2 items from 2014
They're talented, individual, but could, possibly, do with a bit of editorial guidance. Could these directors use a boss, we wonder?
In truth, we're a bit frightened about this one. Several times in pub/coffee shop/cider drinking in the park conversations, we've chatted about film directors who perhaps have got too powerful, that they seem to be able to get their own way without having someone to call bullshit on them - be it a good boss, or a very good friend that they trust and listen to.
This can be a very good thing. After all, we want film directors to be free to tell their stories. We don't want studio suits calling the shots. And some directors use their independence wondefully well, without losing what bought it to them in the first place (so, Steven Spielberg, Martin Scorsese, Christopher Nolan, Robert Zemeckis and such like).
Stars: Jason Crowe, Josh Eal, Erin R. Ryan, Steve Rimpici, Dustin Mills, Allison Fitzgerald, Janet Jay, Roni Jonah, Brandon Salkil, Minnie Grey, Eugene Flynn, Dave Parker | Written and Directed by Dustin Wayde Mills
Dustin Wayde Mills is an indie filmmaker out of Ohio, who specializes in low (some would say micro) budget horror, a number of which involve puppets(!), released directly to his [growing] fanbase via self-distributed DVD, Blu-ray and VOD channels. Having found some success with the films released under his Dustin Mills Production banner, Mills has expanded his repertoire with his new production shingle Crumpleshack Films which aims to produce rough(er) exploitation flicks. And with the release of the first Crumpleshack Films production, Her Name Is Torment, we’re taking a look at some of the highlights of Mills’ oeuvre, beginning with his killer bunny flick Easter Casket.
All hell breaks loose when Peter Cottontail aka The Easter »
- Phil Wheat
2 items from 2014
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