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Axel Foley returns to Beverly Hills to help Taggart and Rosewood investigate Chief Bogamil's near-fatal shooting and the series of "alphabet crimes" associated with it.
Director:
Tony Scott
Stars:
Eddie Murphy,
Judge Reinhold,
Jürgen Prochnow
An tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
Director:
Walter Hill
Stars:
Arnold Schwarzenegger,
James Belushi,
Peter Boyle
After an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.
After being set-up and betrayed by the man who hired him to assassinate a Texas Senator, an ex-Federale launches a brutal rampage of revenge against his former boss.
Axel Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who shot his boss are running a counterfeit money ring out of a theme park in Los Angeles.
Riggs and Murtaugh are at it again in this sequel to the original Lethal Weapon in 1987. When a red BMW crashes while they are chasing it, they discover the trunk is full of South African Krugerands. Their boss assigns them to protect a federal witness named Leo Getz to try and keep them out of trouble. When the witness reveals he has been doing business with South Africans, the story evolves into a fast moving chase. Written by
Colin Tinto <cst@imdb.com>
Throughout several points in the movie, Riggs willfully mispronounces Arjen Rudd's name as "Aryan", willfully calls Pieter Vorstedt "Adolf", and refers to Rudd, Vorstedt, and their associates as the "Master Race". These are all references to Adolf Hitler and the Nazis before and during World War II. "Aryan Race" or "Master Race" was a Nazi ideological form which became a concept for white supremacism. The South African practice of Apartheid at the time was also another ideological form of white supremacy, which is likely why Riggs made these comparisons. See more »
Goofs
When Peter shown Arjen Murtaugh's file, it says his birthday is May 15. However, in the first Lethal Weapon, Murtaugh was celebrating his birthday around Christmas time. See more »
"Lethal Weapon 2" is the type of sequel you don't screw with, for fear of getting seriously beat up if you do. Luckily the praise comes as easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop that Cheez-It out of your hand, rush to your closest video outlet and buy it. If you have seen it, then drop that Cheez-It out of your hand, rush to your closest video outlet and buy the sequel, "Lethal Weapon 2." It's a real ball-breaker, a bruiser, the type of film where the heroes get beat up mercilessly but when they get mad, boy are they mad, and they tear apart everything in their path that is standing in their way. There's a particular shoot-out scene aboard a docked ship where Riggs (Mel Gibson) goes on a rampage and really kicks butt with a vengeance.
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA. Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit, tearing up Murtaugh's wife's brand-new car as they chase the speeder through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in the back of his truck. Soon they are being threatened to stay off of the case by African diplomats, one of whom Riggs really enjoys annoying. They can't arrest them because of diplomatic immunity, so Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects a federal witness named Leo Getz (Joe Pesci), a lovable little blabbermouth who likes being one of the cops. He waddles around throughout the film like a little eager puppy, ready to do anything he's told. Of course Riggs and Murtaugh pick on him throughout the movie, but their friendship is a sort of love-to-hate, explained in "Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very positive about this movie until right before I saw it. I sat down, watched it directly after I watched "Lethal Weapon," and realized just how great of a sequel it really is. It's not repetitive -- it continues the character progression and friendship seen at the end of "Lethal Weapon," while at the same time adding a bit more humor than the first film.
One of the things I praise about the first "Lethal Weapon" movie is that the characters didn't just suddenly agree to like each other at the end of the movie like so many films. They gradually learned to trust each other throughout the film, adding a sense of true friendship and realism to the film. In "Lethal Weapon 2," the friendship between Martin Riggs and Roger Murtaugh is definitely expanded more to the point where they're best buddies. Most of the time when there is a sequel to a cop-buddy film, the directors and writers are afraid to continue the friendship. They seem to forget the end of the original film, and in the second film the characters hate each other again and the progress of friendship starts all over again. (As seen in such films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the story. I think that might be part of what makes it such a great, well-rounded series. It never really repeats itself, it always seems eager to move forward and ignore the past. The first film was a humorous, hard cop-buddy film about two opposites learning to trust each other. The second movie is a continuation of their friendship. The third film is almost a full-out comedy. And the fourth film is a tribute to the first three. Darn good film-making here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all time. It avoids repetitions, it avoids cop-buddy clichés, and when it all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are such an amazing trio, that even if this film did follow the routine procedures I'd still love it. And you can't say that about many movies.
47 of 59 people found this review helpful.
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"Lethal Weapon 2" is the type of sequel you don't screw with, for fear of getting seriously beat up if you do. Luckily the praise comes as easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop that Cheez-It out of your hand, rush to your closest video outlet and buy it. If you have seen it, then drop that Cheez-It out of your hand, rush to your closest video outlet and buy the sequel, "Lethal Weapon 2." It's a real ball-breaker, a bruiser, the type of film where the heroes get beat up mercilessly but when they get mad, boy are they mad, and they tear apart everything in their path that is standing in their way. There's a particular shoot-out scene aboard a docked ship where Riggs (Mel Gibson) goes on a rampage and really kicks butt with a vengeance.
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA. Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit, tearing up Murtaugh's wife's brand-new car as they chase the speeder through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in the back of his truck. Soon they are being threatened to stay off of the case by African diplomats, one of whom Riggs really enjoys annoying. They can't arrest them because of diplomatic immunity, so Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects a federal witness named Leo Getz (Joe Pesci), a lovable little blabbermouth who likes being one of the cops. He waddles around throughout the film like a little eager puppy, ready to do anything he's told. Of course Riggs and Murtaugh pick on him throughout the movie, but their friendship is a sort of love-to-hate, explained in "Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very positive about this movie until right before I saw it. I sat down, watched it directly after I watched "Lethal Weapon," and realized just how great of a sequel it really is. It's not repetitive -- it continues the character progression and friendship seen at the end of "Lethal Weapon," while at the same time adding a bit more humor than the first film.
One of the things I praise about the first "Lethal Weapon" movie is that the characters didn't just suddenly agree to like each other at the end of the movie like so many films. They gradually learned to trust each other throughout the film, adding a sense of true friendship and realism to the film. In "Lethal Weapon 2," the friendship between Martin Riggs and Roger Murtaugh is definitely expanded more to the point where they're best buddies. Most of the time when there is a sequel to a cop-buddy film, the directors and writers are afraid to continue the friendship. They seem to forget the end of the original film, and in the second film the characters hate each other again and the progress of friendship starts all over again. (As seen in such films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the story. I think that might be part of what makes it such a great, well-rounded series. It never really repeats itself, it always seems eager to move forward and ignore the past. The first film was a humorous, hard cop-buddy film about two opposites learning to trust each other. The second movie is a continuation of their friendship. The third film is almost a full-out comedy. And the fourth film is a tribute to the first three. Darn good film-making here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all time. It avoids repetitions, it avoids cop-buddy clichés, and when it all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are such an amazing trio, that even if this film did follow the routine procedures I'd still love it. And you can't say that about many movies.