| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Kris Kristofferson | ... | Bill Smith | |
| Cheryl Ladd | ... | Louise Baltimore | |
| Daniel J. Travanti | ... | Arnold Mayer | |
| Robert Joy | ... | Sherman | |
| Lloyd Bochner | ... | Walters | |
| Brent Carver | ... | Coventry | |
| David McIlwraith | ... | Tom Stanley | |
| Maury Chaykin | ... | Roger Keane | |
| Al Waxman | ... | Dr. Brindle | |
| Lawrence Dane | ... | Vern Rockwell | |
| Thomas Hauff | ... | Ron Kennedy | |
| Peter Dvorsky | ... | Janz | |
| Raymond O'Neill | ... | Harold Davis | |
| Philip Akin | ... | Briley | |
| David Calderisi | ... | Leacock | |
| Gary Reineke | ... | Carpenter | |
| Eugene Clark | ... | Craig Ashby | |
| Cedric Smith | ... | Eli Seibel | |
| Michael J. Reynolds | ... | Jerry Bannister | |
| Victoria Snow | ... | Pinky Djakarta | |
| Susannah Hoffmann | ... | Susan Melbourne (as Susannah Hoffman) | |
| Claudette Roche | ... | Inez Manila (as Claudette Roach) | |
| Barry Meier | ... | Helicopter Pilot | |
| James Kirchner | ... | Foreman | |
| Bill MacDonald | ... | FBI Agent Morgue | |
| Jamie Shannon | ... | Young Bill Smith | |
| Timothy Webber | ... | Audio Technician | |
| Chapelle Jaffe | ... | The Council Chamber - Stockholm | |
| Chris Britton | ... | The Council Chamber - Buffalo (as Christopher Britton) | |
| Gerry Quigley | ... | The Council Chamber - Khartoum | |
| Leonard Chow | ... | The Council Chamber - Beijing | |
| Scott Thompson | ... | Controller | |
| John Kozak | ... | Investigator | |
| James Mainprize | ... | Investigator | |
| Bob Bainborough | ... | Investigator | |
| Daryl Shuttleworth | ... | T.V. Reporter: Crash Site | |
| Gerard Theoret | ... | Time Scan Operator | |
| Edward Roy | ... | Gantry Controller | |
| Debbie Kirby | ... | Stewardess | |
| John Stoneham Sr. | ... | Hijacker (as John Stoneham) | |
| Linda Goranson | ... | Hostage | |
| Syd Libman | ... | Passenger | |
| Patrick Young | ... | Reporter #1 | |
| Paula Barrett | ... | Reporter #2 | |
| Richard Fitzpatrick | ... | Reporter #3 | |
| Reg Dreger | ... | Reporter #4 | |
| Cordelia Strube | ... | Reporter #5 | |
| Marvin Caron | ... | Reporter #6 | |
| David Bolt | ... | 1st Board Member | |
| Maida Rogerson | ... | 2nd Board Member | |
| Mark Terene | ... | Waiter | |
| Yank Azman | ... | Evacuation Worker (as Jank Azman) | |
| Kevin Fullam | ... | TUA Worker | |
| rest of cast listed alphabetically: | |||
| C.J. Fidler | ... | Blonde at airport (uncredited) | |
| William Gillies | ... | Marshall (uncredited) | |
Directed by | |||
| Michael Anderson | |||
Writing credits(WGA) | ||
| John Varley | (short story "Air Raid") | |
| John Varley | (screenplay) | |
Produced by | |||
| John M. Eckert | .... | supervising producer | |
| Freddie Fields | .... | executive producer | |
| John Foreman | .... | executive producer | |
| Douglas Leiterman | .... | producer | |
| Bruce McNall | .... | producer | |
| P. Gael Mourant | .... | executive producer | |
| Courtney Silberberg | .... | producer: VP Production | |
| Louis M. Silverstein | .... | executive producer | |
| Robert Vince | .... | co-producer | |
Original Music by | |||
| Eric N. Robertson | (music composed by) | ||
Cinematography by | |||
| Rene Ohashi | (director of photography) | ||
Film Editing by | |||
| Ron Wisman | |||
Casting by | |||
| Deirdre Bowen | (as Deidre Bowen) | ||
Production Design by | |||
| Gene Rudolf | |||
Art Direction by | |||
| Charles Dunlop | |||
Set Decoration by | |||
| Jacques M. Bradette | |||
Costume Design by | |||
| Olga Dimitrov | |||
Makeup Department | |||
| Sherry Baker | .... | assistant hair stylist | |
| Ken Brilliant | .... | prosthetic makeup assistant | |
| Linda Crawford | .... | assistant makeup artist | |
| Paul R.J. Elliot | .... | wig maker (as Paul Elliot) | |
| Ken Freeman | .... | assistant makeup artist | |
| Dana Joon | .... | assistant makeup artist | |
| Jay Kushwara | .... | prosthetic makeup assistant | |
| Robert Laden | .... | special prosthetic makeup (as Bob Laden) | |
| Albert Paradis | .... | key hair stylist | |
| Paula Saunders | .... | assistant makeup artist | |
| Leslie Ann Sebert | .... | assistant makeup artist | |
| Malcolm Tanner | .... | prosthetics hair artist | |
| Ursula Masten Voss | .... | assistant makeup artist | |
Production Management | |||
| Dan Nyberg | .... | production manager | |
| Adam J. Shully | .... | production manager: Light and Motion | |
Second Unit Director or Assistant Director | |||
| Bill Bannerman | .... | second assistant director | |
| John M. Eckert | .... | second unit director | |
| John Harris | .... | second unit director | |
| Sam Nicholson | .... | second unit director | |
| Ron Oxley | .... | dgc trainee | |
| Joanne Tickle | .... | dgc trainee | |
| Greg Zenon | .... | third assistant director | |
| Michael Zenon | .... | first assistant director | |
Art Department | |||
| Alfred | .... | assistant art director | |
| Cameron S. Brooke | .... | first scenic artist | |
| Brian Carson | .... | key scenic artist | |
| David Orin Charles | .... | assistant props | |
| Dan Conley | .... | set dresser | |
| Jim Craig | .... | storyboard artist (as James Craig) | |
| Alta Louise Doyle | .... | draughtsperson | |
| Robin Ferrier | .... | assistant head carpenter | |
| John Fraser | .... | scenic artist | |
| Caroline George-Kohne | .... | set dresser (as Caroline George) | |
| Jeff Ginn | .... | assistant art director | |
| Perri Gorrara | .... | first assistant art director | |
| Walt Hlembizky | .... | art department trainee | |
| Henry Ilola | .... | head carpenter | |
| David Jaquest | .... | property buyer | |
| Susan King | .... | art department secretary | |
| Petra Kraujansky | .... | assistant to designer | |
| Fred Lucky | .... | production illustrator | |
| Colin Matthews | .... | assistant propmaster | |
| Don McLeod | .... | model maker | |
| Gustave Meunier | .... | assistant set decorator | |
| Wendy Morrow | .... | second assistant art director | |
| Donal O'Donaghue | .... | assistant head carpenter | |
| Nancey Pankiw | .... | draughtsperson (as Nancey Irene Pankiw) | |
| Andrew Semple | .... | painter | |
| Terry Simon | .... | draughtsperson | |
| Dan Sissons | .... | property master | |
| Donald Vandewater | .... | property buyer | |
| Marian Wihak | .... | draughtsperson | |
| William J. Wood | .... | property master | |
Sound Department | |||
| Marvin Berns | .... | sound re-recording mixer | |
| Terrie Botting | .... | assistant sound editor trainee | |
| Terry Burke | .... | foley artist | |
| Marty Church | .... | adr mixer | |
| Paul Coombe | .... | sound re-recording mixer | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Douglas Ganton | .... | production sound | |
| Patricia Gardner | .... | assistant sound editor | |
| Kelly Hall | .... | assistant foley artist | |
| Alan Hardiman | .... | sound effects editor | |
| Jim Hopkins | .... | supervising sound editor | |
| Penny Hozy | .... | dialogue editor | |
| Joe Lafontaine | .... | assistant sound editor | |
| Robin Leigh | .... | adr editor | |
| Donna Powell | .... | assistant foley artist | |
| Dale Sheldrake | .... | dialogue editor | |
| Reynald Trudel | .... | boom operator | |
| Don White | .... | sound re-recording mixer | |
Special Effects by | |||
| Laura Beinsetto | .... | special effects secretary | |
| Nick Fischer | .... | special effects | |
| Bob Hall | .... | special effects assistant | |
| David L. Hewitt | .... | special effects | |
| Michael Kavanagh | .... | mechanical effects assistant | |
| Kaz Kobielski | .... | special effects supervisor | |
| Arthur Langevin | .... | special effects technician | |
| David Lemmen | .... | mechanical effects supervisor | |
| Ian Mah | .... | special effects | |
| Paul Mejias | .... | special makeup effects | |
| Dan Purdy | .... | special effects assistant | |
Visual Effects by | |||
| Stephen David Brooks | .... | associate visual effects supervisor (as Stephen Brooks) | |
| Anthony Cortino | .... | visual stylist constultant | |
| Syd Dutton | .... | matte painter | |
| Harrison Ellenshaw | .... | visual effects consultant | |
| Glen Garden | .... | optical layout | |
| Dennis Hamelin | .... | optical layout | |
| Rick Hannigan | .... | optical printer | |
| Jerry Kitz | .... | optical printer | |
| Michael Lennick | .... | motion control photographer | |
| Phil Meador | .... | optical supervisor (as Philip Meador) | |
| Sam Nicholson | .... | visual effects director | |
| Barry Peterson | .... | camera operator: Light and Motion | |
| Tim Segulin | .... | optical camera operator | |
| Bill Taylor | .... | matte painter | |
| Albert Whitlock | .... | matte painter | |
| Al Magliochetti | .... | visual effects (uncredited) | |
Stunts | |||
| Marco Bianco | .... | stunts | |
| Shane Cardwell | .... | stunt coordinator | |
| Rick Forsayeth | .... | stunts | |
| Ted Hanlan | .... | stunts | |
| Robert Hannah | .... | stunts (as Robert L. Hannah) | |
| Jamie Jones | .... | stunts | |
| Debbie Kirby | .... | stunts | |
| Dennis Lundin | .... | stunts (as Dennis Christensen) | |
| Leslie Munro | .... | stunts | |
| Ken Quinn | .... | stunts | |
| Branko Racki | .... | stunts (as Branco Racki) | |
| Dan Redford | .... | stunts | |
| Alison Reid | .... | stunts | |
| T.J. Scott | .... | stunts | |
| Suzanne Smith | .... | stunts | |
| John Stoneham Jr. | .... | stunts | |
| John Stoneham Sr. | .... | stunts (as John Stoneham) | |
| Jérôme Tiberghien | .... | stunts (as Jerome Tiberghien) | |
| Shelley Cook | .... | stunt performer (uncredited) | |
| Steve Lucescu | .... | stunts (uncredited) | |
| Gerald Paetz | .... | stunt double (uncredited) | |
| Raulette Woods | .... | underwater stunts (trailer) (uncredited) | |
Casting Department | |||
| Diane Bell | .... | extras casting assistant | |
| Peter Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elizabeth Fleet | .... | first wardrobe assistant | |
| Nadia Jarvis | .... | seamstress | |
| Vera Laurence | .... | special costume assistant (as Vera Schubert-Laurence) | |
| Ton Pascal | .... | wardrobe assistant | |
| Patti Unger | .... | wardrobe head | |
Editorial Department | |||
| Stephen Humble | .... | first assistant editor | |
| Irka M. Iwachiw | .... | post-production coordinator | |
| Dennis Pellarin | .... | second assistant editor | |
| Christopher Severn | .... | color timer | |
Music Department | |||
| Hayward Parrott | .... | score engineer | |
| Eric N. Robertson | .... | orchestrator | |
| Rick Wilkins | .... | orchestrator | |
Transportation Department | |||
| Lawrence Albright | .... | driver | |
| Terry Edwards | .... | transportation coordinator | |
| Brock Jolliffe | .... | mechanic: picture vehicles | |
| William L. Tataryn | .... | picture vehicle coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The ratings on this movie are very poor, but don't be fooled this is a great movie. As I was watching this movie, I actually expected most people wouldn't get it because time-travel pictures are usually too confusing for people with linear minds. If a movie doesn't travel in a straight line from beginning to end, then linear people start hyperventilating. Time travel concepts require a slightly more abstract mind to follow properly, and more than a 2-second attention span.
There was some good comedy in the movie. For example the android Sherman, who looked like he came right out of a 1950's B-movie. Then there was the joke about how the people from the future had to smoke in order to stay healthy, otherwise the air in the past was too clean and pure for them. You disposed of the cigarettes by just tossing them over your shoulders and a point laser would shoot at it and disintegrate it instantly. Also this was definitely a 1980's movie, you could tell just by the hairstyles, which were good for a few laughs.
And for a movie made on the cheap, the special effects weren't half-bad. They certainly weren't comparable to today's CGI effects, but they were of a generation of special effects that made Star Wars so successful.
Their interpretation of time travel concepts was also very interesting. For example, they chose to represent time paradoxes as "temporal quakes". I suppose this was done as a dramatisation technique to show the audience how serious a temporal paradox was in terms they could commonly understand (i.e. like an earthquake).
Don't be fooled by the linear minds giving this movie a bad review, if you have an abstract mind, then you'll love this movie.