Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who... See full summary »
Rainer Werner Fassbinder
A documentary that follows jazz legend Clark Terry over four years to document the mentorship between Terry and 23-year-old blind piano prodigy Justin Kauflin as the young man prepares to compete in an elite, international competition.
Following a brief statement by Ry Cooder on his thoughts about performing - and improvising - on stage, this concert film depicts Cooder's 1987 live show in Santa Cruz, California, which ... See full summary »
What I love about Les Blank is his obsessive nature to cover all the aspects of his subject. While at a seminar with Les, I heard him comment that in making this movie, he wanted to make the definitive Cajun/Zydeco music movie. He accomplished everything he hoped for. The movie starts with the acknowledgment that Cajun and Creole is not one defined group of people. The collection of people known as Cajun began when the Acadians moved out of Canada and found home in the deep south among free slaves and other Europeans. The roots of Cajun and Zydeco music is Gaelic, with heavy drones, usually played on stringed and reeded instruments. Today's Cajun/Zydeco music has witnessed many changes since its beginning, conforming to the popular trends of American pop music, country music, and even rock and roll. The introduction of the accordion was another major change to the Cajun/Zydeco sound. Alongside the change in sound was featured the change in the music's stars. Many of the genre's major artists are featured in this documentary, including but not limited to Mark and Anne Savoy and the Savoy Family Band, Lawrence Ardoin And His French Zydeco Band, Clifton Chenier The King of Zydeco, Michael Doucet, and Joe Falcon. And, even during the aftermath of a devastating segregation war between blacks and whites in the United States, Les Blank was able to capture both the black and white perspective of Cajun/Zydeco music with interviews from both sides of the dividing line. Fortunately today, that line has been heavily blurred and racial tensions have been lifted. After watching this film, I was enlightened to the rich cultural heritage of Cajun and Zydeco music. It was like watching a text book of information on a big screen.
Special thanks to Les Blank, Cece Conway, and the Open Apperture Short Film Festival for hosting the Les Blank retrospective seminar on the campus of Appalachian State University.
6 of 7 people found this review helpful.
Was this review helpful to you?