A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is on possibly his most brutal mission yet. Bond's good friend, Felix Leiter, is left near death, by drug baron Franz Sanchez. Bond sets off on the hunt for Sanchez, but not everyone is happy. MI6 does not feel Sanchez is their problem and strips Bond of his license to kill making Bond more dangerous than ever. Bond gains the aid of one of Leiter's friends, known as Pam Bouvier and sneaks his way into the drug factories, which Sanchez owns. Will Bond be able to keep his identity secret, or will Sanchez see Bond's true intentions? Written by
The project was originally entitled "Licence Revoked" and teaser artwork was produced with this title. Among the reasons for changing the title was to avoid confusion with the 1981 James Bond novel, "Licence Renewed," written by John Gardner (who ended up writing a novel based on this film as well). Licence Renwed means the exact opposite of Licence Revoked. Another reason for the change was that "license revoked" denotes losing one's driving privileges in the USA. Taglines for "Licenced Revoked" included "You're looking at the world's most wanted man" and "Dismissed. Disgraced. Dishonored. Deadly." In the movie, when M says to James Bond, "Your Licence to kill is revoked", both titles are referenced at the same time. After a minor controversy as to whether the British or American spelling ("licence" or "license") would be used in the title, the British spelling won out. See more »
When Bond throws the burning gasoline in the lab, he throws it horizontally. The shot then cuts to flaming gasoline falling on, and flooding, the lab table from directly above the frame. See more »
AWACS radar operator:
We have a mid-course deviation. Target heading 036, 126 miles, bearing 062, Havana VOR.
Voice of DEA agent:
He's landing at Cray Key. Advise Key West Drug Enforcement.
AWACS radar operator:
Roger, sir. AWACS to Key West. Key West Drug Enforcement, please come in.
Voice of DEA agent:
If they hurry, they just might be able to grab the bastard.
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The Surgeon General's warning appears at the end credits, due to the characters' use of tobacco products. See more »
Goldfinger is the benchmark of great Bond films, and while this one doesn't come anywhere near that - you still can't really ask much more of a Bond film. Licence to Kill, the last of the eighties bond films, stands out because director John Glen seems keen to make it as little like the rest of the series as possible. Most Bond films feature the popular spy on a mission and answering to MI6 - but here he's acting out a personal vendetta, and we get to see a different side to Ian Flemings' character. The film opens with a rather over the top wedding sequence, in which James Bonds' friend and ally Felix Leighter gets married to a pretty blonde woman. However, just before this we watched Bond and Felix apprehend a drug dealer, and not taking to being caught very kindly - the dealer decides to use some of his cronies to maim Felix and kill his wife. Bond then decides to go after the drug dealer, much to the dismay of MI6 who promptly take away his licence to kill. This doesn't stop Bond, however, as along with a few allies - he sets out to get revenge on those responsible...
Many people say that Timothy Dalton was the worst of the Bonds, but I disagree. While he doesn't fit the role as well as Sean Connery, and isn't quite manly enough for my liking - his suave style goes brilliantly with the James Bond character, and he is perfect for exploring the darker side of the character in this film. The film has that eighties style that often seems tacky nowadays, but it's not laid on thick until the very end, and this doesn't hinder the film. The stunts are the best thing about Licence to Kill, as the director constantly succeeds at delivering memorable and exciting action scenes, the best of which is saved until the end. The fact that this film takes in the theme of 'the war on drugs' means it stands out from a lot of the rest of the series as world domination is never mentioned. Robert Davi gets to play the Bond villain, and for me is one of the best of the entire series. He manages to be evil without ever looking comical, and that can't be easy in a series known for being completely overblown. Overall, Licence to Kill is undoubtedly one of my favourite Bond films, and it therefore comes highly recommended!
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