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Mystery Train (1989)

 -  Comedy | Crime | Drama  -  7 November 1989 (USA)
7.5
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Ratings: 7.5/10 from 14,972 users  
Reviews: 52 user | 56 critic

Three stories are connected by a Memphis hotel and the spirit of Elvis Presley.

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Title: Mystery Train (1989)

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Cast

Cast overview, first billed only:
Masatoshi Nagase ...
Jun (segment "Far From Yokohama")
...
Mitsuko (segment "Far From Yokohama")
Screamin' Jay Hawkins ...
Night Clerk (segment "Far From Yokohama")
Cinqué Lee ...
Bellboy (segment "Far From Yokohama")
...
Man in Station (segment "Far From Yokohama")
...
Sun Studio Guide (segment "Far From Yokohama")
William Hoch ...
Tourist Family (segment "Far From Yokohama")
Pat Hoch ...
Tourist Family (segment "Far From Yokohama")
Joshua Elvis Hoch ...
Tourist Family (segment "Far From Yokohama")
Reginald Freeman ...
Conductor (segment "Far From Yokohama")
Beverly Prye ...
Streetwalker (segment "Far From Yokohama")
...
Luisa (segment "A Ghost")
...
Dee Dee - Charlie's Sister (segment "A Ghost")
...
Newsvendor (segment "A Ghost")
...
Man in Arcade Diner (segment "A Ghost")
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Storyline

A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

7 November 1989 (USA)  »

Also Known As:

One Night in Memphis  »

Box Office

Budget:

$2,800,000 (estimated)

Gross:

$367,879 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
See  »
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Did You Know?

Trivia

The hotel where the three stories converge is no longer standing, so many fans of the movie have made pilgrimages to the site only to find that it no longer exists. It can, however, be seen in the background of the scene in Great Balls of Fire! (1989), in the scene where Alec Baldwin is preaching from his broken-down car. See more »

Goofs

Where Will parks his truck relative to Earl's Cadillac changes from when he enters the bar to when he leaves. See more »

Quotes

Johnny: Don't call me Elvis! If you can't use my proper name, why don't you try "Carl Perkins, Jr." or something? I mean, I don't call them "Sam & Dave", do I?
Dave: Hey, man. My name is Dave.
See more »

Crazy Credits

For Sara See more »

Connections

References Repo Man (1984) See more »

Soundtracks

Blue Moon
Performed by Elvis Presley
See more »

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User Reviews

 
Quirky, often engaging character study
8 November 2001 | by (Jersey City, NJ) – See all my reviews

I just got done watching "Dead Man" in my Development of Film class at the school, so I was curious about Jarmusch's early work. I saw "Night on Earth" and "Ghost Dog," and I was very impressed with those two films. I wasn't too impressed with "Dead Man," but I still felt curious to check out this movie.

"Mystery Train" moves along at a pace identical to that of "Night on Earth." It has those usual Jarmusch trademarks: characters from a foreign country, culture clashes, episodic rhythm, etc. Jarmusch is a very talented screenwriter, and he's good at engaging his audience with dialogue that is crisp (and sometimes quite funny) but at the same time brutally realistic. You can never watch a Jarmusch film and say to yourself, "Man, people don't talk like that in real life!"

Though highly identical to "Night on Earth," I found that film much more engaging in comparison, and I could've help but ponder that while watching this movie. Don't get me wrong, I liked "Mystery Train," but NOE had a certain quality that made it a lot more entertaining, despite the fact that it was two hours long (give or take). I guess I just found the interactions between the characters in that movie more interesting. In this film, I found them interesting as well, but the scenes would drag out at points. Both films move at a leisurely pace, but the minutes seem to go by slower when watching this one.

Nevertheless, it was well-made, with some nice uses of 3-figure composition. Jarmusch makes good use of the camera, preventing us from feeling like we're watching a photographed play--even though many scenes fixate on one location. The soundtrack is cool, and it's interesting how Jarmusch used The King to tie the stories together. The performances are good, and one of my main curiousities--before viewing the film--was seeing Steve Buscemi in one of his early roles. I love Steve, he's one of our coolest actors.

Overall, I recommend the film. It definitely has its moments. I just thought it dragged at points, and if you had the choice between this movie and "Night on Earth," I recommend you choose the latter.

My score: 7 (out of 10)


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