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A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by
Ed Sutton <firstname.lastname@example.org>
The hotel where the three stories converge is no longer standing, so many fans of the movie have made pilgrimages to the site only to find that it no longer exists. It can, however, be seen in the background of the scene in Great Balls of Fire! (1989), in the scene where Alec Baldwin is preaching from his broken-down car. See more »
Where Will parks his truck relative to Earl's Cadillac changes from when he enters the bar to when he leaves. See more »
Don't call me Elvis! If you can't use my proper name, why don't you try "Carl Perkins, Jr." or something? I mean, I don't call them "Sam & Dave", do I?
Hey, man. My name is Dave.
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Jim Jarmusch (Ghost Dog: The Way of the Samurai, Broken Flowers) delivers films that are true indy's. They don't fit any norm, and this one is over before you even realize it.
It is three stories that are tied together by a seedy motel. The characters never intersect. There must be a point there somewhere, but I sure missed it.
I did like the picture of America that we usually don't see unless we go looking for it. Most cities are lit with fast food signs and an endless string of car lots. Getting down on the back streets with stores shuttered, bars where everyone knows your name, and seedy motels that should have closed long ago, is an adventure that most do experience.
The blues music and the Elvis theme that runs through the movie is an exciting backdrop. Steve Buscemi is fun to watch as always, and I really liked the Japanese teen, Youki Kudoh, and, of course Robby Müller's (Paris, Texas) cinematography is always good.
Jarmusch fans will love it.
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