7.5/10
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43 user 22 critic

Jesus of Montreal (1989)

Jésus de Montréal (original title)
A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.

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Reviews
Nominated for 1 Oscar. Another 18 wins & 9 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Daniel
Catherine Wilkening ...
Mireille
Johanne-Marie Tremblay ...
Constance
...
Martin
...
Gilles Pelletier ...
Fr. Leclerc
...
Richard Cardinal
Cédric Noël
Pauline Martin
Véronique Le Flaguais
Jean-Louis Millette
Monique Miller
Christine-Ann Atallah
Valérie Gagné
Claude Léveillée
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Storyline

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church. Written by Keith Loh <loh@sfu.ca>

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Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

25 May 1990 (USA)  »

Also Known As:

Jesus of Montreal  »

Filming Locations:

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Box Office

Gross:

$1,601,612 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The play in the opening scene appears to be a dramatization of the novel 'The Brothers Karamazov'. Smerdyakov tells Ivan Karamazov that he has murdered Fyodor, inspired by the philosophy he learned from Karamazov. Smerdyakov's suicide monologue is adapted from the diaries of the monk, Father Zossima. See more »

Quotes

Producer: ...your average beer drinker has the IQ of a performing dog; 10 points less and he'd be a geranium.
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Connections

Referenced in The Barbarian Invasions (2003) See more »

Soundtracks

Inflammatus et Accensus
Pergolesi - Stabat Mater
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User Reviews

A beautiful film about the meaning of spirituality
10 April 2003 | by (Oakdale, NY) – See all my reviews

"Jesus of Montreal" is a beautiful film about the real meaning of spirituality. Pitted against the inflexibility of religious institutions, Daniel (played wonderfully by Lothaire Bluteau) shows his rag-tag disciples the real meaning behind the teachings of Jesus of Nazareth. The story-within-the-story works well. Director Denys Arcand subtly begins to blend the story of the biblical Jesus with the day-to-day lives of a group of actors performing in a play about the last days of Jesus. The turning over of the tables in the Temple, the temptation of Jesus overlooking the city of Jerusalem, being abandoned by the male disciples, and many other tales of Jesus find their parallel in the lives of Daniel and his friends. The resurrection scene at the end of the film is a particularly moving overlapping of the two stories. In the hands of a lesser writer/director, this could have all been really trite. Instead, the film becomes in the truest sense of the term a parable in which we see how great truths from a great teacher really do apply in our own lives. Every performance is pitch perfect, the pace is just right, and the message is, as always, what we all need to remember: Real happiness lies not in what we have but in what we give. A ten out of ten film.


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