Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after ... See full summary »
The story begins on the autumn of 1654 in South France. Eloise lives in a cloister. Her famous father left her there. The young lady is enthusiastic about honour, faithfulness, affection to... See full summary »
In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven ... See full summary »
Two years after the first "Boum", Vic - now 15 and a half years old - has a very calm love life, actually no boyfriend at all. Her parents are happily together again, Grandma Poupette ... See full summary »
An inspector who just suffered a family tragedy is looking for a missing older man. Man's family is of no help, or are they hiding something? He is helped by a ghost of an actress who died 30 years ago, or is he slowly going insane?
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
French civilization in the desert. Saganne is of peasant stock, with courage and a forceful will. In 1911, he volunteers and is posted to the Sahara under the aristocratic Colonel Dubreuilh... See full summary »
Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights. Written by
Yuri German <email@example.com>
MY NIGHTS ARE MORE BEAUTIFUL THAN YOUR DAYS (Andrzej Zulawski, 1989) **
Apart from Sophie Marceau's frequent bouts of nudity, there's nothing remotely beautiful about this overly hysterical and pretentiously cryptic melodrama about exceedingly unlikable people! This was my third Andrzej Zulawski film after L' IMPORTANT C'EST D'AIMER (1974) and POSSESSION (1981) and it proved even more of a chore to sit through!
Surprisingly enough, Zulawski later had a child with his gorgeous leading lady here; one would have thought that his harrowing depictions of male-female relationships in most of his films (which frequently degenerate into shouting matches and violent beatings) would have put paid to any romantic ideas on her part! Anyway, when I was in Hollywood a couple of months ago, I had the chance to catch up with two of Zulawski's most intriguing films on DVD-R, namely THE DEVIL (1972) and THE SILVER GLOBE (1977-87; which was in Polish without English subtitles!) - but I decided to pass on them...!
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