The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
Psycho Joe, a petrol-head from Altona, Melbourne, secures employment at a local Supermarket. Here, he meets the over-sexed Dazey. Joe and Dazey form a friendship based on a mutual interest ... See full summary »
Isabelle is an ex-nun waiting for her special mission from God. In the meantime, she is making a living writing pornography. She meets Thomas, a sweet, confused amnesiac who cannot remember... See full summary »
A woman finds the key to a room in the attic that her husband forbids her from entering. When she opens the door, she is confronted with the haunting existence of the woman her husband refuses to forget.
Realising a dishonest deal has been found out a diamond merchant commits suicide, leaving the gems in question for his wife. Knowing the business from the time before drink largely took ... See full summary »
In a lake high in the mountains of New Zealand hunter Gibbie Gibson discovers a plane wreck from ww-ii. When he tells it around, a gang of crooks follows and threatens him and his daughter,... See full summary »
Lesley Ann Warren,
Yang travels to Chen Village to learn a powerful form of Tai Chi. Though villagers are forbidden from teaching outsiders, Yang becomes their best hope for survival when a man arrives with a plan to build a railroad through the village.
A decent, modest, well-intentioned social drama and coming-of-age tale. Nadine Garner capably carries the film on her young shoulders, and the always-good-value Blunter is typically excellent as her father and the patriarch of the family at the centre of the tale. An interesting range of supporting performances/characters, and plot turns ranging from pleasingly unexpected to slightly odd, help maintain interest. However, the material doesn't often distinguish itself or justify the trouble taken to bring it to life on film.
'Mull' is at its best when dealing with issues of sexuality and religion in a shallow-but-genuine way that is affecting. Overall, though, the screenplay is disappointingly lumpy and too often prosaic, and while I know it's a 'life-goes-on', 'slice-of-life', 'kitchen sink' kind of film (the kind I usually am drawn to and connect with), the lack of an interesting (or convincing) ending is another significant flaw (the film really doesn't earn its use of a peppy 80s pop version of 'I Can See Clearly Now' over the end credits). 'Mull' is really another case where I suspect the novel would have been better, and where perhaps it should have stayed on the page.
1 of 1 people found this review helpful.
Was this review helpful to you?