After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
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Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him... Written by
Murray Chapman <firstname.lastname@example.org>
When Molly starts hitting James for taking Mickey out without permission, he falls knocking a box of Cheerios which hangs curiously over the counter and has a plastic glass standing upright untouched. After he has removed the splinter, we see the box gone and it is replaced by the same plastic glass fallen down and it's contents spilled over. See more »
Screwing with the mail is a federal offense.
Stealing mail's a federal offense, not screwing with it.
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After Pete Townshend's "Let My Love Open the Door" finishes playing, the remainder of the end credits have absolutely no other music or audio playing during them. See more »
Good scenario isn't it: baby observes the world as an adult would with sarcastic quips and anecdotes. And the movie itself is also quite good. Although it has the neccessary light touch, it's also rather adulty. Films of this calibre wouldn't usually have quite so much innuendo and sex-talk in them. This doesn't take away from the overall enjoyment of the movie, but it certainly is surprising.
There's a good cast to back this up. Kirstie Alley is ideal as the sexy single mother. John Travolta repeats his character in Saturday Night Fever to a certain degree, which isn't a bad thing. Bruce Willis steals the show as the voice of the baby though.
The result is a pleasing and enjoyable little comedy so I recommend "Look Who's Talking". My IMDb rating: 6.7/10.
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