Mystery Train (1989) 7.4
Three stories are connected by a Memphis hotel and the spirit of Elvis Presley. Director:Jim JarmuschWriter:Jim Jarmusch |
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Mystery Train (1989) 7.4
Three stories are connected by a Memphis hotel and the spirit of Elvis Presley. Director:Jim JarmuschWriter:Jim Jarmusch |
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
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Masatoshi Nagase | ... |
Jun (segment "Far From Yokohama")
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| Yûki Kudô | ... |
Mitsuko (segment "Far From Yokohama")
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Screamin' Jay Hawkins | ... |
Night Clerk (segment "Far From Yokohama")
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Cinqué Lee | ... |
Bellboy (segment "Far From Yokohama")
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| Rufus Thomas | ... |
Man in Station (segment "Far From Yokohama")
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| Jodie Markell | ... |
Sun Studio Guide (segment "Far From Yokohama")
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William Hoch | ... |
Tourist Family (segment "Far From Yokohama")
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Pat Hoch | ... |
Tourist Family (segment "Far From Yokohama")
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Joshua Elvis Hoch | ... |
Tourist Family (segment "Far From Yokohama")
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Reginald Freeman | ... |
Conductor (segment "Far From Yokohama")
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Beverly Prye | ... |
Streetwalker (segment "Far From Yokohama")
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| Nicoletta Braschi | ... |
Luisa (segment "A Ghost")
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| Elizabeth Bracco | ... |
Dee Dee - Charlie's Sister (segment "A Ghost")
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| Sy Richardson | ... |
Newsvendor (segment "A Ghost")
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| Tom Noonan | ... |
Man in Arcade Diner (segment "A Ghost")
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A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by Ed Sutton <esutton@mindspring.com>
Jim Jarmusch (Ghost Dog: The Way of the Samurai, Broken Flowers) delivers films that are true indy's. They don't fit any norm, and this one is over before you even realize it.
It is three stories that are tied together by a seedy motel. The characters never intersect. There must be a point there somewhere, but I sure missed it.
I did like the picture of America that we usually don't see unless we go looking for it. Most cities are lit with fast food signs and an endless string of car lots. Getting down on the back streets with stores shuttered, bars where everyone knows your name, and seedy motels that should have closed long ago, is an adventure that most do experience.
The blues music and the Elvis theme that runs through the movie is an exciting backdrop. Steve Buscemi is fun to watch as always, and I really liked the Japanese teen, Youki Kudoh, and, of course Robby Müller's (Paris, Texas) cinematography is always good.
Jarmusch fans will love it.