The Power of One is an intriguing story of a young English boy named Peekay and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. ... See full summary »
John G. Avildsen
Small time crooksters Nick and Charlie have an elaborate plan to rob an exclusive jewelers store. Using a variety of disguises and posing as rich old men and women they begin the set-up, ... See full summary »
John G. Avildsen
An arrogant and unorthodox teacher returns as principal to the idyllic high school from which he had earlier been fired to find it a den of drug abuse, gang violence, and urban despair. Eventually his successful but unorthodox methods lead to a clash with city officials that threatens to undo all his efforts. Based on a true story. Written by
Keith Loh <email@example.com>
Several homages to the Sesame Workshop are referenced in the film - when Clark was seen as a history teacher in the 1967 scene he sported an Afro (similar to the character Easy Reader on The Electric Company where Morgan Freeman was part of the cast) and when he arrives at Eastside High on the first day on the job he wears a business suit similar to the one he had during The Electric Company's opening credits. Dr. Napier said to Clark in one scene that he is a Big Bird with Radar which was a double entendre (either as an airplane or the famous Sesame Street character with his pet teddy bear). Also, Lynne Thigpen would later join the cast of the PBS series Where in the World Is Carmen Sandiego? as the Chief. See more »
Mr Clark stops Sams in the hallway when he's about to duck into the bathroom to look for his friends. He begins to question Sams how he's doing in class and asks when he gets his report card. The principal of a school, especially one as hard-nosed as Mr Clark would know when report cards are issued. See more »
Mayor Don Bottman:
We're in a tough spot here. I have to ask for your help, Joe. It's not for me, it's for those kids out there. They're highly emotional, they're all jacked-up. You have to send them home.
I don't have to do nothing but stay black and die!
Mayor Don Bottman:
Oh for crying out loud.
See more »
Despite a shaky script, Morgan Freeman gives a terrific performance in an intense, challenging role
Lean on Me is based around the experiences of Joe Clark (Morgan Freeman), who becomes the principal of a destitute New Jersey high school plagued with violence, drugs, and abysmal academic performance. Clark is given the daunting task of bringing student's test scores up to the minimum acceptable level within one school year or the school will be taken over by the state.
Clark is fiercely strict and demanding towards both his students and teachers. This makes him the target of countless parents, board members, civil servants, and other teachers determined to bring him and his radical new style down. Despite outside resistance Clark becomes a pillar of hope for numerous students inspired by his harsh but ultimately uplifting demands for disciple, self betterment, and loyalty to their school and educational achievement.
What sets Lean on Me apart from numerous other sentimental inspirational flicks is the unconventional style of Clark and Morgan Freeman's masterful portrayal of him. Yes this is the drill sergeant of miracle workers if ever there was one. From tone to mannerisms Joe Clark is given a distinctive ambiance, Morgan Freemen IS the dominating force behind this entire film.
And this is where the film stumbles somewhat. None of the supporting characters are given enough development to really set them apart as individuals. The closest we get is with a bright young girl trying her best to succeed at school despite numerous domestic problems at home. She is won over by Clark almost immediately coming to view him as a mentor/father figure. The problem is that her subplot like the others becomes neglected in the latter half of the film and is never given enough meaningful resolution to make the final scenes believable. Its like going from point A to point C while ignoring B.
I also question the wisdom in using an imaginary plot point (the supposed school take over) and exaggerating the level of the student's academic improvement. It cheapens the genuine accomplishments of the school and clashes with the hard-edged momentum of Joe Clark. The story is worthy in of itself and didn't benefit from being exaggerated for dramatics.
Lean on Me clearly could have been much more than what it is. But faults aside I would still highly recommend it to see Freeman's Oscar worthy performance.
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