5.7/10
270
7 user 3 critic

Mack the Knife (1989)

In the 19th century London, a young girl falls for a famous womanizing criminal and they decide to get married. Her family strongly disapproves so her father "the king of thieves" gets the gangster arrested.

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Cast

Cast overview, first billed only:
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Rachel Robertson ...
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Coaxer
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Chrissie Kendall ...
Miranda Garrison ...
Esmeralda
Mark Northover ...
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Storyline

In the 19th century London, a young girl falls for a famous womanizing criminal and they decide to get married. Her family strongly disapproves so her father "the king of thieves" gets the gangster arrested.

Plot Summary | Add Synopsis

Taglines:

Scoundrel, liar, thief... They all loved him. See more »


Certificate:

PG-13 | See all certifications »
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Details

Country:

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Language:

Release Date:

2 February 1990 (USA)  »

Also Known As:

Koldusopera  »

Filming Locations:


Box Office

Budget:

$9,000,000 (estimated)
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Company Credits

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Technical Specs

Sound Mix:

Color:

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Did You Know?

Trivia

Rachel Robertson receives an "introducing" credit. See more »

Quotes

[last lines]
Street Singer: Happy endings, nice and tidy, its a rule I, Learnt in school. Just get your money every Friday, happy endings are the rule. Keep on smiling, go home singing, and remember, that in life; you can love him, or you can hate him, but they'll always be Mack the Knife!
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Connections

Version of CBS Television Workshop: The Beggar's Opera (1952) See more »

Soundtracks

Love Song
Written by Bertolt Brecht and Kurt Weill with English lyrics by Marc Blitzstein
Performed by Raul Julia and Rachel Robertson
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User Reviews

The Positives Are Closer
26 April 2001 | by (Mountain View, Ca) – See all my reviews

O.K. Folks, it ain't Brecht, but - the emperor doesn't have any clothes - the original Three Penny Opera is not a work that translates well from the Weimar Republic to our own era. i.e., I'm not so sure authenticity is that important. The sets are overbuilt, there is much too much Lionel Bart feel, but Julia is actually excellent, Mignenes is better yet, and Roger Daltrey's interpolations are kinda fun. Roger Ebert has the negatives right - there is a relentlessly `over-the-top' feel to the whole movie - but the Washington Post reviewer is nonetheless closer. It is quite an enjoyable movie despite the flaws. As to what can go wrong with filming this stage play, take a look at Pabst's 1930 version for a first-class mishmash.


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