A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.
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Director:
Claude Berri
Stars:
Yves Montand,
Gérard Depardieu,
Daniel Auteuil
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An emotive journey of a former school teacher, who write letters for illiterate people, and a young boy, whose mother has just died, in search for the father he never knew.
Director:
Walter Salles
Stars:
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A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church. Written by
Keith Loh <loh@sfu.ca>
The film tracks the life of Christ in several specific ways:
1. The actor at the beginning, praised for his performance, turns and says that Daniel is a much better actor. This is a reference to John the Baptist as the herald of Christ.
2. A woman producer says she wants the same actor's "head" for her magazine, a reference to Herodias wanting John the Baptist dead. His head then appears in a poster ad in a subway where Daniel dies.
3. Daniel overturns the equipment at the commercial shoot, a reference to Christ's cleansing of the temple.
4. He is arrested and the indecisive judge cannot find anything wrong with him, a reference to Pilate's judgment.
5. A lawyer plans great things for Daniel and shows him the world from a skyscraper, a reference to the temptation in the desert.
6. Daniel gives life to at least three people after his death when his organs are transplanted into a heart and eye patient, a reference to Christ as the redeemer.
This film was utterly astonishing. It was one of the most beautiful films I have ever seen. Every word, every action and every track of music that was played was completely appropriate. It really gave me, and I'm sure, all of it's other audiences, something worth thinking about regarding modern religion's morals and even hypocrisy. The film,to me, was like three revolutionary religious ideas in one. First, there was the actual Passion story that caused a stir in it's time, secondly the much disputed portrayal of the Passion performed by the actors, which is what the film basically revolves around, as well as the actual film itself. All three stories, incredibly similar in their own way, are not against religion but simply point out the irrationalities and stupidity of organized religion of the past and of the present. It was a truly wonderful film, and I recommend it to all who are willing to sit down for a couple of hours and be completely absorbed in a very intense yet delicately put together film. The film was one of the most clever I have ever seen.
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This film was utterly astonishing. It was one of the most beautiful films I have ever seen. Every word, every action and every track of music that was played was completely appropriate. It really gave me, and I'm sure, all of it's other audiences, something worth thinking about regarding modern religion's morals and even hypocrisy. The film,to me, was like three revolutionary religious ideas in one. First, there was the actual Passion story that caused a stir in it's time, secondly the much disputed portrayal of the Passion performed by the actors, which is what the film basically revolves around, as well as the actual film itself. All three stories, incredibly similar in their own way, are not against religion but simply point out the irrationalities and stupidity of organized religion of the past and of the present. It was a truly wonderful film, and I recommend it to all who are willing to sit down for a couple of hours and be completely absorbed in a very intense yet delicately put together film. The film was one of the most clever I have ever seen.