The Millennium Group invite an ex FBI profiler who has the ability to sight the evil of the mind of serial killers. The Millennium Group is an ancient group of people with special abilities to see good and evil.
When a passenger plane crashes after a bomb scare, there are many unanswered questions, which can only be attributed to "pilot error". The pilot's wife, Diane Halstead, is convinced her ... See full summary »
Before they can complete renovations on their new inn, Widower (Ben Wilson) and daughter (Hillary) are visited by a woman seeking immediate lodging for her strange group of travellers. Why ... See full summary »
In 1949, during the Chinese Civil War, British warship H.M.S. Amethyst sails up the Yangtse river but on the return trip finds its way blocked by a barrage fire from the Communist Chinese shore batteries.
An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley. Written by
Keith Loh <firstname.lastname@example.org>
In the final scene, the viewer hears Sherman say: "This is not the end. This is not even the beginning of the end. It is the end of the beginning." These lines are paraphrased and borrowed from Winston Churchill's 10 November 1942 speech at the Lord Mayor's Luncheon, in which he used similar language to describe the turning of the tide of the Second World War in favour of the Allies. See more »
After Louise takes a shower, Sherman helps her put her uniform top on, but there is no sign she puts on or is wearing any other clothing. However, as the scene continues, Louise is seen wearing a type of pants/shorts as they walk together. See more »
Sherman the Robot:
It is not the end. It is not the beginning of the end. It is the end of the beginning.
See more »
One of the few real "B-movies" of the '80s--and a good one.
There seems to be some dispute here as to whether this is a good movie or not, and it all depends on what you expect going into it. If you go see (or rent) a sci-fi movie based on an obscure short story directed by the man who had Bo Derek battling a whale in "Orca" twelve years earlier, you have to expect some campiness. Just sit back and enjoy it. The premise of the story is actually quite good, with a little environmental message slipped in. In execution, the people behind this movie must have known that they did not have the budget for a special effects-laden thrill ride, so they decided to take the stylistic approach of making it with one eyebrow raised, a bittersweet melodrama that happens to have a few plane crashes and laser beams. It's "The Goodbye Girl" with time travel. How else do you explain the smarmy robot's flat line delivery, Cheryl Ladd's hairdo, the flight attendants' costumes? Camp, camp, camp. But at the same time, the "paradox" concept gives the mind something to chew. I think director Michael Anderson knew exactly what he was doing. Had this film been marketed differently, it would have easily recouped its budget. I think it's right up there with 1982's "Q"!
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