After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
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Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him... Written by
Murray Chapman <email@example.com>
Amy Heckerling was inspired to write the film after her husband when writer Neal Israel started playfully talking in a different voice to pretend what their new baby would say. Her husband also has a cameo as Kirstie Alley's character's boss. See more »
When Molly and James are in the airplane and he's telling her to "take his stick", you can see the wall of the hangar behind them during the front shot. See more »
[Mikey says Daddy]
He- he said Daddy!
I think he called you Daddy.
No, I'm talking to hear myself say it!
See more »
After Pete Townshend's "Let My Love Open the Door" finishes playing, the remainder of the end credits have absolutely no other music or audio playing during them. See more »
Good scenario isn't it: baby observes the world as an adult would with sarcastic quips and anecdotes. And the movie itself is also quite good. Although it has the neccessary light touch, it's also rather adulty. Films of this calibre wouldn't usually have quite so much innuendo and sex-talk in them. This doesn't take away from the overall enjoyment of the movie, but it certainly is surprising.
There's a good cast to back this up. Kirstie Alley is ideal as the sexy single mother. John Travolta repeats his character in Saturday Night Fever to a certain degree, which isn't a bad thing. Bruce Willis steals the show as the voice of the baby though.
The result is a pleasing and enjoyable little comedy so I recommend "Look Who's Talking". My IMDb rating: 6.7/10.
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