7.0/10
6,573
166 user 49 critic

Miracle Mile (1988)

A young man hears a chance phone call telling him that a nuclear war has started and missiles will hit his city in 70 minutes.

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ON DISC
2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Harry Washello
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Julie Peters
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Ivan Peters
Lou Hancock ...
Lucy Peters
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Wilson (as Mykel T. Williamson)
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Charlotta (as Kelly Minter)
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Gerstead
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Landa
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Fred the Cook (as Robert Doqui)
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Waitress
Claude Earl Jones ...
Harlan
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Mike
Danny De La Paz ...
Transvestite
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Drunk Man in Diner
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Stewardess
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Storyline

A young man meets and falls in love with a young woman at the La Brea Tar Pits in Los Angeles. This area is known as Miracle Mile, and the whole movie takes place there. They make a date, which he misses, and while he is searching for her, he accidentally finds out that we (the United States) are about to start a nuclear war with the Soviet Union. He frantically searches for her so that they can escape Los Angeles. Written by Mark Logan <marklo@west.sun.com>

Plot Summary | Add Synopsis

Taglines:

You just found out that you have 24 hours to live. What are YOU going to do? See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

19 May 1989 (USA)  »

Also Known As:

70 minutos para huir  »

Box Office

Budget:

$3,700,000 (estimated)

Gross:

$1,145,404 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

O-Lan Jones worked a shift at a diner as research for her role as a waitress. See more »

Goofs

When Harry lands on the road from the moving van. Before he lands on the ground, his glasses are already on the road and broken. See more »

Quotes

Mike: Where do you go so the radiation won't get us?
Waitress: What about Mexico? Or Hawaii! Let's go to Hawaii!
Landa: No tropics!
Mike: Ocean clouds, rain, forget it. Got to be a desert, right? Like the Sahara or the Gobi, fuck the Gobi.
Landa: We're going to Antarctica if it's true.
Mike: Wait a minute, you said desert!
Landa: There's a valley there with zero rainfall, plenty of fresh water in the snow for generations if need be.
See more »

Crazy Credits

Dedicated to Doctor Biobrain See more »

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User Reviews

 
what starts like a bad made-for-TV movie turns into a compelling character-driven sci-fi horror
3 April 2004 | by (California) – See all my reviews

I first saw this movie on video around the time it was produced. I immediately liked it even though it was a bit bleak. But the late 80's were full of apocalyptic nuclear holocaust movies and this was the only one that stayed with me. Now, years later, I've just rewatched it (this time on DVD) and I still think it's a very good -- but not great -- movie.

Admittedly, there's some over-the-top 80's haircuts and costumes, stuff that would be seriously 'retro' nowadays. And the acting, particularly in the beginning, is 'obvious' and a bit tiring. But when the hero receives that fateful phone call, it all changes. Suddenly, it's like watching a stage-performance of a play, a pressure-cooker where everyone suspects everyone else and no one knows what's really going on.

In fact, one of the best parts of the screenplay is that we, the audience, also don't really know what to believe (until the very end). We watch the hero struggle with what to tell people who's help he needs: if he tells them the awful truth, they may not believe/help him; if he tells them a more believable lie, is he denying them the chance to survive or at least to die with their loved ones. Either way, both he and the people he meets turn to progressively more and more extreme behavior -- people die! . . . and what if it all turns-out to have been a hoax?

In all, I think this movie ranks as a great sci-fi film, and in the truest sense of the genre: What If. It's not about aliens or galactic empires or anything else that's more fantasy than reality. Instead, it's a situation that any of us could easily imagine and I think this is why it stayed with me all these years, why it now forms a part of the framework for my imagination whenever I find myself catastrophizing about terrorism or natural disaster, anything that could separate me from the ones I love. What would I do?


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