A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by
Ed Sutton <firstname.lastname@example.org>
The book Luisa is reading when she is approached by the man with a story about Elvis' ghost is "Orlando Furioso" (The Frenzy of Orlando), an Italian epic poem by Ludovico Ariosto. See more »
After Charlie drops the liquor bottle, the position of the glass fragments change between shots. See more »
Don't call me Elvis! If you can't use my proper name, why don't you try "Carl Perkins, Jr." or something? I mean, I don't call them "Sam & Dave", do I?
Hey, man. My name is Dave.
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Jim Jarmusch's follow-up to 1986's "Down By Law" is an engrossing trio of stories revolving around one night in a run-down Memphis hotel. Continuing his tradition of casting musicians as actors, he enlists Joe Strummer as a British Elvis and the late Screamin' Jay Hawkins as the hotel night clerk. R&B great Rufus Thomas appears in the train station, and Tom Waits is the voice of the radio DJ. John Lurie provides the score, along with a fabulous soundtrack of classic Memphis music (from Elvis Presley to the Bar-Kays). The stories are intertwined, with certain events being shown from the perspective of each of the three sets of characters. The town has fallen a bit since its heyday as a musical hotbed, but the spirits of its past can be sensed in the delapidated buildings and landscapes, all lovingly embraced by Jarmusch's lens. All of the night shots were actually filmed at night, and some scenes are subtitled in Japanese and Italian. As is typical with Jarmusch's work, the action unfolds at a leisurely pace, and not without some humor. The film's juxtaposing of cultures is a popular theme with the director, and one he would use again in his next anthology piece, "Night On Earth."
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