The Cowboys are lured from Mexico to Coney Island by their former manager who disappeared at the end of Leningrad Cowboys Go America. He believes he is the reincarnation of Moses, sent to lead them back to the promised land - Siberia.
After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to ... See full summary »
The movie tells the story of Taisto Kasurinen, a finnish coal miner whose father has just committed suicide and who is framed for a crime he did not commit. In jail, he starts to dream ... See full summary »
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
Iris has a dead-end job in a match-factory, lives with her dour and forbidding parents, and her social life is a disaster. But when she is made pregnant after a one-night stand by a man who... See full summary »
The Leningrad Cowboys, a fictional Russian rock band, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band. Written by
Alexander Lum <firstname.lastname@example.org>
At the wedding, when Vladimir pours himself a shot by the tap hidden in the cactus, he uses a Jägermeister glass. See more »
In the opening scene, and throughout the movie, the frozen bass player's bass guitar is some cheap off-brand guitar. But when he thaws out and gets up to play at the end of the movie, it's a Fender. See more »
I just saw Leningrad Cowboys for the third time and think it is a perfect film. Whatever else it may be about, it is a quest into the heart of rock and roll. The Cowboys start in New York playing their soulful/klezmerish immigrant blues on a seedy rooftop, then reel back through the roots of the genre--Memphis, Natchez, New Orleans, Honky Tonk and Biker Bars, road house and funeral...to their destination in Mexico where their Finnish filtered rock returns to its original sound, converging on the joyous soulful wedding as they back up a singer whose classic Indian features are not that different from some of the singers'... The esthetic is stylish and dead pan. The cinematography is actually quite beautiful, lyric of industrial decay. If you like Jarmusch (who does a spot as a car salesman) you'll like this movie. The pacing did not seem slow to me at all--but that may just be a sign of my age. The form is a series of theatrical skits and blackouts, and the tension of many scenes owes more to mime or comedia than MTV. I think my favorite is one involving the village idiot and a shoe that is not the one he wants. Poignant and hysterical at the same time. Oh, and maybe his treck with what looks to be a 50lb catfish... If you have a chance to see it, go. It is hilarious and sweet and utterly unlike anything else you've ever seen.
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