Directed by | |||
| Denys Arcand | |||
Writing credits(in alphabetical order) | ||
| Denys Arcand | writer | |
Produced by | |||
| Roger Frappier | .... | producer | |
| Pierre Gendron | .... | producer | |
| Doris Girard | .... | delegate producer | |
| Monique Létourneau | .... | producer | |
| Gérard Mital | .... | delegate producer | |
| Jacques-Eric Strauss | .... | delegate producer | |
Original Music by | |||
| Jean-Marie Benoît | |||
| François Dompierre | |||
| Yves Laferrière | |||
Cinematography by | |||
| Guy Dufaux | |||
Film Editing by | |||
| Isabelle Dedieu | |||
Casting by | |||
| Lucie Robitaille | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| François Séguin | |||
Set Decoration by | |||
| Frances Calder | |||
| Simon La Haye | |||
Costume Design by | |||
| Louise Jobin | |||
Makeup Department | |||
| Cécile Rigault | .... | makeup artist | |
| Micheline Trépanier | .... | makeup artist | |
| Nathalie Trépanier | .... | assistant makeup artist | |
Production Management | |||
| Lyse Lafontaine | .... | production director | |
Second Unit Director or Assistant Director | |||
| Mireille Goulet | .... | assistant director | |
Art Department | |||
| Pierre L'Heureux | .... | carpenter | |
| Tristan Tondino | .... | lead scenic artist | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| Mario Dumont | .... | special effects technician | |
Visual Effects by | |||
| François Aubry | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Sylvaine Dufaux | .... | second assistant camera | |
| Luc Laflamme | .... | electrician | |
| Nathalie Moliavko-Visotzky | .... | first assistant camera | |
Animation Department | |||
| François Aubry | .... | animation director | |
Costume and Wardrobe Department | |||
| Mariane Carter | .... | set costumer (as Marianne Carter) | |
Editorial Department | |||
| Claudette Duff | .... | first assistant editor | |
Music Department | |||
| Robert Stanley | .... | musician: guitar | |
Transportation Department | |||
| Benoît Mathieu | .... | driver: bus | |
Other crew | |||
| François Aubry | .... | title designer | |
| Marie La Haye | .... | continuity | |
| Marie La Haye | .... | script girl | |
| Bernard Lamy | .... | production accountant | |
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| Atonement | The Name of the Rose | The Barbarian Invasions | Jesus Camp | Amen. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
During the first half of this movie I was trying to figure out if it was a not-so-subtle spoof of Christianity, or an outright sacrilege. As I got angrier and angrier at what was going on in the film, a sudden chill went down my back as I realized I was thinking just like the Catholic church sponsors in the movie, AND just like the Pharisees and Sadducees of Jesus' time. I was trying to fit Christ into my own expectations, and I was just as guilty as Jesus' opponents and killers. Tears welled up in my eyes as I realized that Jesus of Montreal was trying to depict in a very real way exactly what went on in Jesus of Nazareth's time. This is not a movie for the faint of heart. People bleed, they are naked, and they die. But just as Jesus of Montreal died for his followers and his neighbors, so did Jesus of Nazareth.