After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
An art collector appeals to Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure in heart. Written by
According to Jeffrey Boam's script, Indy was taken to Donovan's apartment against his will. In this sequence Indy encounters Walter Donovan's henchmen, they pull a gun on him and Indy agrees to follow them because he doesn't want to endanger students with a fight on campus. Some more footage of Indy's coerced trip to Donovan's penthouse apartment is also shown. In the finished film the scene was cut considerably and an artful cut between the men approaching Indy and Indy standing in Donovan's apartment leads the story.
Originally the film was to show more of Indy and Marcus on their flight to Venice. While studying his father's diary, Indy finds a charcoal rubbing of Donovan's grail tablet and sees the stained-glass window sketch above Roman numerals. This foreshadows the discovery of the secret passage in the Venice library and sets up Indy's interest in making a rubbing of the knight's shield. What remains of this footage was incorporated into the montage as the familiar red line traces Indy's route across the globe.
When Indy and Elsa arrived at the Brunwald castle to free Henry from the Nazis Indy presents himself as a Scottish lord by imitating a Scottish accent. The suspicious butler who opens the door acknowledges Indy's skim and answers by saying, "If you are a Scottish lord, then I am Jesse Owens." The reference to the black Olympic runner who defeated Nazi Germany at the Olympic games of 1936 was appropriate for the time and place, but might have gone over the heads of many viewers. George Lucas and Steven Spielberg changed the reference to Mae West, but decided again that modern movie audiences would miss the joke. So, they settled on Mickey Mouse, something everyone young and old can relate to, even though it wouldn't be the first thing to come to the mind of an elderly German butler from the '30s. With his bluff called off Indy knocks the old butler unconscious, takes him on his back and starts looking for a place to hide the body while Elsa congratulates him for his accent. Finally, they hide the butler in a sarcophagus that once closed its lid features a face similar to the butler's face. In the finished film, we see Indy knocking off the butler and from there we witness Indy and Elsa wandering in the castle with no interest in the butler's body.
As Marcus and Sallah tried to run from the Nazis at the Iskenderun train station, there was originally two additional actions, one of Sallah slapping a camel and causing it to spit mucus all over the Nazis nearby and another of Sallah fighting the Nazis.
Originally, the sequence in which Indy recovers the Grail diary and gets it signed by Hitler was longer. Before the book burning rally started, Hitler was seen marching with his lieutenants while a woman was filming the scene. Although her name was not mentioned the woman was assumed to be Leni Riefenstahl, Hitler's official biographer.
Indy is stopped by a Nazi wearing a long black overcoat who reprimands him for intruding on the procession. Much like the scene in 'Raiders', Indy knocks the bossy superior officer out cold and steals his clothing. This brief comedic scene explains where Indy got the disguise he wears at the Berlin airport in the following scene. Possibly it was cut to avoid repeating the same joke too many times.
As Indy and father prepare to buy a ticket, Indy spots Vogel and other Nazis standing guard at the plane ticket lines. He rushes Henry back through the crowd to hide him, then goes to the only unguarded ticket line. This explains why they ended up using as unorthodox means of travel as a zeppelin. It seems like the scene where Indy tells dad he "got the first available flight out of Germany" was filmed as an efficient substitute for this longer cat-and-mouse sequence.
Originally, there was a German World War I flying ace trying to impress fellow zeppelin passengers with his spectacular war stories. This scene would have probably cut back and forth between the flying ace and the conversation between Indy and Dad over on the other side of the passenger lounge. After Indy and Dad head down below to the biplane, everyone in the passenger lounge is alerted to the presence of "spies" onboard. The drunken flying ace jumps up to help in catching these spies, and with several others he heads down below to find that Indy and Dad have already left in the biplane. Fortunately for Indy's pursuers there is another plane attached to the bottom of the zeppelin. Without thinking, the flying ace hurriedly jumps into the plane's cockpit along with a young pilot that tagged along. In his drunken state, the flying ace forgets to start the plane's engine before detaching it from the zeppelin, therefore causing the plane to plummet to the ground. This scene also features the appearance of Indy veteran Pat Roach as the black dressed Gestapo agent who follows the Flying Ace to death.
A brief scene showing Indy and Henry getting off the train at Iskenderun to meeting Sallah. It would have answered the question of how they got to Iskenderun and meet with Sallah. Again, this is a simple transitional scene without a great deal of importance to the storyline.
-Kevork Malikyan spent hours with Steven Spielberg staging his death scene. He was to collapse into Alison Doody's arms and slide down her body. After grabbing him, she pulls her hands back to find them covered with blood. The shot never managed to achieve the impact Spielberg wanted and he finally dropped it. The scene was actually a recreation of David Gelin's death from The Man Who Knew Too Much (1956).
After surviving the tank battle, Indy and co. witness an explosion in the distance. The Nazis are blasting a wider entrance through the canyon. This scene was part of a larger cut story element, about the Grail Temple being hidden past a narrow chasm. This also explained how it could go undiscovered for so long. Since Henry has a copy of the map to the canyon in his diary, this transitional scene was considered unnecessary.
The second challenge in the Grail Temple was first planned to have tarantulas hidden under each wrong letter. Indy is shown being menaced by a tarantula crawling up his body, after stepping on the "J." While in post-production Spielberg decided the scene didn't had the impact he was looking for and he came up with the chasm under the stone tablets.
When Indy jumps on to the tank, Colonel Vogel sticks his head up. In the shot from behind his head, the flag on the back of the tank is fluttering in the wrong direction, towards the front of the moving tank. See more »
One thing you gotta say for this series: it isn't boring.
And "Last Crusade" has enough thrills, chills and spills to fill up a few dozen old Saturday afternoon serials.
Right down the line, everything about this film is superb. Ford and Connery do the father and son routine superbly. Rhys-Davies returns as Sallah, as does Elliott who plays Brody with as much befuddlement as Connery does his role. And who can blame him?
And the FX: there's so many you lose count. But don't bother, just sit back, relax and get swept up in the moment. You can't help yourself but to get into this "Crusade".
Ten stars. A classic Ford with a bright Sean.
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