| Photos (see all 6 | slideshow) |
| Philip Davis | ... | Count Istvan | |
| Victoria Catlin | ... | Dr. Catherine Peake | |
| Elizabeth Shé | ... | Marylou Summers | |
| Ben Cole | ... | David Gillespie | |
| William Shockley | ... | Richard Hamilton | |
| Mark Sivertsen | ... | Jonathan Lane | |
| Stephanie Faulkner | ... | Gail Cameron | |
| Mary Stavin | ... | Anna | |
| Clive Turner | ... | Ray Price | |
| Nigel Triffitt | ... | Professor | |
| Jill Pearson | ... | Eleanor | |
| József Madaras | ... | Peter (as Joszef Madaras) | |
| Renáta Szatler | ... | Susan |
Directed by | |||
| Neal Sundstrom | (as Neal Sundström) | ||
Writing credits(in alphabetical order) | ||
| Gary Brandner | books | |
| Freddie Rowe | writer | |
| Clive Turner | screenplay | |
| Clive Turner | story | |
Produced by | |||
| Gary Barber | .... | executive producer | |
| Harvey Goldsmith | .... | executive producer: Allied Vision | |
| Steven A. Lane | .... | executive producer (as Steven Lane) | |
| Robert Pringle | .... | executive producer | |
| Edward Simons | .... | executive producer: Allied Vision | |
| Clive Turner | .... | producer | |
Original Music by | |||
| The Factory | |||
Cinematography by | |||
| Arledge Armenaki | |||
Film Editing by | |||
| Claudia Finkle | |||
| Bill Swenson | |||
Casting by | |||
| Anthony Barnao | |||
| Lisa London | |||
| Estelle Rodkoff | |||
Production Design by | |||
| Nigel Triffitt | |||
Makeup Department | |||
| Elaine Alexander | .... | special makeup effects | |
| John Axford | .... | special makeup effects | |
| Kevin Brennan | .... | special makeup effects | |
| Mike Elizalde | .... | special makeup effects artist | |
| János Németh | .... | makeup artist: Hungary | |
Production Management | |||
| Tamás Kolpaszky | .... | unit manager: Hungary | |
| Gerry Levy | .... | production manager | |
| Marcell Merza | .... | production manager: Hungary | |
| László Szücs | .... | unit manager: Hungary | |
Second Unit Director or Assistant Director | |||
| John Finnegan | .... | second assistant director | |
| Peter Robinson | .... | assistant director: second unit | |
| Waldo Roeg | .... | first assistant director | |
Art Department | |||
| Tivadar Bertalan | .... | art director: Hungary | |
| Miklós Molnár | .... | set decorator: Hungary | |
Sound Department | |||
| Jack T. Knight | .... | sound effects editor | |
| Howard Lanning | .... | dubbing editor | |
| Clive Pendry | .... | dubbing mixer | |
| Paul Sharkey | .... | sound mixer | |
| Hugh Strain | .... | dubbing mixer | |
Special Effects by | |||
| Garth Inns | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Arledge Armenaki | .... | camera operator | |
| John Buckley | .... | gaffer | |
| Jeff Mart | .... | Steadicam operator | |
| Paul Taylor | .... | Steadicam assistant | |
Editorial Department | |||
| Laura Behary | .... | assistant film editor | |
Other crew | |||
| Rebecca Boss | .... | production coordinator | |
| Gyula Kormos | .... | production coordinator: Hungary | |
| Jan Luce | .... | script supervisor | |
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| The Company of Wolves | Howling II: Stirba - Werewolf Bitch | The Horror of Frankenstein | Return of the Living Dead Part II | Vampires: The Turning |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
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Howling V: The Rebirth was better than I expected it to be, but still not a very good film. I don't know about you, but when I watch a werewolf movie I hope to actually SEE the werewolf from time to time. You DON'T SEE THE WEREWOLF in this movie. There are parts of it shown for a couple seconds here and there, but you never see the whole thing. This movie tries to be a mystery, wanting you to figure out who the wolf is. It isn't too hard to figure out, and the answer is confusing. If you want to watch a good werewolf movie, try the first Howling (stay away from parts 3 and 7 AT ALL COSTS) or Silver Bullet.