Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
Riggs and Murtaugh are trying to take down some drug dealers but the they turn out to be not run of the mill drug dealers; they have automatic weapons and helicopters. Eventually they grab one of their vehicles and find a million dollars worth of gold coins or Krugerrands in the trunk. Later Murtaugh is threatened by the men they're pursuing. That's when the Captain reassigns them to protect a man named Leo Getz who is suppose to testify in a big case. When they get to where Leo is, someone tries to kill him and that's when they learn he laundered half a billion dollars worth of drug money. He then takes them to a place he once went to and that's when the people there start shooting at them. Later when they come back with back up they learn that the men work for the South African consulate and have diplomatic immunity. They deduce that they are the ones they were looking for, but because of they have diplomatic immunity they can't do anything. Written by
On the side of Riggs' refrigerator is a U.S. Army Military Police School diploma. See more »
The "Liquid Nitrogen" brought in by the bomb squad bring in during the bathroom bomb sequence is just dry ice in water in a Pyrex measuring cup. Real liquid nitrogen has to be kept in a special container to remain a liquid so if they tried pouring it in a room temp open air container it would revert to gas almost instantly and be useless. See more »
I was going to offer you a drink, Riggs, but I hear you're on the wagon these days.
Yeah, that stuff'll kill you quick. Listen, you know so much about me; who the hell are you?
I'm the guy that changed the course of your life, man. 4 years ago, Riggs, when you were a narc down in Long Beach, you were getting too close to us so we put a contract out on you. I handled it myself; drove your car right off the fucking road, remember? Now, of course, you weren't driving. You can't imagine the ...
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Quite possibly one of the best sequels of all time...
"Lethal Weapon 2" is the type of sequel you don't screw with, for fear
of getting seriously beat up if you do. Luckily the praise comes as
easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop
that Cheez-It out of your hand, rush to your closest video outlet and
buy it. If you have seen it, then drop that Cheez-It out of your hand,
rush to your closest video outlet and buy the sequel, "Lethal Weapon
2." It's a real ball-breaker, a bruiser, the type of film where the
heroes get beat up mercilessly but when they get mad, boy are they mad,
and they tear apart everything in their path that is standing in their
way. There's a particular shoot-out scene aboard a docked ship where
Riggs (Mel Gibson) goes on a rampage and really kicks butt with a
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA.
Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit,
tearing up Murtaugh's wife's brand-new car as they chase the speeder
through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in
the back of his truck. Soon they are being threatened to stay off of
the case by African diplomats, one of whom Riggs really enjoys
annoying. They can't arrest them because of diplomatic immunity, so
Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects
a federal witness named Leo Getz (Joe Pesci), a lovable little
blabbermouth who likes being one of the cops. He waddles around
throughout the film like a little eager puppy, ready to do anything
he's told. Of course Riggs and Murtaugh pick on him throughout the
movie, but their friendship is a sort of love-to-hate, explained in
"Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very
positive about this movie until right before I saw it. I sat down,
watched it directly after I watched "Lethal Weapon," and realized just
how great of a sequel it really is. It's not repetitive -- it continues
the character progression and friendship seen at the end of "Lethal
Weapon," while at the same time adding a bit more humor than the first
One of the things I praise about the first "Lethal Weapon" movie is
that the characters didn't just suddenly agree to like each other at
the end of the movie like so many films. They gradually learned to
trust each other throughout the film, adding a sense of true friendship
and realism to the film. In "Lethal Weapon 2," the friendship between
Martin Riggs and Roger Murtaugh is definitely expanded more to the
point where they're best buddies. Most of the time when there is a
sequel to a cop-buddy film, the directors and writers are afraid to
continue the friendship. They seem to forget the end of the original
film, and in the second film the characters hate each other again and
the progress of friendship starts all over again. (As seen in such
films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the
story. I think that might be part of what makes it such a great,
well-rounded series. It never really repeats itself, it always seems
eager to move forward and ignore the past. The first film was a
humorous, hard cop-buddy film about two opposites learning to trust
each other. The second movie is a continuation of their friendship. The
third film is almost a full-out comedy. And the fourth film is a
tribute to the first three. Darn good film-making here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all
time. It avoids repetitions, it avoids cop-buddy clichés, and when it
all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are
such an amazing trio, that even if this film did follow the routine
procedures I'd still love it. And you can't say that about many movies.
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