Set in a dreary urban landscape of an anonymous Canadian city, LOVE AND HUMAN REMAINS is a dark comedy about a group of twentysomethings looking for love and meaning in the '90s. The film ... See full summary »
Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight ... See full summary »
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background ... See full summary »
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a ... See full summary »
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church. Written by
Keith Loh <email@example.com>
The play in the opening scene appears to be a dramatization of the novel 'The Brothers Karamazov'. The scene filmed portrays where Smerdyakov reveals to Ivan Karamazov that he has murdered Fyodor, having been inspired by the philosophy he learned from Karamazov. Smerdyakov's suicide monologue is adapted from another part of the book - the diaries of the monk, Father Zossima. See more »
During the first half of this movie I was trying to figure out if it was a not-so-subtle spoof of Christianity, or an outright sacrilege. As I got angrier and angrier at what was going on in the film, a sudden chill went down my back as I realized I was thinking just like the Catholic church sponsors in the movie, AND just like the Pharisees and Sadducees of Jesus' time. I was trying to fit Christ into my own expectations, and I was just as guilty as Jesus' opponents and killers. Tears welled up in my eyes as I realized that Jesus of Montreal was trying to depict in a very real way exactly what went on in Jesus of Nazareth's time. This is not a movie for the faint of heart. People bleed, they are naked, and they die. But just as Jesus of Montreal died for his followers and his neighbors, so did Jesus of Nazareth.
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