Set in Brooklyn during the 1950s against a backdrop of union corruption and violence. A prostitute falls in love with one of her customers. Also a disturbed man discovers that he is ...
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Set in Brooklyn during the 1950s against a backdrop of union corruption and violence. A prostitute falls in love with one of her customers. Also a disturbed man discovers that he is homosexual. Written by
Mark Logan <email@example.com>
Patricia Arquette, who was originally cast in the lead role of Tralala, dropped out before the filming started when she discovered she was pregnant. in 2015, while a guest on "Fresh Air with Terry Gross," Arquette talked about why she dropped out and how difficult it was for her to make the decision to do so: "that character really goes through a lot of difficult things in that movie, and it was my first time having a baby. And I thought, I don't want to be pregnant and emotionally go through this woman's journey that's very violent at certain points with a baby inside me. And it was a very difficult moment where I sat with the producers, and they said, well, we think you could still shoot this while you're pregnant. I said, 'well, let me just walk around the block.' And I came back and I said, 'I can't do this movie 'cause I don't know how that will be for my baby.' And I didn't know if I would ever get another movie. And when I--right after I had him, I'd audition and I wasn't getting movies. And I remember walking into this restaurant on Sunset Boulevard and saying--you know, applying for a job as a waitress. And I said, 'look, I'm smart. I don't have a lot of experience. I like people, I'm nice to people, I learn fast and I have a baby to feed.' And they give me the job, and I was going to start on Wednesday. That Monday, I got a call that I got my first movie after my son." See more »
Inspired, epic vision of a dark world is an unacknowledged classic
I remember my intense eagerness to see this film. I wasn't entirely sure why at the time but when I finally saw it in 1990 I was devastated and soon addicted to this sad tale of city life spiralling out of control. Its a film with an epic quality and a grand, sweeping style that turns the city scape into a character in itself. This was Uli Edel's (as he was then known) classic and it remains a remarkably strong film. Its not pretty and doesn't hold back in revealing the light and dark of its characters. Brutal it may be, but there is something vital and alive seething in this movie with anger and pain. Its source is Hubert Selby Jr's novel. I believe its a superior adaptation.
The film is based around a union strike which threatens to cripple the city of Brooklyn in the 1950s. The film focuses several characters; Harry, the troubled union leader struggling to come to terms with his desires for other men and his gender-bending lover against the anger, aggression and hypocrisy of the era; a woman, TraLaLa, who sells her body for money but finds herself committing the ultimate crime of her profession by falling for a client - an army man destined to hurt her; a family with a daughter pregnant out of wedlock; a gang of aimless young men hungry for trouble; and a young teen looking for love in TraLaLa.
Its a film full of fascinating performances which reinforce the greatness of this film. Jennifer Jason Leigh burst into the spotlight with her startling performance as TraLaLa. She embodies the role with unceasing honesty and vigour. It is her late scenes in the film which rip at the heart, especially when she finds compassion in an unlikely source at the worst of moments. Her portrayal doesn't seek sympathy - on the contrary Jennifer Jason Leigh gets deep inside the cruel and manipulative character to reveal the hope beneath without a false note. Peter Dobson, Stephen Baldwin are a brilliant combination as the thugs and Alexis Arquette is remarkable as their taunted worshipper, Georgette. Ricki Lake, Sam Rockwell and Stephen lang also excel in a great ensemble film.
I can still picture vividly the majesty and intensity of the strike riot and the water spraying at the wire fence as strikers confront the police.
There are many great scenes such as this which combined with striking performances and an unflinching script and score make Last Exit to Brooklyn a modern masterpiece. This is a highly underrated film, mainly because of the view that the subject matter is too seamy, grotesque and extreme. And there is no doubt this is a confronting, violent and provocative film experience. Unfortunately, because of this widely heralded view, many people are missing out on an unacknowledged classic. Don't miss out.
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