A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of ... See full summary »
Passion beyond limits, seduction beyond control, pleasure beyond imagination...experience irresistible fantasy, daring desire and endless excitement in this special Red Shoe Diaries collection from master sensualist Zalman King.
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
Just Like That: A receptionist in a large firm cheats on her voyeuristic lover with a delivery boy who has a crush on her. Another Woman's Lipstick: A young wife discovers lipstick on her ... See full summary »
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
Follow the private fantasies of three provocative women in this exploration into a realm of the erotic senses. A steamy cab ride with a stranger, office games with an adventurous married woman and a cop has an arresting encounter.
A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of New Year's Day. Written by
Alexander Lum <email@example.com>
To Jaglom's surprise, this film was the official American selection at the Venice Film Festival in 1990, and this was the basis of Jaglom's film Venice/Venice. Jaglom went to film that movie in Venice while there to promote this film. See more »
What does a man usually say when he can't perform?
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The end credits play over the character of Drew watching the videotape of Lucy playing with the dolphins. Note: A copy of Jaglom's mentor Orson Welles' biography is clearly visible. See more »
Okay, so maybe it's a little bit cliché to watch this on January 1 but I thought what the heck.
One motivating factor was that it's one of David Duchovny's first roles (he previously has one bit part in Working Girl.) He really was not yet a good actor at this point.
Maggie Wheeler (who played Janice in Friends) was alright but nothing here at all interested me whatsoever. Henry Jaglom's dialog driven excuse for a story is nothing more than vacuous and pretentious psychoanalytical drivel. I'm not sure Jaglom is for me because this bored the crap out of me.
---The Kat Pirate Screener. Arrgh!
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