Critic Reviews



Based on 15 critic reviews provided by
Look Who's Talking is full of good feeling, and director Amy Heckerling finds a light touch for her lightweight material.
Thanks to the ingenious voiceover, however, Look Who's Talking is a genial, entertaining film.
Los Angeles Times
The movie but, rather surprisingly, given the gimmicky premise, it's not gag-me-with-a-pacifier cute nearly as often as it is genuinely charming. [13 Oct 1989, p.12]
Sassy but never cynical, Mikey is first seen, through some cunningly simple special effects, as a kind of hot-rodding sperm cruising up the Fallopian tube to the tune of the Beach Boys' I Get Around. [20 Nov 1989, p.98]
San Francisco Chronicle
Look Who's Talking plays baby-picture cute almost beyond the limits of the tolerable, but it has enough spark and intelligence to be a very likable, occasionally riotous romantic comedy. [13 Oct 1989, p.E1]
Despite the amiable charms of the central couple of Cheers' Kirstie Alley and a back-from-the-dead John Travolta, it is director Heckerling's goofy willingness to let her imagination run riot that prevents her film from sinking into soap.
USA Today
Heckerling stoops to the obvious at times and there are two car chases too many. But Look Who's Talking never insults the intelligence of adults or babies, and that's quite a feat for any comedy. [13 Oct 1989, p.4D]
Boston Globe
Before long, it runs out of steam, playing like the pilot for a TV sitcom called "Baby Knows Best." [13 Oct 1989, p.37]
Chicago Tribune
Though the film has a plot a simpleton could follow, its hallmark is confusion. Its sense of time and place and its point of view are muddled. [13 Oct 1989, p.L]
This flabby comedy deserves only one thing: to fall on its fat one.

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