A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
A Japanese couple obsessed with 1950s America goes to Memphis because the male half of the couple emulates Carl Perkins. Chance encounters link three different stories in the city, with the common thread being the seedy hotel where they are all staying. Written by
Ed Sutton <email@example.com>
The hotel where the three stories converge is no longer standing, so many fans of the movie have made pilgrimages to the site only to find that it no longer exists. It can, however, be seen in the background of the scene in Great Balls of Fire! (1989), in the scene where Alec Baldwin is preaching from his broken-down car. See more »
After Charlie drops the liquor bottle, the position of the glass fragments change between shots. See more »
You know, Memphis does look like Yokohama. Just more space. If you took away sixty percent of the buildings in Yokohama, it would look like this.
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"Mystery Train" is a witty look at different aspects of one of the crazes of our time, the worship of Elvis Presley. The cast includes cult performers like Tom Noonan (the serial killer in Michael Mann's "Manhunter"), Steve Buscemi, and singer Tom Waits (heard on the radio), and it is directed by one of America's leading independent directors. "Mystery Train" is possibly Jim Jarmusch's most immaculate film, and though the movie gets steadily darker in its comic tone, it is his least bleak work to date. The patterning is precise, the film growing richer as the three strands are finally woven together, or perhaps unwoven, as the characters go their separate ways. Robbie Muller, the great Dutch cameraman who shot Alex Cox's "Repo Man" and Wim Wenders' "Paris, Texas", once more brings an outsider's perspective to the American landscape, giving the night scenes and hotel interiors a Hopperesque look and endowing a dilapidated section of Memphis with an elegaic sadness.
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