After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him... Written by
Murray Chapman <firstname.lastname@example.org>
During the very last scene James and Mikey go to a hospital to see Molly. While walking into her hospital room you can see it's obviously a set/sound stage when you look up at the top, in the corner(s), you will see it for a few good seconds. See more »
It's weird, isn't it? You spend the first nine months trying to get out and the rest of your life trying to get back in.
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After Pete Townshend's "Let My Love Open the Door" finishes playing, the remainder of the end credits have absolutely no other music or audio playing during them. See more »
Smart little comedy that expresses what a young baby is thinking (voiced by Bruce Willis) throughout its running time. Likeable performances from Kirstie Alley, John Travolta, George Segal and Olympia Dukakis add to the sometimes mediocre screenplay and unsteady direction. The clever idea though, which is very original, carries the film and makes it a funny and entertaining experience. 3.5 out of 5 stars.
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