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Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and Mikey are double-crossed by Sunny and Rafe---Mikey is killed and Johnny sent to prison. While in prison, Johnny is invited to a rehabilitation program, where Dr. Steven Fischer rebuilds Johnny's face and helps Johnny get paroled. Johnny starts working in a shipyard, where he meets Donna McCarty and starts a romance. Lt. A.Z. Drones is a skeptical detective who follows the rehabilitation of Johnny. Johnny's new life is consumed by the desire of payback. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Al Pacino was initially interested in playing the title character and worked with the producers on developing the script, but ultimately dropped out of the project due to script problems; Pacino felt, despite numerous revisions, they had never been able to transcend the script's B-movie qualities. See more »
During the graveyard scene, Larry "pumps" the action on a double barreled shotgun. See more »
Well renowned action director Walter Hill tackles a more moody, character driven crime drama in the shape of "Johnny Handsome" and it would have to be one of his under-the-radar productions. The story follows that of a deformed criminal John who stages a heist, however there's a double-cross which sees his best friend killed and him going to prison. There he is asked to take part in a rehabilitation program, where they clear him of his deformity while also getting him parole. Hoping now that he can start a new life, however John is still burning inside for vengeance.
Presenting an ideal cast, Hill really does cast a spell over his audience with solid (even if it does feel a bit underdone) story-telling backed up by credibly good performances from leading man Mickey Rourke (within the peak of his career) and equally so support by Morgan Freeman, Ellen Barkin Lance Henrikson, Elizabeth McGovern and Forest Whitaker. Everybody chips in, adding their own stamp to proceedings and establishing gripping character rapports or confrontations (e.g. between Freeman's detective and Whitaker's doctor).
Hill's cruise-like direction is crisp and tidy, engineering some intense passages and some well-oiled, edgy action set-pieces, although they are low-key (still violent) but this really does belong to its cast and the interestingly, smart story (that was adapted off John Godey's novel "The Three Worlds of Johnny Handsome"). The ambitious plot does have a lot going on and it might not all come together, but how it does play out stays constantly interesting and rather unpleasant in its details. Rourke's character Johnny is given a chance to start over and go straight, from this physical change brings much needed confidence but the hunger inside for revenge can't simply be cured or forgotten. Someone he cared for, who saw beyond his deformity deserved payback. Johnny would deliver it. So he carefully plans out the revenge, wanting to tease before actually ending it and things get even more suspenseful when the situation starts to go off the rails. Lance Henrikson and Ellen Barkin really do nail down their explosively sly parts of the two crooks who betrayed Johnny. The ever-reliable, Hill regular Ry Cooder adds a smoking touch to the music score.
One of those films I didn't know all that much of, but came away pleasantly surprised.
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