After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him... Written by
Murray Chapman <firstname.lastname@example.org>
At one point, Molly is in the streets with Mikey and we see a Starbucks Coffee in the background. Starbucks did not make it to the east coast until the early-1990s. See more »
[immediately after being born]
This has got to be the weirdest day of my life... well, so far.
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James brings Mikey to see his new sister: Mollie: "Hi honey." James: "Mikey, this is your sister Julie." Mollie: "Hi Julie." Mikey: "Hi Julie." Julie (voice of Joan Rivers): "Don't start with me kid. I've had a day you wouldn't believe. Can we talk?" See more »
The concept of woman-with-child-meets-man-and-falls-in-love has been done to death in the movie industry. The only thing that can save a movie from being lost in the existing hash is a gimmick that makes it unique. Fortunately, "Look Who's Talking" gives a fresh perspective on an otherwise trite situation by demonstrating it from the baby's point of view. Even this could become annoying were it not for the fact that, rather than having a child actor flesh out the character, the clever, snappy dialogue is delivered by Bruce Willis in his most likeable role since "Moonlighting". Had they used a child's voice, lines such as "Let's get some apple juice down here!" would be merely cute; with Willis' smoky growl, they are hysterically funny.
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