After a single, career-minded woman is left on her own to give to birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
Mollie is a single mum who's on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him... Written by
Murray Chapman <firstname.lastname@example.org>
The concept of woman-with-child-meets-man-and-falls-in-love has been done to death in the movie industry. The only thing that can save a movie from being lost in the existing hash is a gimmick that makes it unique. Fortunately, "Look Who's Talking" gives a fresh perspective on an otherwise trite situation by demonstrating it from the baby's point of view. Even this could become annoying were it not for the fact that, rather than having a child actor flesh out the character, the clever, snappy dialogue is delivered by Bruce Willis in his most likeable role since "Moonlighting". Had they used a child's voice, lines such as "Let's get some apple juice down here!" would be merely cute; with Willis' smoky growl, they are hysterically funny.
7 of 9 people found this review helpful.
Was this review helpful to you?