| Loretta Young | ... | Grace Guthrie | |
| Brian Keith | ... | David Henderson | |
| Roscoe Lee Browne | ... | Omar DeLacy | |
| Lindsay Frost | ... | Susan Dawson | |
| Christopher Neame | ... | Charles Patrick | |
| Bruce Davison | ... | Bill Guthrie | |
| Donna Goodhand | ... | Lily | |
| William Preston | ... | E.B. Bennett | |
| Colin Fox | ... | Theo | |
| Lois Maxwell | ... | Mary Smith | |
| Michael Kirby | ... | Lloyd Grebber | |
| Renée Lippin | ... | Holly Grebber | |
| Barry Stevens | ... | Roy Lewis | |
| John Evans | ... | Paul Meyers | |
| James Loxley | ... | Attorney | |
| Barbara Gordon | ... | Miriam | |
| Victoria Snow | ... | Ann Henshaw | |
| Patricia Collins | ... | Candide | |
| Dan Lim | ... | Photographer | |
| Bunty Webb | ... | Julia | |
| Amanda Hancox | ... | Corin | |
| Mairon Bennett | ... | Molly |
Directed by | |||
| Peter Levin | |||
Writing credits(WGA) | ||
| Allan Leicht | (written by) | |
Produced by | |||
| Charles W. Fries | .... | executive producer | |
| Stuart Millar | .... | producer | |
Original Music by | |||
| David Raksin | |||
Cinematography by | |||
| Reginald H. Morris | |||
Casting by | |||
| Lindsay Chag | |||
| Robert Harbin | |||
| Beth Hymson | |||
Production Design by | |||
| Douglas Higgins | |||
Set Decoration by | |||
| Anthony Greco | |||
Costume Design by | |||
| Shelley Komarov | |||
Makeup Department | |||
| David R. Beecroft | .... | key hair stylist | |
| Beverly Carr | .... | makeup artist | |
| Patricia McDermott | .... | key hair stylist: Loretta Young | |
Production Management | |||
| David Coatsworth | .... | production manager | |
| S. Bryan Hickox | .... | executive in charge of production | |
Art Department | |||
| Greg Pelchat | .... | property master | |
| Andrew Poulos | .... | graphics coordinator | |
Sound Department | |||
| Douglas Ganton | .... | sound | |
Camera and Electrical Department | |||
| Gordon Eldridge | .... | gaffer | |
| Wayne Goodchild | .... | key grip | |
| Dan Lim | .... | special photographer | |
| Bruce Macaulay | .... | still photographer | |
| Bert Tougas | .... | camera operator | |
Casting Department | |||
| Susan Forrest | .... | casting: Toronto | |
| Stuart Howard | .... | casting: New York | |
| Scott Mansfield | .... | extras casting | |
| Amy Schecter | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Michael Kors | .... | fashion show wardrobe | |
| Sherry Reavis Wade | .... | wardrobe supervisor | |
Transportation Department | |||
| Fred Ionson | .... | transportation coordinator | |
| William L. Tataryn | .... | exclusive driver: Loretta Young | |
Other crew | |||
| Karen Cohen | .... | production accountant | |
| Mathew Hart | .... | location manager | |
| Susan Starre McKibbin | .... | production accountant | |
| Mara McSweeny | .... | production coordinator | |
| Joan Stevenson | .... | production controller | |
| Mimi Wolch | .... | script supervisor | |
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| Heroes for Sale | The Farmer's Daughter | Come to the Stable | Houston: The Legend of Texas | Short Eyes |
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| Full cast and crew | Company credits | IMDb USA section |
Lady in a Corner (1989)
* 1/2 (out of 4)
Magazine editor Grace Guthrie (Loretta Young) refuses to changed with the times and she's forced to come up with enough money to match an offer to buy the magazine she's worked out her entire life. The editor is terrified that the magazine is going to fall into the hands of Susan Dawson (Lindsay Frost), a new woman on the staff who came from a magazine that was too risqué for what Grace thinks should be allowed. LADY IN A CORNER turned out to be the final film that Young would act in. Another film would follow but she just served as narrator so technically the legends career ended with this film and it's a real shame because this film is pretty horrid. In fact, if it wasn't for the good performance by Young then this thing would have been one of the most laughably bad movies I've ever seen but thankfully the actress is here and managed to do more than what the script deserved. A great movie could have been made about what's decent or not in magazines but instead of this happening, the film just resorts to a bunch of speeches where people talk about what's decent in this day and age. Young's character cracks countless jokes about how tasteless certain things are and these speeches grow very tiresome and boring. The screenplay makes the Grace character so old-fashioned and boring that she soon also grows annoying and this isn't a good thing. I was never certain why on Earth the screenplay wanted to show her this way because are we supposed to be rooting for her? Everything we're seeing is just leading up to a predictable ending so it never makes sense for them to paint the Grace character one way and then spring on the viewer what happens at the end. At 93-minutes this film seems three times as long as it just keeps dragging and dragging to the point where you just want to scream. Young, my favorite actress, is good here, there's no question about it but it's a shame to see her waste your talents in a film like this. Brian Keith adds nice support and he and Young share some nice chemistry but in the end it's all for nothing.