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Fifth favorite James Bond 007 of mine action classic the best of Timothy Dalton flick
ivo-cobra819 November 2017
This is simply the best action film. My fifth favorite James Bond 007 film in my top 10 Bond films. It has action and great performance from Timothy Dalton. The film has great dangerous stunts, real actions that is why I love this film to death! I enjoy this film so much even as a kid growing up I loved this film. I'm a hard-core James Bond fan. I make no apologies for believing that Timothy Dalton is the closest thing we've seen to IAN FLEMING's James Bond. Licence to Kill is one of the most underrated decent action films and I love it so much.

This movie is more about Die Hard action junkies like me. This movie has hard core action than espionage. I enjoy this film I still do even over those years. Sadly this is the last Timothy Dalton film and the last 80's film. After this one Timothy Dalton did not want to make another Bond film.

The movie is about one of the biggest heroine supplier in the USA in which Felix Letier (David Hedison) and James Bond 007 (Timothy Dalton) captures him, but with the inside man, the drug dealer escapes and kill's Leiter's wife and Felix throws in to the pit with shark in it. Now James Bond goes on a revenge spree and stopping the drug dealer supplying people with heroin. James Bond goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. Agent, and left him for dead and murdered his bride after he helped capture him.

Timothy Dalton was excellent as James Bond 007 really too bad he wasn't interested to play the role again. I enjoy his two movies The Living Daylights and this one Licence to Kill. Timothy Dalton is once again serious and on target should have been lightened up a bit. Audiences who spend two or more hours with Bond need to laugh once in a while. Thankfully, Q, awarded the biggest role of his film career (following a tip-off from an anxious Moneypenny), was on hand to provide some crucial comic relief.

Carey Lowell showed to be the best Bond girl in years. She was delightful as Pam Bouvier, a resourceful, beautiful CIA pilot and undercover operative who helps Bond at every turn. Her excellent introduction in the Barrelhead Bar is nothing but pure dynamite. She is sexy hot and beautiful irresistible Bond girl.

Talisa Soto is in here from Mortal Kombat as Lupe Lamora, Sanchez's girlfriend who has romantic feelings for Bond. She becomes the second Bond girl but Carey Lowell steals the show.

Robert Davi proved to be an excellent choice for the role of murderous South American drug lord Franz Sanchez. Surrounded by a private army that keeps potential assassins at arm's length, Sanchez was not an easy target.His main associates include corrupt seaman Anthony Zerbe, a drunken pervert and a sadist Benecio Del Toro.

Desmond Llewelyn as Q was excellent this was the only movie that was the longer run Desmond was. He was Bond's ally who supplies Bond with various gadgets and helps him in the field.

I love the music scores: Licence to Kill by Gladys Knight, Dirty Love by Tim Feehan and of course my favorite soundtrack If You Asked Me To by Patti LaBelle. This was the last Bond movie that was directed by great director John Glen.

This movie has ton's and ton's of action: in the opening scene we see Bond sliding from helicopter to capture the airplane that was really dangerous stunt excellent, executed and performed. Bond being on a bloody machine hanging up and Pam shoots Dario and Bond throws him in to the machine. I love the fights on the trucks that was awesome from the airplane Bond jumps on a truck takes It over and he fights those bad dudes awesome. I love the bar fight which is awesome. Actor Branscombe Richmond was in this movie from (Renagade) in which Bond knocks him out. Bond eludes the divers in the water and he skies with a harpoon on one of the seaplanes, stealing $5 million on the way. Bond goes from Miami Vice to The Punisher and he try's to Kill Sanchez by climbing the wall. Bond gets attacked and knocked out by two ninjas. Bond burns Sanchez with lighter that Felix and Della gave him as a wedding gift.

Licence to Kill is the 16th entry in the official James Bond film series. The 1989 sequel (which was the first not to bear the title of an Ian Fleming novel or short story) finds Bond on a personal mission to take down the drug lord responsible for an attack on his CIA friend Felix Leiter and his wife. Licence to Kill co-stars Carey Lowell, Robert Davi, Benicio del Toro, Talisa Soto, and Wayne Newton and was the final Bond film directed by John Glen and the final film to star Timothy Dalton as Agent 007.

Bond is such a bad-ass in this movie he kicks all the bad guys he is even more dangerous and crazy than Sean Connery. 10/10 it is my fifth favorite James Bond 007 film because it has insanely action, you have great explosions, real actions, no shaky cam. It is Timothy Dalton's second and last best film in his career he ever did.
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A criminally underrated Bond picture
Gavin Salkeld22 November 2006
Licence To Kill is one of the most underrated Bond movies since On Her Majesty's Secret Service. Slipping easily back into 007's shoes with style after his previous role as Bond, Timothy Dalton embodies the character. With a break away from the comic-book villains and fantastical locations, the filmmakers decide to focus instead on a very adult and contemporary story about drug smuggling and revenge. Michael G. Wilson and Richard Maibaum's story is engaging and exciting, with a steadfast confidence in their leading man. This is a Bond movie that took risks -- it was the first 15-rated Bond film in the UK -- and surely deserves kudos for doing so. Make no mistake; this is not a family Bond picture. Its themes require a more mature perspective than its predecessors, and the violence is certainly stronger than anything that had come before. Unfortunately, these factors seem to be what critics of Licence To Kill call 'faults'. But why is change so bad, I ask? Casino Royale is getting major appreciation from critics for its grittiness and its darker edge. So why not Licence To Kill? After all, this is the movie that started the current trend, with Dalton's mature portrayal of Bond paving the way for Pierce Brosnan and, without doubt, Daniel Craig. It always amazes me that people do not give Dalton more respect for what he did with the character. This guy started the ball rolling. And boy did he give it a hard push.

The characters in Licence To Kill are one of it's major plus points. James Bond is the most human we have seen him in 20 years, as Dalton brings a real sense emotional depth to the character; a tortured man full of hurt and pain and vengeance, his determined and stony face almost cracking with the burning hatred that is barely contained inside of him. We also get a strong female lead with Carey Lowell, whose portrayal of Pam Bouvier is at once intelligent, sexy, and funny. On the flip side of the coin, we have a genuinely terrifying villain in the shape of Robert Davi, playing his role deadly straight with not a hint of camp. It's a rare scenario where you feel Bond has met someone of equal competence. The Sanchez character is a frightening presence, and an early role from Benicio Del Toro is just as effective; his chilling grin a fear-inducing sight.

Technically speaking, John Glen's direction is taught and assured, with the pace never really letting up for the 130+ minutes running time, save at the very end of the movie where the spectacular truck chase sequence perhaps drags just a little. The brilliant Michael Kamen also supplies us with an elegant, sensual and brooding score that is a vital player unto itself, complimenting the visuals excellently.

In spite of these pluses, there are some minor quibbles. As I said before, the truck finale is perhaps a bit long, even though the stunt work is amazing, but it does slow the pace a bit. Talisa Soto is indeed beautiful as Sanchez' girlfriend but, bless her, she isn't exactly the most talented actress on the planet. She plays her part well enough, but the role isn't exactly Oscar-worthy, and it's not helped by the fact that the script tends to relegate her to the sidelines. Everett McGill's cigar-chomping Killifer is rather too pantomime for me - he just doesn't stand up to the characters of Sanchez or Anthony Zerbe's Krest but he doesn't stick around long so doesn't get in the way too much.

With a striking leading man in Bond's shoes, Licence To Kill deserves a lot more credit than it gets. This is the film that broke the mould, opening the doors to a more adult, violent Bond world that continued briefly with some of the Brosnan films and certainly with Daniel Craig's portrayal of the character. In Timothy Dalton we have a brilliant actor in the starring role who brought us a more human and believable Bond, yet it is Daniel Craig who is currently getting the credit for these exact traits. Don't get me wrong, his characterisation is superb. But Dalton is the one who started it off, and it is a shame that he only made the two films.

John Glen says that from all of the Bond movies that he directed, Licence To Kill is the one he is most proud of. And rightly so. Not only do we get a more fleshed-out character in Bond than previous outings, we get a more believable and mature storyline, with great characters and competent direction. Definitely one of the most underrated Bond movies, this engaging film is a great piece of entertainment, and one that I hope will gather praise with time. See it.

4 stars.
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Hard-edged Bond film. Not a great commercial success, but it has interesting points.
Jonathon Dabell10 October 2003
Timothy Dalton only played Bond twice, but he tried to base his interpretation of the character on the descriptions provided by Ian Fleming in the original novels. Therefore, his Bond is quite ruthless and embittered, and always ready to stick two fingers up at the establishment if he feels they've got it wrong.

Bond is vacationing in Florida, acting as best-man at his friend Felix Leiter's wedding, when the unthinkable happens. Leiter and his wife are assaulted by some Central American thugs; the wife is murdered and Leiter is crippled by sharks. Bond is obviously deeply unhappy about this, but his bosses instruct him to let the matter drop and get on with another assignment. 007 knows who is responsible for the injuries to his friend, so he revokes his licence to kill and becomes a rogue agent, tracking down the villainous drug lord Sanchez (Robert Davi) to his Latin America headquarters. Here, aided by Sanchez's unfaithful mistress Lupe (Talisa Soto) and CIA agent Pam Bouvier (Carey Lowell), Bond attempts to wipe out their enormous clandestine drug operation single-handedly.

There's definitely an uneasy, hard edge to the film which makes it unique among the Bond series. Whether or not this improves the film depends on your personal taste: if you like safe, humorous Roger Moore escapades, you'll probably find this too jarring, whereas if you prefer espionage stories with a bit of grit and sweat, this may be just what you're after. The action sequences are still outrageous in the tried-and-trusted Bond style, with memorable episodes featuring a daring helicopter .vs. airplane pursuit; a barefoot water-skiing sequence; and a truck chase down the side of a mountain. Some of the language, though not out-and-out "foul", is a bit stronger and more believable than in other Bond entries. The theme tune from Gladys Knight and the Pips is one of the better 007-tracks.

Licence to Kill is a new twist on the Bond theme. It isn't the best, and some of its new ideas don't fit with the usual routine (which may or may not be a good thing), but it is certainly interesting.
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Fleming's Bond is Back
GaryMook1 January 1999
Warning: Spoilers
This is the most underrated film in the series. It's ironic that the first of the EON films not to draw its title directly from an Ian Fleming story is also the closest in spirit to Fleming since "On Her Majesty's Secret Service." Of course, the titles had long since become the ONLY connection between Fleming's original stories and the movies -- the film plots and Roger Moore's portrayal bore almost no resemblance to Fleming's Bond.

In "License to Kill" continues what he started in "The Living Daylights": he portrays a Bond that is still an ultra-suave superagent, but is also moody and reckless -- in other words, human.

Bond is driven to avenge the near murder of his friend Felix Leiter (and the murder of Leiter's wife) at the hands of drug lord Franz Sanchez. Sanchez is excellently played by Robert Davi. He ends up being assisted by CIA agent Pam Bouvier. Bouvier is played by Cary Lowell, in a performance that earns her automatic entry onto the list of top 5 all time Bond women.

Some elements of the story come from Fleming's short story "The Hildebrande Rarity." Sanchez's doomed henchmen Milton Krest is lifted directly from "The Hildebrand Rarity," and elements of the relationship between Sanchez and his girlfriend Lupe echo that of Krest and his wife Liz in the original story.

The other Fleming story drawn upon is "Live and Let Die" for the plot-driving scene in which Leiter is thrown to the sharks. (This marks the second time that Fleming's "Live and Let Die" was drawn upon for a key scene in a movie other than the film version of LALD. The other is the "dragged behind a speedboat over the reef" scene in "For Your Eyes Only." It kind of makes you wonder what the powers that be at EON were thinking when they couldn't find a place for these powerful, effective scenes in the pastiche that is LALD.)

"License to Kill" features a realistic, believable story. Add to it the equal ruthlessness of Bond and Sanchez in their respective portrayals by Dalton and Davi and you have a movie that will stand out over time as one of the best in the series.
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Effective immediately, your licence to kill is revoked, and I require you to hand over your weapon.
Spikeopath13 July 2012
Licence to Kill is directed by John Glen and written by Richard Maibaum and Michael G. Wilson. It's an original story that uses characters and instances created by Ian Fleming. It stars Timothy Dalton, Carey Lowell, Robert Davi, Talisa Soto, Anthony Zerbe, Desmond Llewelyn, David Hedison, Benicio Del Toro, Frank McRae, Everett McGill and Wayne Newton. Music is scored by Michael Kamen and cinematography by Alec Mills.

Bond 16 and 007 goes rogue when drug baron Franz Sanchez leaves Felix Leiter mutilated and his wife dead. With licence revoked by MI6, Bond has to go it alone to enact revenge for the Leiters.

The controversial Bond for many reasons, Licence to Kill even today has been known to induce fearsome arguments in Bond fan circles. Not since On Her Majesty's Secret Service has a Bond film so polarised opinions. In one corner are the folks who determine it's not a Bond movie, in the other is those who say it's a stripped to the bone human Bond. You either love it or you hate it it seems. True to say that it is more an action thriller than a outright Bond film, no humongous sets, no megalomaniac villain (Davi's drug baron a very realistic menace) and of course there is Bond being pursued by those that have courted him previously as their number one agent. Yet there's a whole raft of scenarios that could only exist in a Bond universe, there's gadgets, too, for those that enjoy that side of Bond. Where else would you see a tanker driving on its side? Or exploding toothpaste and alarm clock, camera's that turn into weapons and a broom that is actually a transmitter? Not Bondian enough? Really?

Licence to Kill is a superior action thriller movie, the script is tight, the cast ace and the picture is crammed full of exceptional action set pieces. From the pre-credits sequence that sees Bond and Leiter enact a mid-air arrest, to the rather brilliant tanker carnage at the finale, the film rarely pauses for breath, and right there in the centre is a brilliant Dalton giving a rogue Bond plenty of layers. He's brainy and classy, fallible and driven, intense and tough, always sexy and always dangerous. Dalton's ability to convey raw emotion as each challenge comes his way is a real treat to watch. But most of all he is right there restoring Bond to being a serious action figure. What Bond fans didn't realise at the time was that it would be 17 years before Bond would be this raw again, then it would be heralded as a brave new start for Bond!

Another of the film's strengths is bringing back Hedison as Leiter, last seen playing the role in Live and Let Die, Hedison has great chemistry with Dalton and it's a joy to see Leiter play an active part in the action on screen. However, the makers do make a misstep by having Leiter be all too jovial at the end of the film, weird since he is minus a limb and his wife was raped and murdered by Sanchez's henchmen. Another big plus is Lowell's Pam Bouvier, a tough and brave Bond girl, sexy as heck, her pilot skills come in handy and she's no mug when it comes to brawling. Lowell does fine work in the role and keeps it away from being a token interest cliché. Davi keeps Sanchez as believable, a very driven drug baron who is cultured and funny, but always pulsing a vicious streak, while McRae has presence, McGill neatly keeps the cards close to his chest, Del Toro a nice line in nastiness and Soto is pretty as a picture and plays Lupe Lamora with skilled vulnerability. And of course there's Llewelyn as Q, who here gets a right old meaty role as he goes out in the field to become Bond's only aid from MI6. Again, not Bondian enough?

Licence to Kill saw the end of Dalton's tenure as Bond, legal issues between Danjaq and MGM/UA meant that no Bond movie would be made for another six years. By then Dalton had moved on to other work and was 51. It also marked the end of production duties for Cubby Broccoli, the final direction by John Glen (5 Bond films in total), Richard Maibaum's last script and the last performances by Robert Brown as M and Caroline Bliss as Moneypenney. One of the many misconceptions about the Dalton era is that Licence to Kill was a flop, it made $156 million worldwide, considerably down on The Living Daylights but more than A View to a Kill. A huge profit of over $100 million, this in spite of it being pitched against Batman and sequels to beloved American films by a studio head who had no idea how to market a film. The best actor to take on the role of Bond, Dalton's impact on the series cannot be overstated, he (rightly so) is very proud of his work in the two films and still talks very fondly of a role he respected beyond compare. 9/10
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eamon-hennedy28 October 2003
I really liked Timothy Dalton as Bond. I really thought the guy did a great job. The Living Daylights was an excellent Bond thriller, more in line with Dr No and From Russia With Love in tone and style, but with Licence To Kill you can tell that Broccoli decided to compete with the big boys with this action packed spectacular that aims high and scores. What we have here is Bond with spectacular action scenes and a more nastier steak with regards to the violence that is more in line with Hollywood action blockbusters than with quintessential British spies. This is why the film works. Licence To Kill is much more darker than any of the Bond films that has come before, and after the silliness of the Moore era, that was what this franchise needed. Why have world domination craving villains when you can just p*ss Bond off, big time. Having Felix Lieter maimed and his wife killed on their wedding day is inspired and immediately puts the film on a darker streak. The script here is very strong as we watch a darker more violent Bond infiltrate the bad guy's lifestyle and then proceed to work from there.

Don't make any mistakes this is not a Bond film that would be broadcast during a Bank Holiday afternoon. What we have here is a film that is graphically violent. Check out the head explosion scene or the nasty incidents involving sharks. Having Bond on the revenge path makes for a more interesting tale than just another villain trying to take over the world. The more personal element fits in with this more darker Bond. Dalton really rises to the occasion here and ensures that he will be remembered as a fine actor who played the part of James Bond. The ice cool look of anger as he dumps a bad guy into a shark tank with a case fool of money is fantastic as is his reaction to finding Lieter's dead wife. It may not be said, buy OHMSS is being referenced. Helping Dalton along the way is a great support cast. Robert Davi is superb as Franz Sanchez, without doubt the nastiest Bond villain there has ever been. We have two Bond girls too. Talisa Soto is beautifully sultry, but Carey Lowell just pips her to the post as Pam Bouvier who really gives Bond a run for his money. Another great casting point is an increased role for Q. Desmond Lewellyn appears here more than he ever has done before, helping out in the mission that makes one wonder the Bond writers never thought of it before, or why they never did it after.

Licence To Kill is classic Bond. Purists may give of with the more American touch to the narrative (you just know that any theatrical trailer is crying out for voice over man to go "this time it's personal"), but the more darker narrative suits the film and it shows that Dalton was a good Bond no matter what his critics say. With some of the most spectacular action sequences at the time, this is a genuine Bond classic.

Shaken and stirred most definitely.
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The first Bond film to receive a Restricted (R) rating code for excessive violence…
Nazi_Fighter_David9 August 2005
Warning: Spoilers
In the most serious Bond movie since "From Russia with Love," writer Michael G. Wilson eliminated some of the very elements that have contributed to the longevity of the series—namely, the biting humor, fascinating locations, and a grandiose scheme perpetrated by a fantasy villain… "Licence to Kill" was almost a claustrophobic Bond considering its limited and uninteresting trips to Key West and Isthmus City…

Dalton—who is once again serious and on target—should have been lightened up a bit… Audiences who spend two or more hours with Bond need to laugh once in a while… Thankfully, Q, awarded the biggest role of his film career (following a tip-off from an anxious Moneypenny), was on hand to provide some crucial comic relief…

The story was a brave departure from anything previously ventured: shortly after acting as best man at the wedding of Felix Leiter, Bond discovers that Leiter's bride has been murdered and that his friend has been savaged by a shark… With grim determination, 007 launches a personal vendetta against Frank Sanchez, the sadistic drug baron responsible; his obsession sees him stripped of his license to kill by a furious M (Robert Brown).

Robert Davi proved to be an excellent choice for the role of murderous South American drug lord Franz Sanchez… Surrounded by a private army that keeps potential assassins at arm's length, Sanchez was not an easy target… His main associates include corrupt seaman Anthony Zerbe, a drunken pervert and a sadist Benecio Del Toro…

Carey Lowell showed to be the best Bond girl in years… She was delightful as Pam Bouvier, a resourceful, beautiful CIA pilot and undercover operative who helps Bond at every turn… Her excellent introduction in the Barrelhead Bar is nothing but pure dynamite…
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Underrated, misunderstood entry in the 007 Series
Chris Pappas1 July 2003
Warning: Spoilers
Licence To Kill came out during the huge box office summer of '89 (which included Batman, Indiana Jones, Ghostbusters II, etc). Unfortunately, lousy advertising and Timothy Dalton's lack of appeal to American audiences did not bring in the big bucks that could have been expected. While the film did not do great in the US compared to other Bond films, it still did well overseas. Because of the assumption that LTK was a flop, people consider it one of the weakest entries in the series. Needless to say, they're dead wrong.

(Possible Spoilers)

Sanchez is one of the most realistic, deadly villains Bond has ever met, and this is also 007's most personal mission yet. Felix Leiter, the trusted ally and Bond's best friend is fed to sharks and his newlywed bride has been murdered. After Bond decides to attend to Felix and find out what happens and doesn't leave for his mission, he resigns and his license to kill is revoked by M. Bond goes on a personal vendetta which involves more spying, more detective work and less gadgets and over the top villanious plans. Licence to Kill isn't everybody's cup of tea, and some think it's a Charles Bronson rip off, but personally I see it as more of an Ian Fleming Bond movie, which is ironic since this is the first movie title not to be taken from a Fleming novel. Q has a nice supporting role rather than the smaller role he usually has.

In a way, I always see Licence to Kill to be the end of an era for Bond films. It seemed with Goldeneye's release in 1995, Pierce Brosnan's Bond is not the same Bond as portrayed by his four predecessors. I don't know why, but with Felix Leiter out of action, Bond losing his license, the last appearance of so many members of the Bond crew and cast, it seems like Dalton's final portrayal was the end of one continuity, and Brosnan's is a new, revamped Bond. Nonetheless, this is one of the best Bond films of the entire series, both pre-Brosnan and the Brosnan era.
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Dalton's best run in the role
didi-517 August 2003
The worst-performing movie in the Bond movie in terms of grosses, it probably failed because it wasn't really a Bond at all. True, it is the character Fleming created, and Q is in there, but this extremely violent thriller with its strong female characterisation (Carey Lowell, perhaps the only Bond girl with `balls') is not a neat fit with the others.

The only one of the franchise created especially with star Timothy Dalton in mind (perhaps the sexiest Bond of them all?) it is a tale of loyalty, drug cartels, sharks, and 007 losing his licence and setting off as a vigilante. Lowell plays agent Pam Bouvier, who shines in a bar fight and gives 007 as good as he gets. And boy, do these two have chemistry together!

The only problem with this movie is that it gets so truncated on its TV showings that it loses a lot of its point (and in the worst edit I saw, its sense). There is perhaps too much going on - the abused Latino bimbo, the crooked evangelist, the Japanese businessmen touring the factory, the casino …

Not at all as bad as many commentators at the time and since have suggested. What a pity the series stagnated after this before its big budget Pierce Bronson revival. Dalton should have had the chance to show us more of the character he portrays in `Licence to Kill'. And what a great theme tune from Gladys Knight.
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Might not be the no.1 Bond movie, but Dalton is my favourite Bond
gregoridanu16 November 2015
The Bond film series has been with us since the early sixties and for a character to stand the test of time, there requires a certain reinvention and reinvigoration for it to maintain longevity. Opinions are subjective as we all know, so make of this what you will.

'Licence to Kill' is one of the top five best Bond movies of all time along with it's powerhouse theme song. Up until this particular picture, we were introduced to Sean Connery's unique suave, set against an array of exotic backdrops and a strong supporting cast. George Lazenby, although criticised for being boring, offered us some great action sequences in his short time as the British spy. A sophisticated edge that was overpowered by it's comical tone throughout his run, Roger Moore took the reins during the 70's and early 80's. Then in 1987, Welsh actor Timothy Dalton donned the role of 007.

With 'The Living Daylights' establishing Dalton as James Bond, we were given fair warning on the tonal shift. Given this was the 80's, where a number of films were heavily inclusive of hard 'R' violence - 'Licence to Kill' adapted and not only brought us a visceral Bond film, but as many film historians have cited, one of the, if not the closest portrayals of Ian's Flemming's character.

For those giving current Bond actor, Daniel Craig the credit (or hate in some cases) for a cold and stoic interpretation of the character, I suggest you watch the Timothy Dalton Bond films, because this is where it started.

In 'Licence to Kill', Bond is essentially a one many army taking on a South American cocaine czar. This is a James Bond that up until this point was never seen like this on screen before. His best friends are maimed, he's stripped of his rank, his government and as it relates to the title - his licence to kill is revoked. He is left with almost nothing aside from his skills and weapons expert, Q.

Dalton plays Bond as a wounded wolf with a sensitivity and vulnerability visible in his eyes and the way he emotes. As opposed to his predecessors, Dalton plays the character with an introspective approach, where you can feel the torment and tension bubbling inside. Even when he smiles, there is pain, reminding us of what he has endured as a human being.

Bond's antagonist is played by Robert Davi - another underrated performer known mostly for his roles as a villain. He plays a drug king with a code, where loyalty seems to matter more than the money. We are immediately set with these two huge characters on a road to collision; the dark angel's raid on the reaper that claimed the lives and elements that held Bond together.

The whole film is non-stop and that also reflects the carnage and violence. The climactic chase is one of the best with the inclusion of trucks, jeeps and a plane against a beautiful Mexican mountain view.

As a huge proponent for Timothy Dalton's Bond, I advise any fans of the series to watch or re- watch his incarnations. Hopefully an appreciation will come about for how truly great and underrated he was.
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Stimulating adventure in which an avenger Bond goes after a drug baron to revenge an attack on his best partner
ma-cortes5 December 2010
Timothy Dalton's second entry in which faces dangerous adventures around the world in this solid , slick thriller with magic mix of action-packed , dazzling stunts, gadgetry, and romance provided by sexy company as Talila Soto and Carey Lowell. Timothy Dalton's last outing with overwhelming action and spectacular scenarios . This was Timothy Dalton second appearance as tough and attractive James Bond of the Ian Fleming's famous creation and screen-written by Richard Maibaum and Michael G. Wilson . This Bond film deals with seductive James Bond OO7 as the ultimate spy hero who undergoes a dangerous mission seeking revenge . This time Bond gets mad after a close friend named Felix Leiter (David Hedison of Voyage to the bottom of the sea) from the intelligence sector being abducted on his wedding day ( the bride is played by Priscilla Barnes), and 007 goes undercover to link the kidnapping to an international drug cartel . James attempts to chase the corrupt kingpin and a double-dealing agent (Everet McGill). Meanwhile , there happens a high-octane race and discovers clues about Sanchez (the ruthless villain well played by Robert Davi) and his hoodlums (Anthony Zerbe , Don Stroud and Benicio Del Toro at one of his first appearances). James is double-crossed and continues to follow the lead to baddie's headquarter . Bond deserts Her Majesty's Secret Service and embarks on a world wide personal vendetta . Meanwhile, 007 join forces with a gorgeous , cocky CIA agent (Carey Lowell who married Richard Gere) and of course he falls in love with her .

Timothy Dalton as new James Bond is nice , lacked in irony, suavity and sympathy characterized by Roger Moore however earns in dimension of humanity , coldness ,cunning , adding intelligence and toughness like Sean Connery and nearly to character created by Ian Fleming . Timothy Dalton made his final intervention as Bond in this Licence to Kill, the toughest of the Bond films since Connery's early efforts .In spite of the spectacular opening sequences the Bond films were starting to look a little bit old and tired just like its star Roger Moore , then the producers Michael Wilson, Albert R. Broccoli and his daughter Barbara Broccoli hired Timothy Dalton to up the series. However , Dalton only played two Bonds ,¨The living daylights¨ and ¨Licence to Kill ¨ with the same director John Glen . Here Bond is an efficient , relentless agent trying to chase obstinately the criminals led by a drug kingpin , traveling around the world as always , as this globe-trotting story to achieve his aims , James along the way uses violent means even pulling off brutal killings against enemies who wreak all sorts of havoc . As always Bond will use gadgets and spectacular cars provided by ¨Q¨ (Desmond Llewelyn in an important appearance) . In addition , there appears at the second intervention Caroline Bliss and Robert Brown as ¨MoneyPenny¨ and ¨M¨ , respectively .

The picture with a low-key intrigue contains sensational chases , silly set pieces, high adventure ,great stunts, ferocious action , amazing gimmicks and exciting images like are the happenings on the frantic boat pursuit , a midair brawl with breathtaking aerial scenes over the controls of an out-of-control aircraft , and unstopped action truck-races in the Mexican desert . Enjoyable title song and stirring musical score fitting to action by Michael Kamen , in similar style to classic John Barry . Riveting and fancy main titles by habitual Maurice Binder . It's brimming with colorful and fascinating cinematography by cameraman Alec Mils. The motion picture produced by habitual producers, Albert ,Barbara Broccoli and Michael G. Wilson , being professionally directed by John Glen who directed various outings (Licence to kill, A view to kill , For your eyes only. Octopussy) though with no originality . The film will appeal to James Bond series's buffs but good for fans only ; because this one goes on far too long . Rating : 6 , well worth watching .
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I Don't Understand People's Reaction To the Violence In This Film
deltron-016 April 2005
Sure, it's not the best 007 film, and Dalton is not the best Bond (that would be Brosnan or Connery, leaning toward Connery for the better films), but the idea that anyone would be appalled by the violence in this movie is, err, appalling. Did people forget that in DR. NO Connery plugs six bullets into Prof. Dent? Or breaks the neck of No's security guard on the island? Or that Quarrel is graphically roasted alive by the dragon? In FRWL, people are strangled and stabbed and beaten and shot throughout the entire movie! Had no one actually read Fleming's LIVE AND LET DIE novel? Bond is a Secret Agent with a Licence To Kill, hence the title of this movie! At the time, I was very impressed with this movie, and still find it enjoyable to watch though it hasn't aged well. The dialog is rough at times and so is some of the acting, though it had the best cast in a 007 film in dog's years! The costuming is a joke, the drug story shop-worn, and 007's 'resignation' scene, what should have been the first truly dramatic moment of the entire movie, is treated as though the movie starred Steven Segal! Also, in a series where music plays an integral part, this movie just didn't come through. Knight's title theme has a rousing under-rhythm, but overall it's just a modern 'Thunderball', and Kamen's non-score makes me feel like I'm watching a 'Lethal Weapon' movie. When it ends and the most memorable music in the film is the Mex-mariachi music from the trucks' speakers, you know the music director f'd up big time! How come that wasn't on the soundtrack? Heh-he.

Still there are plenty high points thanks to the EON team: David Hedison as the best Felix Lieter ever, Carey Lowell as the best Bond Girl since Melina Havelock, Q's extended presence, the camera-gun, the Hong Kong narcotics plot twist, and the credible action stunts (007 overtaking the drug money plane is breathless from the moment he harpoon's one of Sanchez' men, pun intended)! Seeing James Bond actually get hurt at the end of the movie was a real stunner though! In the end, it's not great Bondage, but it's an overlooked cut above much of it's competition.
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A darker Bond but a good Bond
bob the moo4 July 2002
Warning: Spoilers
After a major drugs bust CIA agent Felix Leiter gets married with his friend James Bond as his best man. However in a revenge attack drug lord Franz Sanchez mutilates Leiter and kills his wife. James Bond wants revenge but is ordered to stay out of it. Ignoring the order Bond goes on a personal vendetta to bring down Sanchez's organisation.

This was Dalton's second and last Bond movie. It was also his best. The nature of Bond is a lot darker than during the Roger Moore years and this lends itself to a more violent film with revenge as the motivation. The story is actually OK and allows some humour, however some may not like the idea of Bond as a vigilante type. The action is pretty good although not as visually stunning as other blockbusters. The drama is good and the Bond girls are all good.

Dalton was a good Bond no matter what is said – all he did was take it back to the root rather than playing it camp like Moore, he gave a harder edge to the role that was missing. Davi is a good bad guy – he can do this in his sleep and he's good here even if his 'evil Cuban guy' dial is turned up to 11! The girls are both good in different ways – Lowell's more demure comedy role or Soto's vixen. The inclusion of faces like Everett McGill is good and the rising star of Benicio Del Toro is an interesting find in retrospect. Wayne Newton is also really funny in a funny cameo.

Overall this isn't the best of the Bonds but it is a nice change after years of Moore being camp. The darker edge may put some off but it does add more action to the proceedings that had been missing recently.
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A different Bond, and a very good one!
The_Void20 December 2006
Goldfinger is the benchmark of great Bond films, and while this one doesn't come anywhere near that - you still can't really ask much more of a Bond film. Licence to Kill, the last of the eighties bond films, stands out because director John Glen seems keen to make it as little like the rest of the series as possible. Most Bond films feature the popular spy on a mission and answering to MI6 - but here he's acting out a personal vendetta, and we get to see a different side to Ian Flemings' character. The film opens with a rather over the top wedding sequence, in which James Bonds' friend and ally Felix Leighter gets married to a pretty blonde woman. However, just before this we watched Bond and Felix apprehend a drug dealer, and not taking to being caught very kindly - the dealer decides to use some of his cronies to maim Felix and kill his wife. Bond then decides to go after the drug dealer, much to the dismay of MI6 who promptly take away his licence to kill. This doesn't stop Bond, however, as along with a few allies - he sets out to get revenge on those responsible...

Many people say that Timothy Dalton was the worst of the Bonds, but I disagree. While he doesn't fit the role as well as Sean Connery, and isn't quite manly enough for my liking - his suave style goes brilliantly with the James Bond character, and he is perfect for exploring the darker side of the character in this film. The film has that eighties style that often seems tacky nowadays, but it's not laid on thick until the very end, and this doesn't hinder the film. The stunts are the best thing about Licence to Kill, as the director constantly succeeds at delivering memorable and exciting action scenes, the best of which is saved until the end. The fact that this film takes in the theme of 'the war on drugs' means it stands out from a lot of the rest of the series as world domination is never mentioned. Robert Davi gets to play the Bond villain, and for me is one of the best of the entire series. He manages to be evil without ever looking comical, and that can't be easy in a series known for being completely overblown. Overall, Licence to Kill is undoubtedly one of my favourite Bond films, and it therefore comes highly recommended!
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His dark side is a dangerous place to be!
Shawn Watson3 January 2007
Warning: Spoilers
This 16th entry in the Bond franchise is notable for multiple reasons. It marks many firsts and several lasts, but it's also the darkest and nastiest the series has ever got, and this really appeals to me. I severely doubt that Bond will ever go as wicked and hardcore as Timothy Dalton's second venture.

Second and last for Dalton. Fifth and last for director John Glen. Last for Robert Brown as M. Last for Caroline Bliss as Moneypenny. First and last for composer Michael Kamen. First Bond movie to be given an adult rating (barely escaping an R in the US and cut to get a 15 in the UK). And, most importantly, the very last Bond movie to be released during the summer season. A fact that endures to this day as the studio now favors a late autumn/early winter slot. It also marked the last entry for over six years, the longest gap in the franchise, before Brosnan rebooted the character with Goldeneye.

Summer 1989 was very busy for moviegoers. Tim Burton's Batman, Indiana Jones, Ghostbusters 2, and Lethal Weapon 2 were all pulling in huge business. For the kiddies there was lighter fare such as Honey, I Shrunk the Kids. Franchise fatigue had set in with James Bond. The public had endured one movie every two years since 1962 and were looking elsewhere for thrills and adventure. No one cared for a mean and nasty Bond movie. The few who took a chance were turned off by the violence and sadism. Licence to Kill became the dark, very dark, horse of the franchise. If there is one kind of movie I adore above all else, it's the dark horse. This time around Bond goes Bad (with a capital B, you should notice).

The formula of a supervillain surrounded by scantily-clad women out for world domination being thwarted by gadgets and expensive cars is thrown out. Licence to Kill subverts viewer expectations on many levels and gives us an altogether different story for Bond (though perhaps a bit too familiar in regards to other 80s action movies).

After successfully capturing South American drug lord Franz Sanchez (a cool, smoldering performance by Robert Davi) in Miami series spook Felix Leiter (David Hedison, reprising his role from Live and Let Die) ties the knot with lovely wife Della. Sanchez does not plan to stay incarcerated for long and has soon corrupted the man bringing him in for trial. Immediately after being sprung from captivity he murders Della and mutilates Leiter by feeding him to a shark. The sight of a dead woman in her wedding dress opens old wounds for Bond and he relentlessly hunts down Sanchez.

M is having none of this and orders Bond to abandon his quest for vengeance or face the consequences. Bond promptly quits MI6 and goes rouge. In many ways it is Bond who is the villain of this film. As I said, Franz Sanchez is not a cartoon. He's simply a businessman looking to expand his empire. A man who believes in loyalty above all else. Look out for him and he'll look out for you. Bond identifies this crack in the armor and abuses it, squeezing himself into Sanchez's operation and destroying it from within. Sanchez does not have any ridiculous backstory or motivation, he develops as a character as Bond manipulates and exploits him. His confusion and naive sense of friendship the cause of many sad ironies. It's easy to forget that we are supposed to enjoy his downfall as Bond sets about wrecking his dreams and future.

Timothy Dalton absolutely kills it as Bond in LTK. His sharp, focused eyes and his cold, angry performance give us an insight into a whole new side of the character. Here Bond is stripped down, without back- up, with little to no weapons or gadgets, while winging his revenge plot on the fly. This is not the soft, dull-witted Bond of the Moore-era. Dalton is furious. Sanchez finally gives him a much-needed outlet for his pent-up rage over Tracy's death. You could go straight from OHMSS to LTK and completely skip over the silly Moore years altogether.

John Glen is not much of a visual director, he was really just there to make sure that the cameras were switched on during these years. LTK is shot in lovely anamorphic Panavision with very high key photography. I do feel that the film could have benefited from more atmospheric intriguing camera-work and it sometimes comes close but for the most part this is same-old when it comes to aesthetics, and is the only noticeable similarity it has to the previous movies.

Michael Kamen's score might also sound familiar. It might remind you of Nakatomi Plaza specifically. Kamen's late 80s/early 90s signature is all over this one, which is appropriate since it IS the Die Hard Bond, sharing cast and crew members with the 1988 classic. The sign of a good Bond composer is one who knows when to just go totally crazy with the famous Bond chorus (something no Daniel Craig entry has done yet). The chorus marks the moment when 007 does something "Totally Bond". Here it's during the moment he wheelies through a fire in a big rig, the look on his face as he smacks down on top of another car proving that being Bad is so damn Good.

Do not listen to the killjoys who say that this movie killed the franchise. LTK is a tough, nose-to-the-grinding block Bond movie that could have been taken a few steps further had Glen had the talent and flair to do so, but as it is this is still a very important entry in an innovating and enduring series.
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Dalton is the best Bond
bb-741 August 2003
Licence to Kill has a mixture of all the essential Bond attributes. Dalton is an action man and a more sensitive and moody Bond in this film. Shame he turned down the chance to do Goldeneye, that would have made him a mega star.
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final outing for Dalton as 007
Kieran Green11 December 2013
Warning: Spoilers
Timothy Dalton in his final outing as James Bond, is out for revenge as stalwart ally Felix Leiter, (David Hedison) is abducted along with his wife and has a disagreement with something that ate him,

Dalton against the wishes of MI5 has his Licence Revoked (this was the Original title of the film, but was changed to avoid it sounding like a film about careless drivers!)and sets off as a rogue agent determined to bring down Drug baron Franz Sanchez,(Robert Davi who just has to be one of the best Bond Villains ever!

Bond gains the aide of one of CIA Operative Pam Bouvier(Carey Lowell) and together with a little help from Q branch infiltrates Sanchezs' drug factories and proceeds to bring him down. final outing for Timothy Dalton as 007 which is sad as he truly captured some of the Ian Fleming essence, Michael Kamen contributes an excellent score.
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Violent, well-plotted Bond film with a menacing Timothy Dalton
long-ford16 February 2009
This film is radically different from nearly all the previous Bond films. There's a lot of violence, some of it rather gruesome and the plot shows Bond at his merciless best as he avenges the death of a friend. Timothy Dalton still seems too stiff to be Bond, but he's certainly far more menacing this time. The film is well-paced and there are double crosses galore. The villain Robert Davi plays a drug baron who's not really interested in world domination. Benicio Del Toro gave early notice of his talent. Although a failure at the box office, the film is well worth watching.

Overall 7/10
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James Bond dies hard...
Mikew300125 October 2002
"Licence To Kill" (1989) was the second and last 007 adventure of the fourth Bond actor Timothy Dalton. Directed by John Glen again, Bond is faced with his most personal and painful mission since the death of his wife Tracey in "On Her Majesty's Secret Service" (1969). After Bond and his long-time American friend, CIA agent Felix Leiter, have caught drug dealing gangster boss Franz sanchez, the villain manages to escape and takes bloody revenge by killing Leiter's just married wife and hurting Leiter badly. Now it's Bond's turn to leave leaving the British Secret Service with a revoked licence to kill and to start his deadly revenge mission...

Like in Dalton's first Bond performance "The Living Daylights" (1987), the Dalton era brought back more serious plots and psychological aspects to the series and dropped humour, slapstick, comic-like supper villains and family-friendly mainstream entertainment. In fact, "Licence To Kill" was rated "R" for the most extreme violence and action in the whole Bond series. It was clearly influenced by the late eighties action cinema of the "Leathal Weapon", "Die Hard" and the Schwarzenegger movies.

Dalton's performance is stunning, reflecting Ian Fleming's original Bond figure with a suffering and passionate character instead of a playboy just repeating funny dialogues. The rest of the cast is also superb, with Robert Davi as villain, Talisa Sato and Carey Lovell as Bond girls and a young Benicio Del Toro ("Traffic") as psychopathic killer. Desmond Llewelyn has his best and longest Q performance by supporting Bond on is mission with some of the funniest gadgets.

The settings are restricted to Miami and Mexico just like in previous Bond movies like "Goldfinger" (1964) and "Diamonds Are Forever" (1971) and influenced by successful TV series like "Miami Vice" and "Magnum, P.I.". The big disadvantage of this movie is the lack of the typical British settings, humor and "Bond tradition" - in fact, "Licence To Kill" is the most "American" Bond movie ever done.

The "Goldfinger"-style title theme was sung by Gladys Knight this time, and the score was composed by Michael Kamen, the producer and arranger of several Pink Floyd records.

All in all, "Licence To Kill" is a rather unusual Bond experience, but for me it's one of the best parts of this long-running movies series. Unfortunately, due to a long-running struggle between the Bond producers and several other problems, it took six more years to produce another Bond movie - too long for Timothy Dalton who left the series in April, 1994, after eight Bond years with only two movies. Immediately after his departure, Irish actor Pierce Brosnan, the original first choice for "The Living daylights", was announced as new Bond for "Goldeneye" (1995).
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A great end to 80's Bonds
Benjamin Wolfe15 December 2006
While coming into the first scenes, although visually pleasing and strong, places set in sunny south Florida, the directing, and some of the lines seem a little 'off and on' again. A Wedding party for Felix Lighter and his lovely young bride, all the while in the middle of hearing 'news' that a drug lord, named Franz Sanchez, that they have been watching is on the loose in the area, they set-up and scramble to grab him! After an eventful, fire fight with Sanchez's men, Franz, escapes, waving jovially at the law as he takes off in his Cessna. They manage with Bond's involvement to catch up to and 'collar' this banana republic, dealer. Sanchez, (Robert Davi) a mean looking and aggressive yet on the other hand sophisticated, even calm and at times mild mannered Cuban king-pin. They all return to the wedding party, minus Sanchez. But, before Felix can collect on the honeymoon, fun, he is betrayed by a fellow, department colleague. A rogue agent, Killifer, (Everett McGill) who gives a good 'hot' and then 'cold' performance. But even his greed couldn't save Killifer from going down.

A cool surprise is some of the young actors in the industry that turned out to be big later, are small part nobodies here. Anthony Stark Seinfeld's 'Jimmy' and two young ladies, Talisa Soto and Carrie,(now married to Richard Gere with 2 kids) who played Pam Bouvier, and a couple others like...

A young Benicio Del Toro, plays 'Dario' a right hand, young-blood thirsty motivated organization player, who is looking to move up in the biz. Dario is there for Sanchez, for any kind of work or clean-up, that he might need. Some situations in this Bond, like many other Bond's seemed too convenient, to feel 'real'. I.e. the church, wedding party parachuting, right at the front steps of the church, after Sanchez's capture. Stuff like that, everything right in place the first time. Rarely happens, especially that often.

Then the bar escape after Dario, meets up with Pam and James. Pam blasts an opening in the wall, with a 12 gage and James gets the boat going, then she gets shot in then back, because she is not looking behind her to make sure no one will shoot her on the way out! Plus the boat scene when they ran out of fuel at sun rise, that whole moment was ruined because they didn't use true light from the sunrise, rather it looked like they shot it at Pinewood Studios (London) they should have used that moment to draw us in deeper to the onset of the romance and relationship between the two love interests. The director in my opinion, missed out on the depth that could have been made through, some dark shadows and after boating through water, they probably would have had more of a wind blown look and some damp or even wet hair. Bond could have that slicked back, look and she would have been a wet super-model. It would have framed that situation and scene to perfect completion of that chapter in the film then, it would be a 'fresh' lead in to the next segment.

The casino and Bond's introduction to the banker and then Sanchez. The entry of 'Q' the beloved spy-gadget trainer, from M.I.6. (Desmond Llewelyn). It would be merely a decade later and the second to the last departure movie of another James Bond (Pierce Brosnan) that Llewelyn, would graciously be 'retired' only to pass away in an auto accident in the same year- 1999.

Sanchez and a deal for 'Stinger' missiles with the Contra Rebels, remember them? Big news in the eighties. Sanchez is looking to expand out and he is using a Prophet named 'Joe Butcher' and his T.V. broadcast, played by Wayne Newton. A Phoney, but very turned onto all the ladies type guy, in a cult religion, and a 'front' to sell drugs. Can anyone just read ahead? This place is going to burn to the ground!! James is on the case.

Overall, this was interesting and at times comical, (good and bad) for me, the story, the action and the acting was what a Bond picture is for, entertainment and high energy-packed fun!!

This was the second and last of the 'Timothy Dalton Bonds'. Some have said that he was the least liked of all them, I say, that he was great for the time. Beside, you're only as good as the director and the producers and the writing. Some can go way beyond, because they are good. Dalton was just a different flavor of Bond. He was a satisfying late eighties Bond character. It won't win any awards most likely, but it's a pleasing way to spend two hours, especially if you share the time with someone you care about.

Recommended for action and adventure lovers. (***)
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I love the final stunt scene
Tom Beck (TomFODW)30 December 2004
The chase down the mountain with the trucks and the car is excellent. When the final truck goes barreling down across all the roads, it's truly terrifying, a sign of how Bond does not care if he dies as long as he gets Sanchez. I think Dalton is not so much humorless as relentless, obsessed. I also think he was going for a more serious Bond after the jokiness of Roger Moore.

I think it's a decent movie. Talisa Soto is wonderful, the best thing in it, although Carey Lowell is also quite good, and it's nice to see Desmond Llewellyn out in the field. Q & Bond always spar, but beyond the fact that they truly respect each other, they also truly like each other and care for each other. The sparring is a bit of manly cover for their feelings. Q's willingness to risk himself for Bond in this movie is a sign of their real relationship.
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So I'm Not Alone!
tgtround22 February 2001
Reading the comments now (many of them quite recent) it's now obvious that I'm not the only person who highly rates this Bond film.

It actually draws quite a lot of it's style from the work of Kurosawa and his acolyte, Sergio Leoni.

Most of all though, it goes some way to really exploring the moral ambiguities of 'wet work' as in Apocalypse Now. Bond is on his own, like he would be anyway and makes alliances of convenience wherever they further his aims - but his aims are murder, revenge - pure and simple.
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Bond's nadir
Jack Malvern7 February 2005
Fans will never agree about what ingredients make Bond truly great, but the closest we get to a consensus is that Licence to Kill contains none of them.

Despite the film's title, Bond has no licence to kill because he is not the government-sanctioned assassin to which we have become accustomed. Instead, he is a renegade who loses his decorum and punches a civil servant when he is instructed not to avenge the maiming of a friend, Felix Leiter, and the rape of Leiter's bride.

With hindsight, the writers' decision to eject Bond from the Establishment was more foolish than brave. The reason Bond is so intriguing is because, on the face of it, he is morally repugnant. He is a borderline psychopath whose conscience is unaffected either by murder or his use of women. How can an audience be sympathetic to a man with no sympathy? The answer is that although he plays fast and loose with morality, he retains a code of ethics governed by loyalty to his country. He is the human embodiment of realpolitik.

By removing Bond's defining loyalty, the writers broke the spell. In this film, Bond is merely a vengeful hit-man.

And a terribly dour one at that. Timothy Dalton studied Ian Fleming's books to get back to the original character, but in so doing only reminds us of why Sean Connery and Roger Moore did not. Bond is not interesting because of his human qualities. It is his ability to operate without fear, love or regret that makes him compelling.

What makes the film beyond redemption is the awful script and unremarkable acting. Robert Davi, playing a heavily accented drugs baron who speaks fluent English except for the word "amigo", is actively bad, while the rest of the cast scrape through as forgettable.

Even if it is not the worst Bond film (a title for which The World Is Not Enough is a strong contender) it is certainly the most brutal. It earned an unprecedented (and commercially damaging) 15 certificate in Britain. Such a mistake has never been made since.
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An AMAZING Bond Film!
thelucturgeon13 December 2015
The most underrated film ever. I'm serious! Licence to Kill is a fantastic action film. The movie is about Bond out for revenge. He is not on an MI6 mission, Bond is angry at the character of Franz Sanchez who was played magnificently by Robert Davi. Easily the darkest film of the series, this is one of the few Bond films that went away from all of the campyness the series was known for. After disasters like Moonraker and A View to a Kill, Timothy Dalton became Bond and it is a true shame that he didn't play Bond a third time. Dalton is my favorite Bond actor. This movie is totally worth the watch.

Watch it. Please!
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