A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by
Ed Sutton <email@example.com>
Jim Jarmusch (Ghost Dog: The Way of the Samurai, Broken Flowers) delivers films that are true indy's. They don't fit any norm, and this one is over before you even realize it.
It is three stories that are tied together by a seedy motel. The characters never intersect. There must be a point there somewhere, but I sure missed it.
I did like the picture of America that we usually don't see unless we go looking for it. Most cities are lit with fast food signs and an endless string of car lots. Getting down on the back streets with stores shuttered, bars where everyone knows your name, and seedy motels that should have closed long ago, is an adventure that most do experience.
The blues music and the Elvis theme that runs through the movie is an exciting backdrop. Steve Buscemi is fun to watch as always, and I really liked the Japanese teen, Youki Kudoh, and, of course Robby Müller's (Paris, Texas) cinematography is always good.
Jarmusch fans will love it.
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