A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
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A brother and sister, sitting in a coffee bar, bicker mildly about whose idea it was to come to Memphis and which kind of cigarette is fresher. Danny, their waiter, comes by offering ... See full summary »
A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by
Ed Sutton <email@example.com>
The book Luisa is reading when she is approached by the man with a story about Elvis' ghost is "Orlando Furioso" (The Frenzy of Orlando), an Italian epic poem by Ludovico Ariosto. See more »
Where Will parks his truck relative to Earl's Cadillac changes from when he enters the bar to when he leaves. See more »
[after hearing the bellboy complain about his uniform]
Well, you should do like I do, shit, go over and buy your own damn clothes over at Lansky's, somewhere like that; I mean, you know it's like they say: the clothes make the man. I mean look at that damn hat on your head, you look like a damn mosquito-legged chimpanzee, I mean-
[he abruptly breaks up]
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Jim Jarmusch (Ghost Dog: The Way of the Samurai, Broken Flowers) delivers films that are true indy's. They don't fit any norm, and this one is over before you even realize it.
It is three stories that are tied together by a seedy motel. The characters never intersect. There must be a point there somewhere, but I sure missed it.
I did like the picture of America that we usually don't see unless we go looking for it. Most cities are lit with fast food signs and an endless string of car lots. Getting down on the back streets with stores shuttered, bars where everyone knows your name, and seedy motels that should have closed long ago, is an adventure that most do experience.
The blues music and the Elvis theme that runs through the movie is an exciting backdrop. Steve Buscemi is fun to watch as always, and I really liked the Japanese teen, Youki Kudoh, and, of course Robby Müller's (Paris, Texas) cinematography is always good.
Jarmusch fans will love it.
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