Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight ... See full summary »
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
Set in a dreary urban landscape of an anonymous Canadian city, LOVE AND HUMAN REMAINS is a dark comedy about a group of twentysomethings looking for love and meaning in the '90s. The film ... See full summary »
Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background ... See full summary »
In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church. Written by
Keith Loh <firstname.lastname@example.org>
The play in the opening scene appears to be a dramatization of the novel 'The Brothers Karamazov'. Smerdyakov tells Ivan Karamazov that he has murdered Fyodor, inspired by the philosophy he learned from Karamazov. Smerdyakov's suicide monologue is adapted from the diaries of the monk, Father Zossima. See more »
What if Jesus had been born in the year 1970 instead of year 1, and as unheralded now as He was then- how would our society have dealt with Him?
And if people can get possessed by the Devil, can a regular guy -- not a nut or a fraud -- become gradually and genuinely possessed by Jesus?
Denys Arcand answers both questions in clever and entertaining fashion. With actual events, people, words and thoughts from Jesus' life being transposed to our modern times. Of course a movie like this is aimed at people who don't turn both their brain cells off as they enter the movie house, and won't be happy with 90 minutes of gunshots, car chases, or Jesus being whipped.
And yet this highly hypothetical parable still comes off as a plausible dramatic tale, with the usual Arcand mix of tragedy and comedy. You could have never heard of Jesus and still enjoy this movie.
The cinematography is gorgeous and the main actors are uniformly excellent. Some of the minor characters bother me intensely, which they are meant to do -- they're just too darn good at it.
The script and direction are nicely conventional - in the sense that at no time does the viewer wonder who that guy is or what the heck is going on. Jarring "artsy" cuts, unannounced flashbacks and weird camera angles are many critics' cup of tea but not mine, and thankfully, not Arcand's either.
There is quite a bit of tension-relieving slapstick in this story; some viewers may like it- it *is* funny, but it makes me uncomfortable at times. And the ending is a bit of an anticlimax, although at the second viewing I think I began to see the light.
I originally rated this movie 8/10, but after seeing it again I got more in tune with it and also noticed a few very clever details, so I'm upping it to 9/10. Maybe 10/10 when I see it next.
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