | painter | |
| Sue Finnegan | .... | set dresser: third unit | |
| F. Kelly Finn | .... | painter | |
| Jimmy Flores | .... | assistant carpenter | |
| Bill Gallarza | .... | assistant carpenter | |
| Gerd Gless | .... | carpenter | |
| Batia Grafka | .... | property master | |
| Stephen Gray | .... | art swing gang | |
| Lorraine Heitzman | .... | painter | |
| Scott Jester | .... | assistant carpenter | |
| Lynn A. Johanson | .... | scenic artist (as Lynn Johnson) | |
| Jake Johnson | .... | assistant carpenter | |
| Patrick Kerner | .... | assistant carpenter | |
| Kurt Klapproth | .... | carpenter | |
| Michael Kraft | .... | lead man | |
| Larry Lee | .... | carpenter | |
| Douglas Lidz | .... | carpenter | |
| Karen Loberg | .... | set dresser | |
| David Lowery | .... | storyboard artist | |
| Josh Lusby | .... | painter | |
| Brian Marn | .... | assistant carpenter | |
| Matthew Martin | .... | assistant carpenter (as Matt Martin) | |
| Mike McCopin | .... | carpenter | |
| Art Mendoza Jr. | .... | assistant carpenter | |
| Susan Miscevich | .... | scenic artist | |
| Chris Moscone | .... | stand-by carpenter | |
| Thomas A. O'Conor | .... | set designer | |
| Joshua Ott | .... | carpenter | |
| Mona Personius | .... | painter | |
| Rick Pierce | .... | assistant carpenter | |
| Neal Polk | .... | assistant carpenter | |
| Renee Prince | .... | lead scenic artist | |
| Rees Pugh | .... | carpenter | |
| Peter A. Ramsey | .... | storyboard artist | |
| James L. Ricker | .... | carpenter | |
| Rick Rose | .... | carpenter | |
| Chris Santini | .... | carpenter (as Christopher Santini) | |
| Aaron Sims | .... | character designer | |
| Tim Smith | .... | painter | |
| Linda Syufy | .... | art department coordinator | |
| William Tabor | .... | carpenter (as Bill Tabor) | |
| Paul Toth | .... | art department production assistant | |
| Cynthia Von Suhr | .... | assistant set decorator | |
| Miriam Warwick | .... | stand-by painter | |
| Dara Waxman | .... | set dresser: second unit | |
| David A. Weinman | .... | lead carpenter (as David Weinman) | |
| Perry Welch | .... | carpenter | |
| Jane Whitehead | .... | assistant set decorator | |
| Oliver Wilson | .... | painter | |
| Barbara A. Bordo | .... | painter (uncredited) | |
| Travis Cowsill | .... | stagehand (uncredited) | |
| Thalia Harithas | .... | art assistant (uncredited) | |
Special Effects by | |||
| Gino Acevedo | .... | effects crew: David Miller Studio | |
| David Beneke | .... | effects crew: Art and Magic | |
| Howard Berger | .... | supervisor: Freddy's head de-merge effects | |
| Paul Berg | .... | prosthetics creator: Todd Masters Company | |
| Doug Beswick | .... | supervisor: "Diving Board" and "Phantom Prowler" sequences | |
| R. Christopher Biggs | .... | creator: Dan's mechanical suit and Freddy's bike | |
| R. Christopher Biggs | .... | special effects makeup | |
| Brian Blair | .... | effects crew: David Miller Studio | |
| Theresa Burkett | .... | fabricator: Doug Beswick Productions | |
| Camille Calvet | .... | effects crew: Art and Magic | |
| Yancy Calzada | .... | stop-motion effects animator: Doug Beswick Productions | |
| Helen Cohen | .... | special effects coordinator: Todd Masters Company | |
| Mitchell J. Coughlin | .... | effects crew: Art and Magic | |
| Barry Crane | .... | moldmaker: Todd Masters Company | |
| Lisa Doering | .... | effects crew: David Miller Studio | |
| Ryan Effner | .... | special effects | |
| Mike Elizalde | .... | effects crew: David Miller Studio | |
| Mike Elizalde | .... | sculptor: Todd Masters Company | |
| Earl Ellis | .... | sculptor: Ted Rae Effects Crew | |
| Thomas Floutz | .... | cosmetics creator: Todd Masters Company | |
| Bruce Spaulding Fuller | .... | sculptor: K.N.B. Effects Group | |
| Mark Garbarino | .... | prosthetics creator: Todd Masters Company | |
| Mecki Heussen | .... | effects crew: David Miller Studio | |
| Robyn Jacobs | .... | special effects coordinator: Todd Masters Company | |
| Robyn Jacobs | .... | special effects technician | |
| Bradford Johnson | .... | special effects technician | |
| Lynette Johnson | .... | miniature costuming: Ted Rae Effects Crew | |
| Adam Jones | .... | effects crew: The Character Shop Inc. | |
| Robert Kurtzman | .... | supervisor: Freddy's head de-merge effects | |
| Rick Lazzarini | .... | creator: womb with a fetal view canal | |
| Mark Maitre | .... | sculptor: K.N.B. Effects Group | |
| Robert J. Marino | .... | prosthetics creator: Todd Masters Company | |
| Todd Masters | .... | "Gretta" prosthetics and supplemental prosthetic effects | |
| Bud McGrew | .... | effects crew: Art and Magic | |
| Mike Measimer | .... | moldmaker: Todd Masters Company | |
| David Mesloh | .... | armature machinist: Ted Rae Effects crew | |
| David B. Miller | .... | creator: Freddy's baby and resurrection sequence | |
| Dave Nelson | .... | effects crew: David Miller Studio | |
| Gregory Nicotero | .... | supervisor: Freddy's head de-merge effects | |
| Scott Oshita | .... | lab technician: K.N.B. Effects Group | |
| Ron Pipes | .... | lab technician: K.N.B. Effects Group | |
| Jon Curtis Price | .... | effects crew: The Character Shop Inc. | |
| Ted Rae | .... | stop-motion animation | |
| Joe Reader | .... | effects crew: The Character Shop Inc. | |
| Mike J. Regan | .... | effects crew: David Miller Studio | |
| James Rohland | .... | effects crew: Art and Magic | |
| William Russell | .... | special effects camera assistant | |
| Andy Schoneberg | .... | additional special effects assistant: Todd Masters Company | |
| Stacie Sharp | .... | special effects coordinator: Ted Rae Effects Crew | |
| Shannon Shea | .... | effects crew: The Character Shop Inc. | |
| Brian Simpson | .... | effects crew: The Character Shop Inc. | |
| Mark Sisson | .... | effects crew: David Miller Studio | |
| F. Lee Stone | .... | mechanical effects: K.N.B. Effects Group | |
| Mark Tavares | .... | lab technician: K.N.B. Effects Group | |
| Candace Van Woerkom | .... | seamstress: Todd Masters Company | |
| Steve Wang | .... | sculptor: Ted Rae Effects Crew | |
| Chuck Williams | .... | sculptor: Ted Rae Effects Crew | |
| George Wong | .... | effects technician: Doug Beswick Productions | |
| Brannon Wright | .... | effects crew: Art and Magic | |
| Roland Blancaflor | .... | special effects technician (uncredited) | |
| Sandy Collora | .... | creature effects crew (uncredited) | |
| Richard Miranda | .... | special effects assistant (uncredited) | |
| Anthony Simonaitis | .... | special effects foreman (uncredited) | |
| Don Waller | .... | special effects technician (uncredited) | |
| Tom Williamson | .... | animatronics (uncredited) | |
| AJ Workman | .... | special effects design: Chris Biggs shop (uncredited) | |
Visual Effects by | |||
| Robert D. Bailey | .... | titles & opticals | |
| Jammie Friday | .... | animator | |
| Tom Gleason | .... | model maker | |
| Peter Kuran | .... | special optical effects photography | |
| Jeff Matakovich | .... | visual effects optical supervisor | |
| Alan Munro | .... | visual effects supervisor | |
| Jim Aupperle | .... | stop-motion crew (uncredited) | |
| Chris Dawson | .... | effects camera assistant (uncredited) | |
| Robert Stromberg | .... | matte paintings (uncredited) | |
| Don Waller | .... | stop motion animator (uncredited) | |
Stunts | |||
| Hank Calia | .... | stunts | |
| Michael Cassidy | .... | stunt coordinator | |
| Vince Deadrick Jr. | .... | stunts (as Vincent Dedrick) | |
| J. Mark Donaldson | .... | stunts | |
| Stephanie Epper | .... | stunts | |
| John Hateley | .... | stunts (as John Hately) | |
| Eddie Hice | .... | stunts | |
| Yvonne Johnston | .... | stunts | |
| Steve Kelso | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Paul M. Lane | .... | stunts | |
| John Lucasey | .... | stunts | |
| Bill McIntosh | .... | stunts | |
| Carol Neilson | .... | stunts | |
| Bobby Porter | .... | stunts | |
| Jeff Ramsey | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Lori Lynn Ross | .... | stunts | |
| Lynn Salvatori | .... | stunts | |
| Sharon Schaffer | .... | stunts | |
| Anthony G. Schmidt | .... | stunts | |
| Ben Scott | .... | stunts | |
| Cherie Tash | .... | stunts | |
| George P. Wilbur | .... | stunts | |
Animation Department | |||
| Ted Rae | .... | stop-motion animator (uncredited) | |
Casting Department | |||
| Rebecca Widner | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Zoe Hale | .... | costumer | |
| Carolin Olive | .... | wardrobe production assistant | |
| Jacqueline Trost | .... | costumer: effects unit | |
| Lydia Shiferaw | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Jeffrey Gottlieb | .... | apprentice film editor (as Jeff Gottlieb) | |
| Kurt Hathaway | .... | apprentice film editor | |
| Ric Keeley | .... | assistant film editor | |
| Ray Martin | .... | color timer | |
| Ralph Milliken | .... | negative cutter | |
| Heidi Scharfe | .... | assistant film editor | |
| Jody Solomon | .... | post-production coordinator | |
Music Department | |||
| Kevin Benson | .... | music supervisor | |
| Bill Black | .... | music editor | |
| Brad Dechter | .... | orchestrator | |
| Neil Portnow | .... | music supervisor | |
Thanks | |||
| Russell Mulcahy | .... | thanks | |
| Rachel Talalay | .... | thanks | |
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| A Nightmare on Elm Street 4: The Dream Master | A Nightmare on Elm Street 3: Dream Warriors | A Nightmare on Elm Street Part 2: Freddy's Revenge | A Nightmare on Elm Street | Freddy's Dead: The Final Nightmare |
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"A Nightmare on Elm Street 5: The Dream Child" may be the weakest of the series.
**SPOILERS**
After graduating from High School, Alice Johnson (Lisa Wilcox) decides to go to Paris for the summer with her boyfriend Dan (Danny Hassle), but her nightmares about Freddy Kruegar (Robert Englund) still haunt her. A new set of nightmares about a woman named Amanda Kruegar (Beatrice Boepple) giving birth to Freddy make her question whether she dreamed them or not. While her friends Yvonne, (Kelly Jo Minter) Mark (Joe Seely), Dan and Greta (Erika Anderson) are partying at the school when Dan gets a call from Alice to come get her. While driving to get her, Freddy attacks and kills him in a motorcycle accident. When she says that Kruegar is the source, no one believes her. Once she learns that she's pregnant, she becomes even more distraught. As Freddy begins killing her friends one by one, Alice comes to believe that Freddy has invaded her unborn child's dreams to come back into the world and enlists Amanda to help her fight her son.
The Good News: The movie does open with a bang. Alice walks into the shower after a night of sex, and gets distracted by the brown gunk bubbling up from the bottom of the shower. Investigating, she finds nothing, then is attacked by the surging water from the shower-head. Becoming trapped in the shower, she tries to break free, but then is paralleled into a dream world. We then get a few small, pretty good jumps about Freddy. It is a great way to start a movie. I do have to admit that Freddy's deaths are very creative for a fourth sequel. The motorcycle of death sequence is easily the best, but the comic book scene is also quite imaginative. Both feature great special effects and new ideas, hallmarks of the series. The special effects are perhaps the best part of the movie. Freddy's rebirth is the best part, being an atmospheric scene with lots of things crashing around Alice in the middle of a room that feature Freddy appearing at the end. Even though the story isn't a very good one for this type of series, it provides a ton of opportunities for some jumps. By having Alice know of Freddy's reappearance for a long time, it gives her the ability to see Freddy in different places and convince her she is going insane. By having Freddy appear in new places around her and scare her, his appearance also scares us. The way to finally kill him is pretty creative, and I'm surprised this wasn't thought of before.
The Bad News: This is mainly thought of as the FX entry in the series, and by and far they are right. Whereas the first one was mainly based around the suspense and shock, the second on remaking the story with a few twists, the third one being a continuation of the first one and the fourth one based around the comedy of Kruegar, the fifth one is mainly used as an excuse to show off the elaborate special effects. They all look very good and it looks like a lot of money was spent on the effects, but effects driven films, to me, are basically hollow, since once you've seen the film once and you've got a handle on the story, it doesn't do anything on repeated viewings. Effects films can only go as far as the quality of the effects, but here the weak story is the major defect. Kruegar's resurrection is handled with great care and thought, but it goes nowhere and doesn't make any sense as to why Kruegar would go after Alice. Is it because he's trying to get back at Alice for the last time, or is it because he knows he can come back through her when her child is born? It's never really explained why, and that's a weak part of the story. Another part that seems off is the humor. Freddy does off give a few good quips, but perhaps the humor is a bit blacker than in previous or subsequent films, with part six being the funniest, then comes part four in terms of comedy. A few of them are pretty good, but most are simply confusing as too why they are included. These are simply eye-rollers and aren't as clever as some of his far better quips.
The Final Verdict: Even though this is a bit more FX driven than other entries, the quality of the other entries is so great that this fine entry is considered the weakest. The FX is pretty impressive, but the surrounding story is a bit weak. That aside, it is a bit better than you may think and deserves a chance from other "Nightmare" fans.
Rated R: Graphic Violence, some language, a brief, not well seen sex scene, and brief shadowy Nudity