6.9/10
4,726
53 user 33 critic

Last Exit to Brooklyn (1989)

R | | Drama | 4 May 1990 (USA)
Set in Brooklyn during the 1950s against a backdrop of union corruption and violence. A prostitute falls in love with one of her customers. Also a disturbed man discovers that he is ... See full summary »

Director:

Writers:

(book), (screenplay)
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6 wins. See more awards »
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Cast

Cast overview, first billed only:
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Vinnie
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Boyce
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Sal
Jason Andrews ...
Tony
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Freddy
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Al
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Mary Black
Camille Saviola ...
Ella
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Donna
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Spook
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Tommy
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Paulie
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Storyline

Set in Brooklyn during the 1950s against a backdrop of union corruption and violence. A prostitute falls in love with one of her customers. Also a disturbed man discovers that he is homosexual. Written by Mark Logan <marklo@west.sun.com>

Plot Summary | Add Synopsis

Taglines:

The Novel That Shocked The World Is Now A Movie.

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

Release Date:

4 May 1990 (USA)  »

Also Known As:

A Última Saída para Brooklyn  »

Filming Locations:

 »

Box Office

Gross:

$1,730,005 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This movie's opening prologue is a quotation from the bible. It reads: "I will rise now, and go about the city in the streets, and in the broad ways I will seek him whom my soul loveth. Song of Solomon 3:2:2". See more »

Connections

Referenced in Melrose Place: Last Exit to Ohio (1997) See more »

Soundtracks

Tennessee Waltz
Written by Redd Stewart & Pee Wee King
Performed by Mark Knopfler & Guy Fletcher
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User Reviews

A brave attempt at difficult material

After being blown away by the film version of Requiem for a Dream, I recently began reading some of Selby's books. I started with The Room and moved on to Last Exit to Brooklyn. Tonight I watched the film.

I think it's very unfortunate that people have criticized it here for exactly the qualities that make it unique compared to most American films. Yes, it's dark, and yes, there are not always clear resolutions to every character's part of the story. Those are qualities present in Selby's book and it would have been a shame for the filmmakers to abandon them, just as it would have been a shame for Aronofsky to cave to the pressures to find a happier ending for his film of Requiem...

As a reader of the book I think those negative comments are even more misguided, because the screenwriter did quite a bit to try to make the material more accessible for the viewing audience. He intertwined what are essentially separate stories (the book is more like a collection of short stories around related themes than a traditional novel), and found what was probably the happiest ending possible given the material. The book doesn't end on the relief of the end of the strike, but finishes with an amazing coda that contains characters like Abraham, a man who spends money on clothes and his car but won't cough up to buy vitamins for his malnourished children.

My one big complaint about the screenplay was the treatment of Harry Black's character. In the book he is a largely ineffectual blowhard who is laughed at by almost everyone around him, but in the film he is almost heroic at times, leaping into the middle of the confrontation at the picket line. I think his descent is more credible in the book, but Selby was also able to get inside Harry's head on paper in a way that's difficult to translate into film.

Overall I think this film is a very excellent adaptation of extremely difficult material, and I recommend it to anyone who is willing to watch a story about the pain and suffering that happens in everyday life without the Hollywood gloss.


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